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	<title>360 &#124; 365 - From the birthplace of film, Rochester, NY</title>
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	<description>Live. Breathe. Film.</description>
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		<title>The future of the 360 &#124; 365 Film Festival</title>
		<link>http://film360365.com/about/archives/501</link>
		<comments>http://film360365.com/about/archives/501#comments</comments>
		<pubDate>Thu, 22 Dec 2011 19:50:43 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>Dear Friends of the 360 &#124; 365 Film Festival,</p>
<p>As treasured friends of the festival, we want to assure you that there will be many more film festivals in Rochester’s future. However, the Board of Directors has decided to reschedule the 2012 Festival for May, 2013. As you probably know, the Festival has been plagued by [...]]]></description>
			<content:encoded><![CDATA[<p>Dear Friends of the 360 | 365 Film Festival,</p>
<p>As treasured friends of the festival, we want to assure you that there will be many more film festivals in Rochester’s future. However, the Board of Directors has decided to reschedule the 2012 Festival for May, 2013. As you probably know, the Festival has been plagued by a depleted staff and serious funding challenges. Despite a lot of hard work this fall, we could not overcome this “perfect storm” of bad stuff. We simply ran out of time to raise the funding needed for a great 2012 festival.</p>
<p>We will spend the coming year hiring an Executive Director, building up our board, and lining up sponsors and support for 2013. We will then be in great shape to produce a terrific festival in 2013. The BEST EVER.</p>
<p>We know we can count on you to keep in touch and watch our progress. We will see you again in the Spring of 2013.</p>
<p>Sincerely,</p>
<p>Nancy McAfee<br />
Board Chair<br />
360/365 Rochester Film Festival</p>
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		<title>Important News From 360&#124;365</title>
		<link>http://film360365.com/about/archives/496</link>
		<comments>http://film360365.com/about/archives/496#comments</comments>
		<pubDate>Fri, 11 Nov 2011 19:21:51 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>To Friends of the 360&#124;365 Film Festival –</p>
<p>As many not-for-profit arts organizations have found, 2011 has been a very difficult year for fundraising. Public funds have become scarce, and corporate sponsorship budgets have not expanded to make up for shortfalls elsewhere.</p>
<p>360&#124;365 has faced our share of fundraising difficulties this year, which are threatening our ability [...]]]></description>
			<content:encoded><![CDATA[<p>To Friends of the 360|365 Film Festival –</p>
<p>As many not-for-profit arts organizations have found, 2011 has been a very difficult year for fundraising. Public funds have become scarce, and corporate sponsorship budgets have not expanded to make up for shortfalls elsewhere.</p>
<p>360|365 has faced our share of fundraising difficulties this year, which are threatening our ability to produce the 2012 Film Festival. In fact, in order to hold the Festival in May, we would need to start investing dollars in December – dollars we don’t currently have.</p>
<p>With this stark reality in mind, the 360|365 Board of Directors has announced that if we do not raise significant funds by November 30, we must cancel the 2012 Film Festival. If that happens, we would spend the year strengthening our financial picture and preparing for a strong 2013 Festival.</p>
<p>But between now and then, we are reaching out to the Greater Rochester community in hopes that we can raise enough funds to make our 2012 Film Festival happen. Individuals and corporations that are interested in supporting our community’s largest Film Festival are welcome to contact us at SeeYouAtTheMovies AT film360365 DOT com</p>
<p>The board is committed to making 360|365 a stronger organization. We thank you for your continued support, and hope you will help spread the word that 360|365 is an exciting, worthwhile asset that the entire Rochester community should support!</p>
<p>Sincerely,<br />
The Board of Directors, 360|365</p>
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		<title>360 &#124; 365 Film Festival – 2012 Submissions Now Open!</title>
		<link>http://film360365.com/about/archives/488</link>
		<comments>http://film360365.com/about/archives/488#comments</comments>
		<pubDate>Wed, 05 Oct 2011 17:01:00 +0000</pubDate>
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		<guid isPermaLink="false">http://film360365.com/about/?p=488</guid>
		<description><![CDATA[<p>Entries for our 2012 Festival are now officially open. And we can’t wait to see what new films you’ve all made this past year!</p>
<p>360 &#124; 365 seeks a broad and diverse spectrum of new films and videos to engage, inspire, and celebrate with our audiences in Western, NY. Our Open Call for Work is now [...]]]></description>
			<content:encoded><![CDATA[<p>Entries for our 2012 Festival are now officially open. And we can’t wait to see what new films you’ve all made this past year!</p>
<p>360 | 365 seeks a broad and diverse spectrum of new films and videos to engage, inspire, and celebrate with our audiences in Western, NY. Our Open Call for Work is now accepting submissions for consideration into its 11th season, May 2 – 7, 2012. Films and videos of all lengths and formats completed after January 1, 2010 are invited to enter including Narrative, Documentary, Shorts, and Children/Young Adult Programming.</p>
<p>Follow the links below for more info!</p>
<p><a href="http://film360365.com/festival/submit-feature">Submit a Feature</a></p>
<p><a href="http://film360365.com/festival/submit-shorts">Submit Short Films and Videos</a></p>
<p><a href="http://film360365.com/festival/submit-children">Submit Children&#8217;s and Young Adult Programming</a></p>
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		<title>360 &#124; 365 Green Film Series to Feature 12 Green-Themed Movies at Greentopia</title>
		<link>http://film360365.com/about/archives/475</link>
		<comments>http://film360365.com/about/archives/475#comments</comments>
		<pubDate>Thu, 15 Sep 2011 17:23:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>ROCHESTER, N.Y. &#8211; 360&#124;365, Rochester&#8217;s acclaimed international film festival, is bringing green-themed movies to Greentopia Sept. 17 and 18.</p>
<p>Presented by Monroe County Executive Maggie Brooks, the 360&#124;365 Green Film Series will be an on-screen celebration of nature and environmentally themed films. The series will showcase films documenting timely topics and exploring the critical relationship between [...]]]></description>
			<content:encoded><![CDATA[<p>ROCHESTER, N.Y. &#8211; 360|365, Rochester&#8217;s acclaimed international film festival, is bringing green-themed movies to Greentopia Sept. 17 and 18.</p>
<p>Presented by Monroe County Executive Maggie Brooks, the 360|365 Green Film Series will be an on-screen celebration of nature and environmentally themed films. The series will showcase films documenting timely topics and exploring the critical relationship between humans and the environment.</p>
<p>&#8220;Monroe County is proud to be the presenting sponsor of the green film series as part of the first-ever Greentopia Festival,&#8221; said Monroe County Executive Brooks. &#8220;This film series is a wonderful example of what individuals, companies and organizations are doing to make our world and local community a more sustainable and environmentally-friendly place.&#8221;</p>
<p>The 360|365 Green Film Series will be held in Club Roar, 233 Mill St. in Brown&#8217;s Race. The dozen films represent the broad gamut of environmentally thoughtful and gorgeous on-screen artistry, including recently filmed documentaries as well as 40-year-old animated shorts that prove &#8220;going green&#8221; has been an important topic for decades.</p>
<p>Films include (in the order of their showtimes):</p>
<ul>
<li>The Green Horns (2010, 50 minutes)</li>
<ul>
<li>Sat., Sept. 17, 11 a.m.</li>
<li>Following the screening, join a Q&amp;A session with Erin Bullock of Mud Creek Farms</li>
<li>ROCHESTER PREMIERE! The news is in from urban, suburban and rural districts alike: America wants more young farmers and more young farmers want a piece of America. It will take millions of these young and much hipper protagonists to care for our ecosystems and serve our country healthy food in the years to come. The Greenhorns enable this critical meeting between minds, bodies, and land by helping young and aspiring farmers to navigate career paths, build skills, and connect with each other.</li>
<li><a href="http://www.thegreenhorns.net/">http://www.thegreenhorns.net/</a></li>
</ul>
</ul>
<ul>
<li>Urbanissimo (1968, 6 minutes)</li>
<ul>
<li>Sat., Sept. 17, 12:45 p.m.</li>
<li>A comic allegory depicting a runaway &#8220;city&#8221; devouring its environs. A farmer has an encounter with the &#8220;city&#8221; and deserts his rural home for the imagined joys of urban life.</li>
<li><a href="http://www.imdb.com/title/tt0178085/">http://www.imdb.com/title/tt0178085/</a></li>
</ul>
</ul>
<ul>
<li>Everything&#8217;s Cool (2007, 89 minutes)</li>
<ul>
<li>Sat., Sept. 17, 1 p.m.; Sun., Sept. 18, 12:30 p.m.</li>
<li>Following the Saturday screening, join a Q&amp;A with filmmaker Judith Helfand via Skype</li>
<li>Everything&#8217;s Cool is a film about America finally &#8220;getting&#8221; global warming in the wake of the most dangerous chasm ever to emerge between scientific understanding and political action. While industry funded nay-sayers sing what just might be their swan song of pseudo- scientific deception, a group of self-appointed global warming messengers are on a high stakes quest to find the iconic image, the magic language, the points of leverage that will finally create the political will to move the United States from its reliance on fossil fuels to the new clean energy economy – AND FAST. Hold on… this is bigger than changing your light bulbs.</li>
<li><a href="http://www.everythingscool.org/">http://www.everythingscool.org/</a></li>
</ul>
</ul>
<ul>
<li>Anima Mundi (2010, 4 minutes)</li>
<ul>
<li>Sat., Sept. 17, 3 p.m.</li>
<li>Composed of thousands of still photographs, anima mundi translates as &#8220;the spirit of the world.&#8221;</li>
<li><a href="http://www.lipstickrobot.com/">http://www.lipstickrobot.com/</a></li>
</ul>
</ul>
<ul>
<li>Comfort Zone (a film in progress) (2011, 70 minutes = 30 mins for film + 40 mins for panel)</li>
<ul>
<li>Sat., Sept. 17, 3:15 p.m.</li>
<li>Following the screening, enjoy a panel discussion featuring:</li>
<ul>
<li>Dave Danesh, Filmmaker</li>
<li>Sean Donnelly, Filmmaker</li>
<li>Kate Kressmann-Kehoe, Filmmaker</li>
<li>Kimie Romeo, Environmental Educator, RIT and Upstate Green Business Network</li>
<li>Katrina Korfmacher, Environmental Policy Analyst, University of Rochester</li>
<li>Bob Siegel, Executive Director, Cool Rochester</li>
</ul>
<li>A locally-produced documentary taking the global issue of climate change to a local and personal level. Using the Rochester, NY area as their backdrop, three locally-based filmmakers bring the viewer on an intimate journey of what is at stake in Western NY while exploring the challenges of meaningful change. Join the filmmakers for a sneak preview of the beginning of the film, followed by an opportunity to ask questions both of the filmmakers and local experts.</li>
</ul>
</ul>
<ul>
<li>Corner Plot (2010, 10 minutes)</li>
<ul>
<li>Sat., Sept. 17, 4:30 p.m.</li>
<li>Amid the tangle of commuter traffic, shopping malls and office buildings that define life inside the beltway rests a one-acre piece of farmland under the care of 89-year-old Charlie Koiner. With the help of his only daughter, Charlie continues to work his land, share his produce, and enjoy the farm life he&#8217;s always known. Corner Plot explores one man&#8217;s steadfast authenticity in a changing world.</li>
<li><a href="http://cornerplotmovie.com/">http://cornerplotmovie.com/</a></li>
</ul>
</ul>
<ul>
<li>Trans Andes Challenge (2011, 9 minutes)</li>
<ul>
<li>Sat., Sept. 17, 4:45 p.m.</li>
<li>Following the screening, join a Q&amp;A session with John Brown</li>
<li>This film is a celebration of the landscape of mountain bike racing during a weeklong mountain bike stage race in Patagonia, Chile. Following an international team, Jamis Bicycles, the film documents the life of professional racers as they explore the people, food and countryside of Chile, train in the mountains of the Patagonia region, and ultimately compete in the grueling competition known as Trans Andes Challenge.</li>
<li><a href="http://www.transandeschallenge.com/2010/news_documentary-bicycle-film-festival.html">http://www.transandeschallenge.com/2010/news_documentary-bicycle-film-festival.html</a></li>
</ul>
</ul>
<ul>
<li>Dark Side of the Lens (6 minutes)</li>
<ul>
<li>Sat., Sept. 17, 5:30 p.m.</li>
<li>Darkside of the Lens offers a surreal, ethereal, passionate and personal glimpse into the life and motivations of an ocean-based photographer – working on a magical, yet isolated, frozen and dangerous stretch of the Irish coastline. Through poignant, poetic narrative, the film eventually transcends itself as an abstract reflection of one photographer&#8217;s ideals, to become a voice for the art form. Land, sea and wavescapes illustrate the grandeur of this environment, and huge explosions of water bring its realities home, as the photographer swims through the epicenter of it all.</li>
<li><a href="http://duregger.net/short-film-friday/dark-side-of-the-lens-short-film-friday/">http://duregger.net/short-film-friday/dark-side-of-the-lens-short-film-friday/</a></li>
</ul>
</ul>
<ul>
<li>The Pipe (2010, 83 minutes)</li>
<ul>
<li>Sun., Sept. 18, 10:30 a.m.</li>
<li>Following the screening, join a Q&amp;A session with the filmmakers via Skype</li>
<li>ROCHESTER PREMIERE! Note: Contains adult language.</li>
<li>A compelling documentary four years in the making, The Pipe tells the story of the small Rossport community which has taken on the might of Shell Oil and the Irish State. Following the personal experience of three main characters at the height of local tension, The Pipe is a story of a community divided, and the prospect of a pipeline that can bring economic prosperity or destroy of a way of life shared for generations.</li>
<li><a href="http://www.thepipethefilm.com/">http://www.thepipethefilm.com/</a></li>
</ul>
</ul>
<ul>
<li>Eggs (1970, 9 minutes)</li>
<ul>
<li>Sun., Sept. 18, 12:15 p.m.</li>
<li>On planet Earth, the Goddess of Fertility is lovingly sowing the seeds of life, which brings her into direct conflict with her partner, Death. He wants her to slow down.</li>
<li><a href="http://www.imdb.com/title/tt0177742/">http://www.imdb.com/title/tt0177742/</a></li>
</ul>
</ul>
<ul>
<li>Everything&#8217;s Cool (2007, 89 minutes)</li>
<ul>
<li>Second showing, Sun., Sept. 18, 12:30 p.m.</li>
</ul>
</ul>
<ul>
<li>Heliotropes (2011, 3 minutes)</li>
<ul>
<li>Sun., Sept. 18, 2:15 p.m.</li>
<li>HELIOTROPES documents the parallel goals of man and nature, through the most primitive and sophisticated means, to simply stay in the light. Based on the poem by Brian Christian.</li>
<li><a href="http://www.langanfilms.com/heliotropes.html">http://www.langanfilms.com/heliotropes.html</a></li>
</ul>
</ul>
<ul>
<li>Summer Pasture (2010, 85 minutes)</li>
<ul>
<li>Sun., Sept. 18, 2:30 p.m.</li>
<li>Summer Pasture is set 15,000 ft above sea level, on the breathtakingly beautiful and inescapably lonely plateaus of Eastern Tibetan, which have been home to nomads for the last 4,000 years. The film explores the romanticism and hard realities of living off the land in an historic moment in Tibet&#8217;s history, when the choice between tradition and modernity is anything but simple.</li>
<li><a href="http://www.khamfilmproject.org/SummerPasture.php">http://www.khamfilmproject.org/SummerPasture.php</a></li>
</ul>
</ul>
]]></content:encoded>
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		<title>Nazareth and 360 &#124; 365 Hold Rochester Teen Film Festival, Aug. 3</title>
		<link>http://film360365.com/about/archives/461</link>
		<comments>http://film360365.com/about/archives/461#comments</comments>
		<pubDate>Tue, 02 Aug 2011 15:38:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[<p></p>
<p>Nazareth College and 360 &#124; 365 Film Festival are ready to showcase the 12 finalists in a special screening during the2011 Rochester Teen Film Festival, a collaborative, juried media competition for youth in the Rochester region. The finalists were selected out of  63 entries from 13-18 year olds in the greater Rochester area. The 12 [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-462" title="rtfflogonowords" src="http://film360365.com/about/wp-content/uploads/2011/08/rtfflogonowords.jpg" alt="" width="150" height="206" /></p>
<p>Nazareth College and 360 | 365 Film Festival are ready to showcase the 12 finalists in a special screening during the<strong>2011 Rochester Teen Film Festival</strong>, a collaborative, juried media competition for youth in the Rochester region. The finalists were selected out of  63 entries from 13-18 year olds in the greater Rochester area. The 12 teen filmmakers will be at the festival at the <strong>Little Theatre on August 3, at 5:30 p.m.</strong>, to present their films, and judges will then decide who receives &#8220;Best of the Fest&#8221; awards. A free reception also follows the screening at the Little Theatre Cafe.  All finalist films will also be shown at the 360 | 365 Film Festival in 2012. For more information, visit <a href="http://www.film360365.com/school" target="_blank">www.film360365.com/school</a> or contact Dr. Brian Bailey, Nazareth College assistant professor of education, at (585) 389-2764 or bbailey2@naz.edu.</p>
<p>The Rochester Teen Film Festival is an annual celebration of youth filmmakers, which honors the work of urban, suburban and rural teenagers. An integral part of Nazareth’s and 360 | 365’s mission is education of Upstate New York youth and emerging filmmakers. The festival gives teenagers the opportunity to share their stories with each other and the Greater Rochester Community.</p>
<p>360 | 365 interactively engages filmmakers and film-loving audiences in education, discovery and celebration through the medium of film in all aspects and directions, 365 days a year. The organization, located in the very birthplace of motion picture film, Rochester, N.Y., encourages amateur shorts filmmaking with its Shorts Contests, hosts conversations with filmmakers via its New Director Series, and culminates its efforts in an annual five-day Film Festival. For more information about 360 | 365, visit <a href="http://www.film360365.com" target="_blank">www.film360365.com</a>.</p>
<p>Founded in 1924, Nazareth College is located on a close-knit, suburban campus in the dynamic, metropolitan region of Rochester, N.Y. The College offers challenging academic programs in the liberal arts and sciences and professional programs in health and human services, education, and management. Nazareth&#8217;s strong cultures of service and community prepare students to be successful professionals and engaged citizens. The College enrolls approximately 2,000 undergraduate students and 1,000 graduate students.</p>
<p><strong>Learn More</strong><br />
<a href="http://film360365.com/school" target="_top">360 | 365 Film School</a></p>
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		<title>Go Green! Shorts Contest Winners</title>
		<link>http://film360365.com/about/archives/451</link>
		<comments>http://film360365.com/about/archives/451#comments</comments>
		<pubDate>Thu, 07 Jul 2011 15:40:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>Congratulations to the winners of the latest 360 &#124; 365 Shorts Contest!</p>
<p>First Place: PIECES OF WAR by Joey Blackburn
Second Place: TILL 5 O’CLOCK by Gage Wyand
Third Place: IN YOUR SHOES by Lauren Hurdle</p>
<p>See the films, and all our past winners, at
http://film360365.com/shorts/award-winning-films</p>
]]></description>
			<content:encoded><![CDATA[<p>Congratulations to the winners of the latest 360 | 365 Shorts Contest!</p>
<p>First Place: PIECES OF WAR by Joey Blackburn<br />
Second Place: TILL 5 O’CLOCK by Gage Wyand<br />
Third Place: IN YOUR SHOES by Lauren Hurdle</p>
<p>See the films, and all our past winners, at<br />
<a href="http://film360365.com/shorts/award-winning-films">http://film360365.com/shorts/award-winning-films</a></p>
]]></content:encoded>
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		<title>Camp Counselors Wanted</title>
		<link>http://film360365.com/about/archives/431</link>
		<comments>http://film360365.com/about/archives/431#comments</comments>
		<pubDate>Thu, 26 May 2011 16:42:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>360 &#124; 365 is looking for camp counselors to work with Rochester youth at the Summer Filmmaking Camp, July 18-22 at Nazareth College.</p>
<p>See the document below for all the details.</p>
<p>
View the Job Description</p>
<p>For more information, check the website at http://film360365.com/school/film-camp or contact Allison Weise, Camp Director at (585) 764-4483 or allison AT vitalwork DOT com [...]]]></description>
			<content:encoded><![CDATA[<p>360 | 365 is looking for camp counselors to work with Rochester youth at the <a href="http://film360365.com/school/film-camp" target="_top">Summer Filmmaking Camp</a>, July 18-22 at Nazareth College.</p>
<p>See the document below for all the details.</p>
<p><a href="http://film360365.com/about/wp-content/uploads/2011/05/Final-Summer-Filmmaking-Camp-Camp-Counselor-Job-Description-2011.pdf" target="_blank"><img class="alignnone size-full wp-image-432" title="Summer Filmmaking Camp Camp Counselor Job Description 2011" src="http://film360365.com/about/wp-content/uploads/2011/05/counselorthumb.jpg" alt="" width="114" height="151" /></a><br />
<a href="http://film360365.com/about/wp-content/uploads/2011/05/Final-Summer-Filmmaking-Camp-Camp-Counselor-Job-Description-2011.pdf" target="_blank">View the Job Description</a></p>
<p>For more information, check the website at <a href="http://film360365.com/school/film-camp" target="_top">http://film360365.com/school/film-camp</a> or contact Allison Weise, Camp Director at (585) 764-4483 or allison AT vitalwork DOT com .</p>
]]></content:encoded>
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		<title>Catch Trollhunter</title>
		<link>http://film360365.com/about/archives/426</link>
		<comments>http://film360365.com/about/archives/426#comments</comments>
		<pubDate>Fri, 13 May 2011 18:05:27 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p></p>
<p>News from the makers of TROLLHUNTER, which played at this year&#8217;s 360 &#124; 365 George Eastman House Film Festival.</p>
<p>The fantasy mockumentary is now available On Demand and will be in theatres beginning June 10th</p>
<p>Visit http://www.trollhunterfilm.com for updates!</p>
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-large wp-image-427" title="troll_hunter" src="http://film360365.com/about/wp-content/uploads/2011/05/troll_hunter-405x600.jpg" alt="" width="320" height="473" /></p>
<p>News from the makers of TROLLHUNTER, which played at this year&#8217;s 360 | 365 George Eastman House Film Festival.</p>
<p>The fantasy mockumentary is now available On Demand and will be in theatres beginning June 10th</p>
<p>Visit <a href="http://www.trollhunterfilm.com" target="_blank">http://www.trollhunterfilm.com</a> for updates!</p>
]]></content:encoded>
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		<title>Louder Than a Bomb opens May 18 in New York City</title>
		<link>http://film360365.com/about/archives/418</link>
		<comments>http://film360365.com/about/archives/418#comments</comments>
		<pubDate>Fri, 13 May 2011 18:01:00 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>In our last email wrap to the filmmakers, we asked people to keep us in the loop on where their projects go so we can promote them.  (ie last email re: THE FIRST GRADER).  We screened LOUDER THAN A BOMB twice  &#8211; AMAZING film!!&#8212;- and now it will begin a theatrical  [...]]]></description>
			<content:encoded><![CDATA[<p>In our last email wrap to the filmmakers, we asked people to keep us in the loop on where their projects go so we can promote them.  (ie last email re: THE FIRST GRADER).  We screened LOUDER THAN A BOMB twice  &#8211; AMAZING film!!&#8212;- and now it will begin a theatrical  roll out.  And look below – they are now using a quote from our very own Dayna from CITY!!!!</p>
<p>LM</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;</p>
<p><img class="alignnone size-large wp-image-422" title="ltab" src="http://film360365.com/about/wp-content/uploads/2011/05/ltab-405x600.jpg" alt="" width="340" height="503" /></p>
<div>
<p>Louder Than a Bomb launches its nationwide theatrical rollout with a run at the <a href="http://siskeljacobsproductions.cmail1.com/t/r/l/jtlijul/nkiulduc/h/" target="_blank">IFC Center in NYC</a> from  May 18-26. Co-directors Greg Jacobs &amp; Jon Siskel will be in  attendance at the evening screenings May 18-21, along with two of the  film&#8217;s stars—Nate Marshall &amp; Nova Venerable. Tickets and showtimes  available on Monday, May 16 after 6:00 pm.</p>
</div>
<div>
<p><a href="http://siskeljacobsproductions.forwardtomyfriend.com/r/nkiulduc/96C50D90/jtlijul/l/r" target="_blank"></a>We need your help to spread the word!</p>
</div>
<div>
<p><strong>UPCOMING CITIES</strong></p>
</div>
<p>Seattle &#8211; Opens May 6<br />
Columbus – Opens May 13<br />
Chicago – Returns May 20<br />
Boston – Opens June 3<br />
Palm Springs – Opens June 3<br />
Amherst, MA – Opens June 3<br />
Washington, DC – Opens June 10<br />
Portland, OR – Opens June 10<br />
Salem, MA – Opens June 17</p>
<div>
<p>More dates to come! For the latest info, visit the <a title="Louder Than A Bomb Web Site" href="http://www.louderthanabombfilm.com/" target="_blank">LTAB site</a> or find us on <a title="Louder Than A Bomb on Facebook" href="http://www.facebook.com/pages/Louder-Than-a-Bomb-documentary/47895608715" target="_blank">Facebook</a>.</p>
<div>
<p><strong>WHAT CRITICS ARE SAYING ABOUT <em>LTAB</em></strong></p>
</div>
<p><em>&#8220;Inspiring  and electrifying&#8230;If the Louder Than a Bomb finals were telecast the  way high school sports are, I have a feeling their audience would grow  by the minute.&#8221;<br />
</em>Roger Ebert, Chicago Sun-Times<em> </em></p>
<p><em>&#8220;An affecting and superbly paced celebration of American youth at their creative best&#8230;&#8221;<br />
</em>Robert Koehler, Variety<em> </em></p>
<p><em>&#8220;Four  Chicago high-school poetry teams dazzle, inspire and kick serious ass  with words as they prep for the world&#8217;s biggest youth poetry slam.  Thankfully their journey is never saccharine. What it is: powerful and  exhilarating.&#8221;<br />
</em>Liz Plosser, TimeOut Chicago<em> </em></p>
<p><em>&#8220;It&#8217;s  impossible to be unmoved by these school kids, some from badly broken  homes, who eloquently reveal their inner emotions on stage&#8230;It&#8217;s a  get-up-and-clap kind of movie.&#8221;<br />
</em>Tim Basham, Paste Magazine<em> </em></p>
<p><em>&#8220;One of the most inspiring and exhilarating documentaries in months, or maybe years&#8230;Vibrant and moving.&#8221;<br />
</em>Steve Pond, The Wrap<em> </em></p>
<p><em>&#8220;A  genuinely stirring hometown chronicle. As these writer/performers  collaborate with their colleagues, mentors and notebooks en route to the  competition, &#8220;Louder Than a Bomb&#8221; becomes an ode to Chicago&#8217;s diverse  voices. Irresistible.&#8221;<br />
</em>Michael Phillips, Chicago Tribune<em> </em></p>
<p><em>&#8220;This probably isn&#8217;t the most criticky way to start a review, but I love this movie so much&#8221;<br />
</em>Dayna Papaleo, Rochester City Newspaper<em></em></p>
<p><em>&#8220;What  2002&#8242;s hit Spellbound did for spelling bees, this inspiring documentary  does doubly well for high school spoken-word poetry slams. The ending  isn&#8217;t as neatly uplifting as you might expect, but you&#8217;ll be riveted  until the final explosive verse.&#8221;<br />
</em>Seth Kubersky, Orlando Weekly<em></em></p>
<p><em>&#8220;Louder  than a Bomb is an exhilarating film, presenting a great range of  talents. There are poems and performances here that are funny, others  moving, and the whole of the film is brimming with vitality. Many of  these poems took me by surprise. I think all kinds of poetry can do that  when we&#8217;re lucky.&#8221;<br />
</em>W.S. Merwin, U.S. Poet Laureate<em></em></p>
<p><em>&#8220;Calling  &#8216;Louder Than a Bomb&#8217; a documentary is doing it a disservice. It is an  important film acted by real-life kids with real-life issues. It has  drama and an arc that most dramatic films struggle to achieve. The  soundtrack is powerful and engaging. This movie explodes off the screen  and into your heart.&#8221;<br />
</em>Tom Silverman, Tommy Boy Founder and New Music Seminar Co-Founder/Co-Director<em></em></p>
<p>Copyright 2011 <a title="Siskel/Jacobs Productions" href="http://siskeljacobsproductions.cmail1.com/t/r/l/jtlijul/nkiulduc/yu/" target="_blank"></a><br />
Siskel/Jacobs Productions | 1807 W. Sunnyside Ave. Chicago, IL 60640 | tel <a href="tel:773.271.9500" target="_blank">773.271.9500</a></p>
</div>
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		<title>The First Grader &#8211; Make a Difference by just clicking&#8230;</title>
		<link>http://film360365.com/about/archives/410</link>
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		<pubDate>Fri, 13 May 2011 17:47:43 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>Some news from Sam Feuer, director of our Audience Favorite Narrative film,  THE FIRST GRADER.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>Hi&#8230; We are excited to announce that for each view of THE FIRST GRADER trailer on YouTube, our friends at Capella University will donate fifty cents to promote  education worldwide! The money will go to Reading is Fundamental, South  [...]]]></description>
			<content:encoded><![CDATA[<p>Some news from Sam Feuer, director of our Audience Favorite Narrative film,  THE FIRST GRADER.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p><strong>Hi&#8230; We are excited to announce that for each view of THE FIRST GRADER trailer on YouTube,</strong> our friends at Capella University will donate fifty cents to promote  education worldwide! The money will go to Reading is Fundamental, South  Sudan Institute, and Kakenya Center for Excellence&#8230; All you have to do  is watch the video&#8230;</p>
<p><strong>Please share the link below with family and friends!  It&#8217;s doesn&#8217;t cost you a thing&#8230;</strong></p>
<p><strong> </strong></p>
<p><object width="380" height="246"><param name="movie" value="http://www.youtube.com/v/ns030fCDorE?fs=1&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/ns030fCDorE?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="380" height="246" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><strong><a href="http://www.youtube.com/watch?v=ns030fCDorE&amp;feature=youtu.be" target="_blank">http://www.youtube.com/watch?v=ns030fCDorE&amp;feature=youtu.be</a></strong></p>
<p>Visit our official Facebook page and become a fan: <a href="http://www.facebook.com/TheFirstGrader" target="_blank">http://www.facebook.com/TheFirstGrader</a></p>
<p><strong>THE FIRST GRADER</strong>,  will begin it&#8217;s theatrical run in the USA on May 13th (theaters listed  below)&#8230; Canada on May 20th&#8230; UK on June 24th&#8230; Australia/NZ on June  30th&#8230; Japan on July 30th&#8230; Kenya and South Africa on Aug 5th&#8230;  Singapore/Brunei on Sept 1st&#8230; And will be spreading throughout Africa,  the Middle East, Europe and more to come with your support&#8230;</p>
<p><strong>THE FIRST GRADER</strong> tells the remarkable uplifting true story of an 84 year-old ex Mau Mau  Freedom Fighter in Kenya that enrolls in the first grade for the first  time in his life after the Kenyan government offers free education for  all.  It was directed by Justin Chadwick (The Other Boleyn Girl),  written by Ann Peacock (The Chronicles of Narnia) and stars Naomie  Harris (of the Pirates of the Caribbean series, 28 Days Later, Miami  Vice)<br />
<strong><br />
Winner of </strong><strong>the </strong><strong>Doha  Tribeca Film Festival Audience Prize, Toronto Film Festival Audience  Prize &#8211; runner-up to A King&#8217;s Speech, Sedona Film Festival Best  Director&#8217;s Choice and the Audience Choice Award, The Pan African Film  Festival Audience Choice Award, Palm Beach Film Festival Best Feature  Film Award, Nashville International Film Festival Audience Choice Award  and the Rochester 360/365 Film Festival Audience Prize for Best  Narrative Film. </strong><strong><br />
</strong><br />
Go to <a href="http://www.thefirstgrader-themovie.com/" target="_blank">TheFirstGrader-movie.com</a> for a screening schedule.</p>
<p>&#8211;<br />
Sam Feuer<br />
Sixth Sense Productions<br />
<a href="tel:310-246-1085" target="_blank">310-246-1085</a><br />
<a href="http://www.sixthsenseproductions.com/" target="_blank">www.sixthsenseproductions.com</a><br />
<a href="http://www.thefirstgrader-themovie.com/" target="_blank">http://www.thefirstgrader-themovie.com</a></p>
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		<title>One more audience winner: Best Short Film</title>
		<link>http://film360365.com/about/archives/398</link>
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		<pubDate>Mon, 09 May 2011 15:26:25 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p></p>
<p>For this year&#8217;s 360 &#124; 365 George Eastman House Film Festival, we asked audience members to vote on their favorites from the three screenings of short films.</p>
<p>We&#8217;re pleased to announce that Amy Adrion&#8217;s SHOEGAZER was selected as audience favorite.  Shoegazer is a big short film about trust, love, standing up for yourself, the kindness [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-399" title="shoegazer" src="http://film360365.com/about/wp-content/uploads/2011/05/shoegazer.jpg" alt="" width="380" height="95" /></p>
<p>For this year&#8217;s 360 | 365 George Eastman House Film Festival, we asked audience members to vote on their favorites from the three screenings of short films.</p>
<p>We&#8217;re pleased to announce that Amy Adrion&#8217;s SHOEGAZER was selected as audience favorite.  Shoegazer is a big short film about trust, love, standing up for yourself, the kindness of strangers, and the magic of one long night in the big city.</p>
<p>Congratulations!  It was no surprise that audiences found the film as beautifully acted and directed as we on the shorts committee did.</p>
<p>Find out more about the film at Adrian&#8217;s website here:  <a href="http://amyadrion.com/films/shoegazer" target="_blank">http://amyadrion.com/films/shoegazer</a></p>
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		<title>Audience Winners for the 2011 Festival</title>
		<link>http://film360365.com/about/archives/368</link>
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		<pubDate>Mon, 02 May 2011 02:51:16 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>The NARRATIVE winner is….</p>
<p>The First Grader will screen at 7pm at The Little Monday, May 2.
</p>

<p>The DOCUMENTARY winner is…</p>
<p>Bill Cunningham New York playing at 9:15 pm at the Little Theatre (Monday, May 2).
</p>
<p>Thanks to everyone who voted!</p>
]]></description>
			<content:encoded><![CDATA[<p>The NARRATIVE winner is….</p>
<p><strong>The First Grader</strong> will screen at 7pm at The Little Monday, May 2.<br />
<a href="http://film360365.com/festival/event?org=10657&amp;event=33895" target="_blank"><img class="size-full wp-image-387" title="The First Grader" src="http://film360365.com/about/wp-content/uploads/2011/05/The-First-Grader-4-HR.jpg" alt="The First Grader" width="300" height="199" /></a></p>
<hr />
<p>The DOCUMENTARY winner is…</p>
<p><strong>Bill Cunningham New York</strong> playing at 9:15 pm at the Little Theatre (Monday, May 2).<br />
<a href="http://film360365.com/festival/event?org=10657&amp;event=33891" target="_blank"><img class="size-full wp-image-388" title="Bill Cunningham, NY" src="http://film360365.com/about/wp-content/uploads/2011/05/bcny_gallery4.jpg" alt="Bill Cunningham, NY" width="300" height="168" /></a></p>
<p>Thanks to everyone who voted!</p>
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		<title>Julie Taymor to receive Susan B. Anthony Award from 360 &#124; 365 George Eastman House Film Festival</title>
		<link>http://film360365.com/about/archives/372</link>
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		<pubDate>Fri, 22 Apr 2011 17:41:45 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>Oscar®-nominated and Tony Award®-winning director honored April 29</p>
<p>ROCHESTER, N.Y. — The 360 &#124; 365 George Eastman House Film Festival announces Oscar®-nominated and Tony Award®-winning director Julie Taymor is the 2011 recipient of its Susan B. Anthony Award. The ceremony will be at 6:30 p.m. Friday, April 29 in the Dryden Theatre at George Eastman House, [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;">Oscar</span>®<span style="font-size: medium;">-nominated and Tony Award</span>®<span style="font-size: medium;">-winning director honored April 29</span></p>
<p>ROCHESTER, N.Y. — The 360 | 365 George Eastman House Film Festival announces Oscar®-nominated and Tony Award®-winning director Julie Taymor is the 2011 recipient of its Susan B. Anthony Award. The ceremony will be at 6:30 p.m. Friday, April 29 in the Dryden Theatre at George Eastman House, followed by a screening of her 2010 film <em>The Tempest</em>, which she directed and also wrote the adapted screenplay. Tickets are $15 and are on sale now.</p>
<p>Taymor is a theater, opera, and film director, as well as an award-winning songwriter, screenwriter, and costume designer. Her filmography includes <em>Titus</em> (1999), <em>Frida</em> (2002) and <em>Across the Universe</em> (2007), and her stage work includes <em>The Lion King</em>, for which she earned Tony Awards® for costumes and direction — making her the first woman to earn a Tony® for directing a musical — as well as the Pulitzer-nominated opera <em>Grendel</em> (2006) and most recently serving as co-writer and original director of Broadway’s <em>Spider-Man: Turn Off The Dark</em> (2011).</p>
<p>“Julie Taymor had clear, rich ideas about how <em>The Lion King</em> should look from start to finish,” said Garth Fagan, who earned a Tony Award® for choreographing <em>The Lion King</em> and who will take part in her award ceremony.  “Julie had numerous superb ideas as to how we would solve any problems that arose and insisted we find the magical solutions. She was hardworking and visionary. Congrats, Julie!”</p>
<p>The Susan B. Anthony Award, which has been given by the festival since its inception in 2001, shines a spotlight on individuals who have done extraordinary things throughout their careers to advance women in film.  Past recipients include Rita Moreno, Pam Grier, Angela Basset, Lynn Redgrave, and Thelma Schoonmaker.</p>
<p>“This year we wanted to honor a filmmaker that was fearless in her pursuit of creativity and excelled in her artistic vision,” said Linda Moroney, managing director for 360 | 365. “Julie Taymor holds those two elements with grace and with clarity. We are honored to present her with our 2011 Susan B. Anthony Award.”</p>
<p>Festival audiences will have two opportunities to experience Taymor in person, and two opportunities to experience her films. “A Conversation with Julie Taymor” led by Jack Garner will take place at 11 a.m. Saturday, April 30, in Little Theatre 5. Tickets are $12. Screenings include <em>The Tempest</em> on award night, Friday, April 29, which stars Djimon Hounsou, Russell Brand, and Helen Mirren as Prospero, a role usually cast with a male actor.</p>
<p>The second film, <em>Across the Universe</em> (PG-13), will be shown as a <em>free </em>outdoor screening at 8 p.m. Thursday, April 28 at the Memorial Art Gallery (to be held indoors at the MAG in event of rain). The film features the music of the Beatles and the Vietnam War as the backdrop to a visually charged romance between an upper-class American girl and an artist from Liverpool, England.</p>
<p>The 360 | 365 George Eastman House Film Festival takes to Rochester screens April 27-May 2, with 105 films from 21 countries, plus celebratory parties, panel discussions, artist conversations, and award ceremonies. Others being honored this year are Oscar®-nominated and Emmy®-winning cinematographer Buddy Squires, who will receive the Golden Lens Award for Cinematography, presented by Kodak and the festival, and celebrated Rochester-based screenwriter Brock Yates, who will receive the inaugural Rochester Film Legacy Award. The festival is celebrating its 10<sup>th</sup> year in 2011.</p>
<p>The 360 | 365 George Eastman House Film Festival is the only contemporary film festival in the United States aligned with a major motion picture archive. It is also Rochester’s largest film festival. The artistic vision for the festival is steered by a three-member team: a filmmaker, a film programmer, and a film critic — Linda Moroney (Independent Filmmaker), Jack Garner (retired chief film critic for Gannett News Service), and Lori Donnelly (George Eastman House’s film programmer).</p>
<p>Tickets for the 2011 festival are on sale now. Tickets and passes can be purchased at <a href="http://www.film360365.com/festival/tickets-and-passes" target="_top">www.film360365.com/festival/tickets-and-passes</a>. Tickets also can be purchased in person at The Little Theatre (lobby of Theaters (2-5) Wednesday, April 20 through Sunday, May 1, as well as at each venue before each event if tickets remain.</p>
<p>The festival’s official program book will be available to the public beginning Wednesday, April 13, inserted into that weeks’ issue of <em>City Newspaper</em> and at various sites throughout the community, as well as posted online.</p>
<p>The major sponsors of the 360 | 365 George Eastman House Film Festival are Monroe County, Assemblyman Joe Morelle, City of Rochester, VisitRochester, Partners + Napier, Dixon Schwabl, Harris Beach Law Firm, Eastman Kodak Company, and Philipson Group.</p>
<p><span style="font-size: medium;"><strong>About the 360 | 365 </strong></span><strong>George Eastman House Film Festival</strong></p>
<p>The 360 | 365 George Eastman House Film Festival is a six-day celebration of film and film history, including local premieres of more than 100 new features documentaries, short films, and experimental works. This international festival – the only contemporary film festival in the United States aligned with a major film archive — presents lively panel discussion and awards to legendary filmmakers and artists. Experience the films and excitement you see at Sundance, Berlin, and Tribeca. For more information visit <a href="http://www.film360365.com/" target="_top">www.film360365.com</a>.  <strong>Live.Breathe.Film.</strong></p>
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		<title>360 &#124; 365 George Eastman House Film Festival to showcase 104 films from 21 countries April 27 – May 2</title>
		<link>http://film360365.com/about/archives/347</link>
		<comments>http://film360365.com/about/archives/347#comments</comments>
		<pubDate>Wed, 30 Mar 2011 21:00:55 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>  Award recipients include Buddy Squires and Brock Yates</p>
<p>ROCHESTER, N.Y. — The 360 &#124; 365 George Eastman House Film Festival takes to Rochester screens April 27-May 2, with 104 films from 21 countries, plus celebratory parties, panel discussions, artist conversations, and award ceremonies. Those being honored this year include Oscar®-nominated and Emmy®-winning cinematographer Buddy [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: x-small;"><strong> </strong></span><span style="font-size: medium;"><strong> </strong>Award recipients include Buddy Squires and Brock Yates</span></p>
<p>ROCHESTER, N.Y.<strong> </strong>— The 360 | 365 George Eastman House Film Festival takes to Rochester screens April 27-May 2, with 104 films from 21 countries, plus celebratory parties, panel discussions, artist conversations, and award ceremonies. Those being honored this year include Oscar®-nominated and Emmy®-winning cinematographer Buddy Squires and celebrated Rochester-based screenwriter Brock Yates. The festival is celebrating its 10<sup>th</sup> year in 2011.</p>
<p>“This festival is an opportunity to showcase international films and to share the beauty of the region with our visiting filmmakers,” said John Richardson, executive director of 360 | 365. “Here you experience the excitement and films you see at Sundance, Berlin, and Tribeca, with a front-row seat to future Oscar-®winning films.”</p>
<p>The 360 | 365 George Eastman House Film Festival is the only contemporary film festival in the world aligned with a major motion picture archive. It is also Rochester’s largest film festival. Highlights of selected films include <em>Bill Cunningham New York</em>, about the famed <em>New York Times</em> fashion photographer; <em>The First Grader</em>, the inspiring story of an 84-year-old man experiencing free education in Kenya for the first time; <em>Harmony: The Road to Carnegie Hall</em>, a documentary capturing the historic YouTube Symphony Orchestra Concert, featuring a student from Eastman School of Music; <em>LouderThan a Bomb</em>, the<em> </em>world’s largest youth poetry slam; the modern Western<em> Meek’s Cutoff; Not My Life</em>, a documentary about human trafficking by Oscar®-nominated filmmaker Robert Bilheimer and Oscar®-nominated cinematographer, and Rochester’s own, Richard Young — a tribute to Richard will be shown before the screening; <em>Poetry</em>, from South Korea, which has won honors at film festivals internationally<em>; Another Earth</em>, recent winner of the Sundance Film Festival’s Alfred P. Sloan Prize; <em>Tracker</em><em>,</em> the story of a hunter and his prey played out against the backdrop of the New Zealand wildnerness;<em> The Lie, </em>a dark comedy starring<em> </em>Joshua Leonard;<em> </em>and <em>Wrecked, </em>a mystery starring Adriene Brody as the sole survivor of a car crash.</p>
<p>The film lineup features three screenings from the Eastman House archives, including a recent restoration, <em>Jazzmania</em> (1923), accompanied by live jazz band The Djangoners, a rare nitrate screening of <em>Gone to Earth</em> (1950), and <em>A Matter of Life &amp; Death (aka Stairway to Heaven</em>, 1946), which was photographed by Jack Cardiff, and will follow a screening of a new documentary titled <em>Cameraman</em> about the famed cinematographer.</p>
<p>“We screen premieres as well as restored films daily in our Dryden Theatre, and the 360 | 365 George Eastman House Film Festival provides an additional platform to present archival films and our work as a world leader in film preservation,” said Dr. Anthony Bannon, the Ron and Donna Fielding Director of George Eastman House. “This festival is a rich blend of our film history with the newest film releases, selected by the exceptional programming team comprised of an award-winning filmmaker, a nationally celebrated film critic, and Eastman’s House’s experienced film programmer.”</p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>Festival Awards</strong></span></span></p>
<p><strong>Buddy Squires: Golden Lens Award for Cinematography, presented by Kodak</strong></p>
<p><strong>and 360 | 365 George Eastman House Film Festival</strong></p>
<p>6:45 p.m. Thursday, April 28</p>
<p>Buddy Squires, whom many call “the visual poet,” is best known for photographing the films of Ken Burns and is a founding member of Florentine Films. He has earned several Oscar® nominations and Emmy® awards for cinematography, as well as for producing and directing, plus several additional leading cinematography honors. A program featuring Squires’ work will be screened followed the award presentation. The festival’s film roster includes a screening of <em>Strangers No More</em> (2010), the current Oscar® winner for Best Short Documentary, for which Squires served as cinematographer.</p>
<p>“Buddy Squires is a master of the cinematic art,” said Lauren Lung, vice president and general manager of Kodak&#8217;s motion picture business in North and South America. “His works reveals us to ourselves. Whether it’s an interview with Buck O&#8217;Neil or a steamboat on the Mississippi River emerging from the mist at dusk, it’s clear that behind the camera is the eye — and soul — of a true artist. We at Kodak are constantly amazed by what filmmakers do with our tools, but never more so than by Buddy’s iconic and timeless imagery.”</p>
<p>Squires’ films with Ken Burns are preserved at George Eastman House, which houses the Florentine Films Archive.</p>
<p><strong>Brock Yates: Rochester Film Legacy Award</strong></p>
<p>This is a new award established by the festival, to honor a filmmaker or film supporter based in the Rochester area whose passion and dedication embodies Rochester’s proud film legacy. Screenwriter Brock Yates, who resides in Wyoming in Wyoming County, has been chosen as the inaugural recipient. His film scripts include <em>Smokey and the Bandit II</em> and <em>The Cannonball Run</em>. This award will be given during a sponsor’s reception in advance of the festival (<em><strong>Attn. Media</strong></em><em>: Press coverage is welcome; this private event is at 5:30 p.m. Wednesday, April 20– award presented at 6:30 p.m</em>.)</p>
<p><strong>The Susan B. Anthony “Failure Is Impossible” Award</strong></p>
<p>Recipient to be announced soon.</p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>The Programming Team </strong></span></span></p>
<p>The artistic vision for the festival is steered by a three-member team: award-winning independent filmmaker Linda Moroney, who is managing director of 360 | 365; Jack Garner, the retired chief film critic for Gannett News Service; and Lori Donnelly, George Eastman House’s film programmer, who is charged with programming more than 300 films annually for the museum. The programming team is assisted by a committee of local film experts and fans.</p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>Venues</strong></span></span></p>
<p>Most screenings will take place at the Dryden Theatre at George Eastman House, 900 East Ave., and the Little Theatre, 240 East Ave. Two additional venues have been added for 2011. Three screenings will be featured in the 1,000-seat Nazareth College Arts Center, 4225 East Ave., Pittsford, and an outdoor screening on the lawn at the Memorial Art Gallery, 500 University Ave. The <em>free </em>outdoor screening at 8 p.m. Thursday, April 28 (to be held indoors at the MAG in event of rain) is the Julie Taymor film <em>Across the Universe</em> (PG-13, 2007), which features the music of the Beatles and the Vietnam War as the backdrop to a visually charged romance between an upper-class American girl and an artist from Liverpool, England.</p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>Festival Parties</strong></span></span></p>
<p>The parties during the 360 | 365 George Eastman House Film Festival have experienced a reputation for excitement and intrigue. The roster this year includes an opening night/10<sup>th</sup> anniversary party at George Eastman House at 9 p.m. Wednesday, April 27; a post-screenings gathering at 2Vine Restaurant, 2 Vine St., at 9 p.m. Thursday, April 28; and the “Studio Party” at Young Lion Film Studio, 777 Elmgrove Road, which is the largest movie soundstage between New York City and Toronto.</p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>Panels and Artist Conversations</strong></span></span></p>
<p>Four panels will take place beginning at 11 a.m. Saturday, April 30, in the Curtis Theatre at George Eastman House. The topics are Media Literary and Youth Filmmaking, Filmmakers Panel: New York Loves Film, and Screenwriters Panel, plus a “Screenplay Live!” performance. In addition, “Coffee With” talks will take place at The Strathallan Hotel with various artists and filmmakers.</p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>Guest Artists and Filmmakers</strong></span></span></p>
<p>Following most festival screening, filmmakers and artists associated with the film will engage in a Q&amp;A with the audience. One guest artist will be animator John Canemaker, who will present the program “The Animated World of John Canemaker,” at 4 p.m. Saturday, April 30. Canemaker earned an Oscar® in 2006 and Emmy® Award in 2007 for his animated short <em>The Moon and the Son: An Imagined Conversation</em>. He has created animated sequences for <em>The World According to Garp</em> as well as award-winning documentaries. He is also a scholar of animation history and has authored several books and articles and created films about legendary animators and animated characters Winsor McCay, Otto Messmer, and Felix the Cat.</p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>Collaborations</strong></span></span></p>
<p>In celebration of film in Rochester, fellow festivals will be represented during the 360 | 365 George Eastman House Film Festival. The JCC Ames Amzalak Rochester Jewish Film Festival will host a screening of the film <em>Precious Life</em> at 7:45 p.m. Sunday, May 1, and ImageOut will host a screening of <em>Three</em> (<em>Drei</em>) at 8:30 p.m. Saturday, April 30. Additional collaborators are the Rochester Teen Festival, with screenings at 1 p.m. Saturday, April 30, and the RIT School of Film and Animation, presenting an Emerging Filmmakers Program at 2:30 p.m. Saturday, April 30. In addition, festival week will kick off with an internationally renowned filmmaking seminar April 25-27 focused on cinematography. “Masters POV” presented by the Film Training Company features four award-winning cinematographers and masters classes.</p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>Tickets and Printed Program</strong></span></span></p>
<p>Tickets for the 2011 festival go on sale Wednesday, March 30. Tickets and passes can be purchased at <a href="http://www.film360365.com/festival/tickets-and-passes" target="_top">www.film360365.com/festival/tickets-and-passes</a>. Tickets also can be purchased in person at The Little Theatre (lobby of Theaters (2-5) Wednesday, April 20 through Sunday, May 1, as well as at each venue before each event if tickets remain.</p>
<p>The festival’s official program book will be available to the public beginning Wednesday, April 13, included in that week’s issue of <em>City Newspaper</em> and at various sites throughout the community, as well as posted online.</p>
<p><span style="color: #000000;"><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>Festival Sponsors</strong></span></span></span></p>
<p><span style="color: #000000;">The major sponsors of the </span>360 | 365 George Eastman House Film Festival are Monroe County, Assemblyman Joe Morelle, City of Rochester, VisitRochester, Partners + Napier, Dixon Schwabl, Harris Beach Law Firm, Eastman Kodak Company, and Philipson Group.</p>
<p><span style="font-size: medium;"><strong>About the 360 | 365 </strong></span><strong>George Eastman House Film Festival</strong></p>
<p>The 360 | 365 George Eastman House Film Festival is a six-day celebration of film and film history, including local premieres of more than 100 new features documentaries, short films, and experimental works. This international festival – the only contemporary film festival aligned with a major film archive — presents lively panel discussion and awards to legendary filmmakers and artists. Experience the films and excitement you see at Sundance, Berlin, and Tribeca<strong>. </strong>For more information visit <a href="http://www.film360365.com/" target="_top">www.film360365.com</a>.  <strong>Live.Breathe.Film.</strong></p>
<p>Media Contacts:</p>
<p>Jennifer Lynn (585) 899-3261<br />
Jennifer_Lynn AT dixonschwabl DOT com</p>
<p>Dresden Engle (585) 319-1812<br />
dengle AT geh DOT org</p>
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		<title>Mini-Musicals Shorts Screening April 7</title>
		<link>http://film360365.com/about/archives/337</link>
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		<pubDate>Tue, 29 Mar 2011 01:55:52 +0000</pubDate>
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		<description><![CDATA[<p>Have you been keeping up with the entries to our latest Shorts Contest?  The submissions are rolling in on our Youtube channel, and we&#8217;re getting a great selection of Mini-Musicals.  These are 3 minute short films, some made in Rochester, some made in far off places with names like &#8220;Pittsburgh.&#8221;</p>
<p>360 &#124; 365 Shorts [...]]]></description>
			<content:encoded><![CDATA[<p>Have you been keeping up with the entries to our latest Shorts Contest?  The submissions are rolling in on our Youtube channel, and we&#8217;re getting a great selection of Mini-Musicals.  These are 3 minute short films, some made in Rochester, some made in far off places with names like &#8220;Pittsburgh.&#8221;</p>
<p>360 | 365 Shorts Youtube Channel:<br />
<a href="http://www.youtube.com/user/360365shorts" target="_top">http://www.youtube.com/user/360365shorts</a></p>
<p>Join us for our screening event on April 7, when we will announce the winner of the $1000 prize!</p>
<p>The “Mini-Musicals” shorts screening will take place:</p>
<p>Thursday, April 7<br />
6:30 pm<br />
The Little Theatre 5<br />
240 East Avenue, Rochester</p>
<p>Find out more about 360 | 365 Shorts at <a href="http://film360365.com/shorts" target="_top">http://film360365.com/shorts</a></p>
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		<title>Get to know Chicken &amp; Egg Pictures and Make Your Stories Lead to Action (Free Event)</title>
		<link>http://film360365.com/about/archives/329</link>
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		<pubDate>Mon, 28 Feb 2011 18:55:02 +0000</pubDate>
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		<description><![CDATA[<p>Co-sponsored by 360 &#124; 365, The Little Theatre, and Rochester/Finger Lakes Film &#38; Video Office</p>
<p>Join us on Thursday, March 10th from 2 – 5 p.m. at The Little Theatre (L5) &#8211; 240 East Avenue for a unique and hands on workshop for Western NY women filmmakers</p>
<p>Chicken &#38; Egg Pictures is a hybrid film fund and [...]]]></description>
			<content:encoded><![CDATA[<p>Co-sponsored by 360 | 365, The Little Theatre, and Rochester/Finger Lakes Film &amp; Video Office</p>
<p>Join us on Thursday, March 10th from 2 – 5 p.m. at The Little Theatre (L5) &#8211; 240 East Avenue for a unique and hands on workshop for Western NY women filmmakers</p>
<p>Chicken &amp; Egg Pictures is a hybrid film fund and nonprofit production company dedicated to supporting women filmmakers who are as passionate about the craft of storytelling as they are about the social justice, environmental and human rights issues they’re exploring on film. In this presentation and workshop, Judith Helfand will discuss films supported through this innovative UPSTART OF A &#8220;start up&#8221; and present clips from current grantees’ projects. She will explore and present the new brave world of &#8220;community engagement&#8221; via the efforts of WORKING FILMS using Chicken &amp; Egg supported films as examples.</p>
<p>This workshop will be of special interest to filmmakers, community activists, and those curious about how story-driven, non-fiction films paired with community engagement campaigns lead to concrete social change. Women filmmakers, environmental health and justice activists and women&#8217;s and girls&#8217; rights advocates will find this session especially useful &#8212; because CHICKEN AND EGG PICTURES is dedicated to a whole new brand of chick flicks!</p>
<p>This workshop will make time for participants to share the films and stories they are working on, will focus on best practices for applying to chicken and egg pictures (the next open call is March 31, 2011) and will highlight/explore storytelling strategies that lead to effective, resonant and riveting filmmaking and ‘call to action’ activism.</p>
<p>Come ready to ask questions about writing an LOA, preparing a dynamic bio, get frank feedback on that clip, scene or &#8220;trailer&#8221; (bring your DVD!), brave enough to share a short passionate &#8220;pitch&#8221; and open to creating a circle of collaboration, community and chickflickship.</p>
<p>MEN who are collaborating/co-directing/producing with WOMEN who are in leadership positions are welcome. This is just for DOCUMENTARIES &#8212; shorts, features, webisodes etc&#8230;</p>
<p>For more information on Chicken &amp; Egg Pictures, please visit: <a href="http://www.chickeneggpics.org">www.chickeneggpics.org</a></p>
<p>To RSVP, please send an email to Linda Moroney at lmoroney AT film360365 DOT com</p>
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		<title>Shorts Contest: Mini-Musicals!</title>
		<link>http://film360365.com/about/archives/319</link>
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		<pubDate>Thu, 13 Jan 2011 19:57:24 +0000</pubDate>
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		<category><![CDATA[2011]]></category>
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		<category><![CDATA[Shorts Contest]]></category>

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		<description><![CDATA[<p>360 &#124; 365 invites you to submit to their latest shorts contest: Mini-Musicals!</p>
<p>Create a short film (3 minutes or less) that features song, dance, or both.</p>
<p>$1,000 Grand Prize
All winners will be announced during a special shorts screening, date and location to be announced.</p>
<p>Submit your short film (three minutes or less) by 5:00 p.m. (US ET) [...]]]></description>
			<content:encoded><![CDATA[<p>360 | 365 invites you to submit to their latest shorts contest: Mini-Musicals!</p>
<p>Create a short film (3 minutes or less) that features song, dance, or both.</p>
<p><strong>$1,000 Grand Prize</strong><br />
All winners will be announced during a special shorts screening, date and location to be announced.</p>
<p>Submit your short film (three minutes or less) by 5:00 p.m. (US ET) on March 31, 2011.</p>
<p>Visit <a href="http://film360365.com/shorts">http://film360365.com/shorts</a> for more details.</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="380" height="230" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/89AltM8xYt8?fs=1&amp;hl=en_US" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="380" height="230" src="http://www.youtube.com/v/89AltM8xYt8?fs=1&amp;hl=en_US" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>Sponsored by Kodak.  Intro video produced by Crystal Pix, Eggwork Productions, and McMaster Productions.</p>
<h3>Congratulations to our &#8220;Ghosts&#8221; contest winners!</h3>
<p>Entries from our last contest were screened at The Little Theatre, with top prizes going to the following.</p>
<p><strong>First Place: GHOST STORY by Stella Wu</strong></p>
<p><strong>Second Place: ALL I WANT FOR CHRISTMAS by Tracy Moran</strong></p>
<p><strong>Third Place: CASE 32 by Kyle Vorbach</strong></p>
<p>See those films and other past winners on our website at <a href="http://film360365.com/shorts/award-winning-films">http://film360365.com/shorts/award-winning-films</a></p>
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		<title>Open Call for Entries for the 2011 Festival!</title>
		<link>http://film360365.com/about/archives/308</link>
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		<pubDate>Tue, 24 Aug 2010 16:17:35 +0000</pubDate>
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		<description><![CDATA[<p>360 &#124; 365 George Eastman House Film Festival has officially opened its doors for film submissions to the 10th Anniversary Festival, April 27 &#8211; May 2, 2011. Submit early and often!</p>
<p>What to Submit?</p>

 Main Feature-length program
 Shorts Program
 Children&#8217;s and Young Adults Program

<p style="color: black; text-align: left; font-style: normal; font-weight: normal; font-size: 11pt; font-family: Arial,Helvetica,sans-serif; [...]]]></description>
			<content:encoded><![CDATA[<p>360 | 365 George Eastman House Film Festival has officially opened its doors for film submissions to the 10<sup>th</sup> Anniversary Festival, April 27 &#8211; May 2, 2011. Submit early and often!</p>
<p><strong>What to Submit?</strong></p>
<ul>
<li> <span style="font-size: 10pt;"><strong>Main Feature-length program</strong></span></li>
<li> <span style="font-size: 10pt;"><strong>Shorts Program</strong></span></li>
<li> <span style="font-size: 10pt;"><strong>Children&#8217;s and Young Adults Program</strong></span></li>
</ul>
<p style="color: black; text-align: left; font-style: normal; font-weight: normal; font-size: 11pt; font-family: Arial,Helvetica,sans-serif; margin-bottom: 0.0001pt;"><span style="font-size: 10pt;"> </span></p>
<p style="color: #ff3300; text-align: left; font-style: normal; font-weight: normal; font-size: 11pt; font-family: Arial,Helvetica,sans-serif; margin-bottom: 0.0001pt;"><span style="font-size: 10pt;"><strong><span style="text-decoration: underline;">MAIN PROGRAM: </span></strong></span></p>
<p>FEATURE-LENGTH films targeted to an adult audience. All genres, including: live-action narrative, documentary, animation, experimental, hybrid, etc. are eligible.</p>
<p style="color: #ff3300; text-align: left; font-style: normal; font-weight: normal; font-size: 11pt; font-family: Arial,Helvetica,sans-serif; margin-bottom: 0.0001pt;"><span style="font-size: 10pt;"><strong><span style="text-decoration: underline;">SHORTS PROGRAM:</span></strong></span></p>
<p>SHORTS targeted to an adult audience. All genres including live-action narrative, documentary, animation, experimental, hybrid, etc are eligible.<span> </span>Maximum length is 30 minutes.</p>
<p style="color: #ff3300; text-align: left; font-style: normal; font-weight: normal; font-size: 11pt; font-family: Arial,Helvetica,sans-serif; margin-bottom: 0.0001pt;"><span style="font-size: 10pt;"><strong><span style="text-decoration: underline;">CHILDREN&#8217;S AND YOUNG ADULT PROGRAM &#8211; SHORTS AND FEATURES</span></strong></span></p>
<p>Shorts and feature-length accepted; all genres.<span> </span></p>
<p>We prefer shorts no longer than 12 minutes; longer lengths will be considered based on merit.<span> </span></p>
<p style="color: #ff3300; text-align: left; font-style: normal; font-weight: normal; font-size: 11pt; font-family: Arial,Helvetica,sans-serif; margin-bottom: 0.0001pt;"><span style="font-size: 10pt;"> <strong>DEADLINES:</strong></span></p>
<ul>
<li> <span style="font-weight: bold;">Early-bird: </span>OCTOBER 29, 2010</li>
<li> <span style="font-weight: bold;">Regular:</span> NOVEMBER 29, 2010</li>
<li> <span style="font-weight: bold;">Late:</span> DECEMBER 31, 2010</li>
<li> <span style="font-weight: bold;">Extended: </span>JANUARY 28, 2011</li>
</ul>
<p>Fees vary depending on submission type and date. See site for details.</p>
<p><a href="http://www.film360365.com/festival/submit-a-film" target="_blank">www.film360365.com/festival/submit-a-film</a></p>
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		<title>Still time to enter SHARED CONNECTIONS</title>
		<link>http://film360365.com/about/archives/300</link>
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		<pubDate>Tue, 24 Aug 2010 16:06:13 +0000</pubDate>
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		<description><![CDATA[<p>
Deadline: September 29th</p>
<p>Create a short film (3 minutes or less) about how people communicate in the modern world. It could land you $1,000, (2) All Access Passes to the 360 &#124; 365 George Eastman House Film Festival, and a publicized screening at the festival!</p>
<p>http://www.youtube.com/360365shorts</p>
<p>Please join us Thursday, October 7th at The Little Theatre (L5) at [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://film360365.com/logos/360365shorts2.gif" border="0" alt="Shorts Winners" /><br />
Deadline: September 29<sup>th</sup></p>
<p>Create a short film (3 minutes or less) about how people communicate in the modern world. It could land you $1,000, (2) All Access Passes to the 360 | 365 George Eastman House Film Festival, and a publicized screening at the festival!</p>
<p><a href="http://www.youtube.com/360365shorts" target="_blank">http://www.youtube.com/360365shorts</a></p>
<p><span style="font-weight: bold;">Please join us Thursday, October 7th at The Little Theatre (L5) at 6:30 pm to see all the films and find out the winners! Come early and have a light supper in the cafe beforehand.</span></p>
<p>Sponsored by:<br />
<img src="http://film360365.com/imagesyoutube/kodak.gif" border="0" alt="Kodak Logo" /></p>
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		<title>Rochester Teen Film Festival Winners Announced</title>
		<link>http://film360365.com/about/archives/299</link>
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		<pubDate>Tue, 24 Aug 2010 15:55:10 +0000</pubDate>
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		<description><![CDATA[<p>﻿﻿﻿</p>
<p>The Rochester Teen Film Fest 2010 screening took place at the Little Theatre on August 4.  Congratulations to all the participants!</p>
<p>Best Comedy (Erich Fiederer):
Great Butt Race</p>
<p>Best Investigative Documentary (Amanda Ghysel, Molly Snell-Larch, Mary Rice, Meredith Jeffers, and Nahoma Presberg): 
Post Mortem</p>
<p>Best Special Effects (Taryn Ward):
Computer Chaos</p>
<p>Multicultural Awareness Award (Kadisha Phillips):
Teens Around the World</p>
<p>Strongest Emotional Impact (Khari [...]]]></description>
			<content:encoded><![CDATA[<p>﻿﻿﻿<img src="http://film360365.com/school/wp-content/uploads/2010/08/GL8T7791-400x600.jpg" alt="http://film360365.com/school/wp-content/uploads/2010/08/GL8T7791-400x600.jpg" width="191" height="287" /></p>
<p>The Rochester Teen Film Fest 2010 screening took place at the Little Theatre on August 4.  Congratulations to all the participants!</p>
<p>Best Comedy (Erich Fiederer):<br />
<strong>Great Butt Race</strong></p>
<p>Best Investigative Documentary (Amanda Ghysel, Molly Snell-Larch, Mary Rice, Meredith Jeffers, and Nahoma Presberg): <br />
<strong>Post Mortem</strong></p>
<p>Best Special Effects (Taryn Ward):<br />
<strong>Computer Chaos</strong></p>
<p>Multicultural Awareness Award (Kadisha Phillips):<br />
<strong>Teens Around the World</strong></p>
<p>Strongest Emotional Impact (Khari Thompson):<br />
<strong>Scars &amp; Eyes</strong></p>
<p>Best Animation (Davey Jarrell):<br />
<strong>Typical Day at Work</strong></p>
<p>Best Social Commentary (Joshua Matusak):<br />
<strong>Addiction Crisis</strong></p>
<p>Best Experimental Film (Dan Slaughter):<br />
<strong>Moondance</strong></p>
<p>Best Event Documentary (Evan Humphris):<br />
<strong>Books Never Die</strong></p>
<p>Best Music Video (Katie Epner):<br />
<strong>Mouthwash</strong></p>
<p>Best of Fest (In Control Program):<br />
<strong>Unwanted</strong></p>
<p>Presented by:</p>
<p><img src="http://film360365.com/school/images/360naz.jpg" alt="http://film360365.com/school/images/360naz.jpg" /></p>
<p>﻿</p>
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		<title>The DOCUMENTARY winner is&#8230;</title>
		<link>http://film360365.com/about/archives/291</link>
		<comments>http://film360365.com/about/archives/291#comments</comments>
		<pubDate>Tue, 11 May 2010 00:49:29 +0000</pubDate>
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		<description><![CDATA[<p>Waiting for &#8220;Superman&#8221;  &#8211; playing at 9:15 pm at the Little Theatre (Monday, May 10).</p>
<p></p>
<p>Filmmaker Davis Guggenheim reminds us that education &#8220;statistics&#8221; have names: Anthony, Francisco, Bianca, Daisy, and Emily, whose stories make up the engrossing foundation of WAITING FOR SUPERMAN. As he follows a handful of promising kids through a system that inhibits, [...]]]></description>
			<content:encoded><![CDATA[<p>Waiting for &#8220;Superman&#8221;  &#8211; playing at 9:15 pm at the Little Theatre (Monday, May 10).</p>
<p><a href="http://film360365.com/about/archives/291/waiting" rel="attachment wp-att-292"><img src="http://film360365.com/about/wp-content/uploads/2010/05/waiting-202x300.jpg" alt="" title="waiting" width="202" height="300" class="alignnone size-medium wp-image-292" /></a></p>
<p>Filmmaker Davis Guggenheim reminds us that education &#8220;statistics&#8221; have names: Anthony, Francisco, Bianca, Daisy, and Emily, whose stories make up the engrossing foundation of WAITING FOR SUPERMAN. As he follows a handful of promising kids through a system that inhibits, rather than encourages, academic growth, Guggenheim undertakes an exhaustive review of public education, surveying &#8220;drop-out factories&#8221; and &#8220;academic sinkholes,&#8221; methodically dissecting the system and its seemingly intractable problems.</p>
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		<title>The NARRATIVE winner is&#8230;.</title>
		<link>http://film360365.com/about/archives/288</link>
		<comments>http://film360365.com/about/archives/288#comments</comments>
		<pubDate>Mon, 10 May 2010 14:17:22 +0000</pubDate>
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		<description><![CDATA[<p>WELCOME – will screen at 7pm at The Little tonight (Monday, May 10).</p>
<p>Thanks to everyone who voted!</p>
<p class="wp-caption-text">Welcome Still</p>
<p>Philippe Lioret, France 2009, 110 min., French with subtitles </p>
<p>A powerful drama with enormous contemporary relevance, Welcome follows Simon (the ruggedly handsome Vincent Lindon), a middle-aged swim instructor and former Olympic gold medalist living in Calais who [...]]]></description>
			<content:encoded><![CDATA[<p>WELCOME – will screen at 7pm at The Little tonight (Monday, May 10).</p>
<p>Thanks to everyone who voted!</p>
<div id="attachment_271" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/05/Welcome.jpg"><img class="size-medium wp-image-271" title="Welcome" src="http://film360365.com/about/wp-content/uploads/2010/05/Welcome-300x194.jpg" alt="Welcome Still" width="300" height="194" /></a><p class="wp-caption-text">Welcome Still</p></div>
<p><strong>Philippe Lioret, France 2009, 110 min., French with subtitles </strong></p>
<p>A powerful drama with enormous contemporary relevance, Welcome follows Simon (the ruggedly handsome Vincent Lindon), a middle-aged swim instructor and former Olympic gold medalist living in Calais who reluctantly befriends Bilal (Firat Ayverdi), a Kurdish refugee and illegal alien. Hoping to swim the English Channel and be reunited with his true love in London, Bilal takes lessons from Simon, who is himself trying to patch up his own troubled marriage while facing increasing pressure from immigration authorities for sheltering Bilal. Moving and filled with engaging performances, director Lioret, who formerly served as a sound technician for Robert Altman, focuses on the frustrating and often humiliating experiences of immigrants, who travel enormous distances hoping to find work in wealthier countries, only to experience setbacks at the very end of their backbreaking voyages.</p>
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		<title>It&#8217;s Egg-tastic!</title>
		<link>http://film360365.com/about/archives/283</link>
		<comments>http://film360365.com/about/archives/283#comments</comments>
		<pubDate>Fri, 07 May 2010 19:37:40 +0000</pubDate>
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		<description><![CDATA[<p>How many of the egg movie parodies have you seen so far?  </p>
<p>Go behind the scenes on the Crystal Pix blog.</p>
<p></p>
]]></description>
			<content:encoded><![CDATA[<p>How many of the egg movie parodies have you seen so far?  </p>
<p><a href="http://crystalpix.wordpress.com/2010/05/07/egg-tastic/">Go behind the scenes on the Crystal Pix blog.</a></p>
<p><a rel="attachment wp-att-284" href="http://film360365.com/about/archives/283/hospital1"><img class="size-medium wp-image-284" title="hospital1" src="http://film360365.com/about/wp-content/uploads/2010/05/hospital1-300x200.jpg" alt="" width="300" height="200" /></a></p>
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		<title>The Great Film 35 Countdown (32 of 35): WINTER’S BONE</title>
		<link>http://film360365.com/about/archives/277</link>
		<comments>http://film360365.com/about/archives/277#comments</comments>
		<pubDate>Wed, 05 May 2010 03:45:35 +0000</pubDate>
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		<description><![CDATA[Winner of the U.S. Dramatic Competition’s Grand Jury Prize at this year’s Sundance Film Festival, Winter’s Bone is an undeniably compelling and decidedly offbeat amalgam of several traditional genres: the mystery-thriller, the southern gothic, and the western.]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_278" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/05/WintersBone.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/05/WintersBone-300x200.jpg" alt="Winter&#039;s Bone" title="Winter&#039;s Bone" width="300" height="200" class="size-medium wp-image-278" /></a><p class="wp-caption-text">Winter's Bone Still</p></div><strong>Saturday, May 8 • 7:15 pm •  Little 1 • Debra Granik, US 2010, 100 min.</strong></p>
<p>Winner of the U.S. Dramatic Competition’s Grand Jury Prize at this year’s Sundance Film Festival, Winter’s Bone is an undeniably compelling and decidedly offbeat amalgam of several traditional genres: the mystery-thriller, the southern gothic, and the western. In an isolated Missouri county<br />
devastated by poverty and methamphetamine, teenaged Ree (Jennifer Lawrence) is a dropout and caretaker for her younger siblings and catatonic mother. Ree’s family faces foreclosure when the father who long-ago abandoned them skips bail on drug charges. Determined to keep her immediate family together, Ree heroically sets out to find out what happened to her father by confronting a terrifying and violent community that is not interested in discussing its dark side. With a vivid, detailed, and authentic sense of place, director Granik, along with her co-writer and co-producer Anne Rosellini, have created a unique American masterwork, and a worthy follow-up to their debut feature, Down to the Bone. Lawrence, as Ree, provides a star-making performance that is matched by a powerful turn from John Hawkes (Deadwood, Me and You and Everyone We Know) as Ree’s shadowy uncle, Teardrop.<br />
<strong><br />
Co-writer/Co-producer Anne Rosellini will be in attendance.</strong></p>
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		<title>The Great Film 35 Countdown (31 of 35): THE WIND JOURNEYS</title>
		<link>http://film360365.com/about/archives/274</link>
		<comments>http://film360365.com/about/archives/274#comments</comments>
		<pubDate>Wed, 05 May 2010 00:41:59 +0000</pubDate>
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		<description><![CDATA[The remote, rural and beautiful landscapes of Colombia serve as the backdrop for this spellbinding “road” movie with lots of wonderful, exhilarating music. Ignacio, a master accordion player who has recently suffered the loss of his wife, makes a journey through Northern Colombia to return his instrument to his mentor.]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_275" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/05/WindJourney.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/05/WindJourney-300x180.jpg" alt="The Wind Journeys" title="The Wind Journeys" width="300" height="180" class="size-medium wp-image-275" /></a><p class="wp-caption-text">The Wind Journeys</p></div><strong>Sunday, May 9 • 7:45 pm • Little 5 | LOS VIAJES DEL VIENTO, Ciro Guerra, Colombia 2009, 117 min., Spanish with subtitles  </strong><br />
The remote, rural and beautiful landscapes of Colombia serve as the backdrop for this spellbinding “road” movie with lots of wonderful, exhilarating music. Ignacio, a master accordion player who has recently suffered the loss of his wife, makes a journey through Northern Colombia to return his instrument to his mentor. At first accompanied only by his donkey, along the way Ignacio reluctantly accepts the company of Fermín, a young man determined to be a musician.The tension between the two travelers grows until it eventually finds release in the revelation of Ignacio’s troubled past. Exquisitely photographed and dramatically unsentimental, the film’s undeniable highlight is a “duel” between the older<br />
protagonist and one region’s top accordion players, all of whom improvise their lyrics<br />
and music.</p>
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		<title>The Great Film 35 Countdown (30 of 35): WELCOME</title>
		<link>http://film360365.com/about/archives/270</link>
		<comments>http://film360365.com/about/archives/270#comments</comments>
		<pubDate>Tue, 04 May 2010 12:41:19 +0000</pubDate>
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		<description><![CDATA[A powerful drama with enormous contemporary relevance, Welcome follows Simon (the ruggedly handsome Vincent Lindon), a middle-aged swim instructor and former Olympic gold medalist living in Calais who reluctantly befriends Bilal (Firat Ayverdi), a Kurdish refugee and illegal alien. ]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_271" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/05/Welcome.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/05/Welcome-300x194.jpg" alt="Welcome Still" title="Welcome" width="300" height="194" class="size-medium wp-image-271" /></a><p class="wp-caption-text">Welcome Still</p></div><strong>Thursday, May 6 • 7 pm • Little 5 | Philippe Lioret, France 2009, 110 min., French with subtitles </strong></p>
<p>A powerful drama with enormous contemporary relevance, Welcome follows Simon (the ruggedly handsome Vincent Lindon), a middle-aged swim instructor and former Olympic gold medalist living in Calais who reluctantly befriends Bilal (Firat Ayverdi), a Kurdish refugee and illegal alien. Hoping to swim the English Channel and be reunited with his true love in London, Bilal takes lessons from Simon, who is himself trying to patch up his own troubled marriage while facing increasing pressure from immigration authorities for sheltering Bilal. Moving and filled with engaging performances, director Lioret, who formerly served as a sound technician for Robert Altman, focuses on the frustrating and often humiliating experiences of immigrants, who travel enormous distances hoping to find work in wealthier countries, only to experience setbacks at the very end of their backbreaking voyages.</p>
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		<title>The Great Film 35 Countdown (29 of 35): We Can Shine: World Premiere</title>
		<link>http://film360365.com/about/archives/266</link>
		<comments>http://film360365.com/about/archives/266#comments</comments>
		<pubDate>Sun, 02 May 2010 14:18:58 +0000</pubDate>
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		<description><![CDATA[In his search to understand his own disability, Asperger’s Syndrome, 18 year-old Rochester filmmaker Adrian Esposito explores what it would have been like for him, had he been born in 1944.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.democratandchronicle.com/article/20100502/ENT01/5020320/-1/rochesterarts/Director-with-Asperger-s-premieres-film-at-eclectic-360|365-festival?GID=uFIOurycM6rnDZurQy4TKWQtAcMrpdmjEFIc1pUUyVU%3D">See the article about Adrian in this morning&#8217;s Democrat &#038; Chronicle.</a></p>
<p><div id="attachment_267" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/05/WE-CAN-SHINEjpg.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/05/WE-CAN-SHINEjpg-300x168.jpg" alt="We Can Shine" title="We Can Shine" width="300" height="168" class="size-medium wp-image-267" /></a><p class="wp-caption-text">We Can Shine</p></div><strong>Sunday, May 9 • 3 pm • Curtis Theatre at George Eastman House | Adrian Esposito, 2010, US, 57 min. </strong></p>
<p>In his search to understand his own disability, Asperger’s Syndrome, 21 year-old Rochester filmmaker Adrian Esposito explores what it would have been like for him, had he been born in 1944. The documentary interlaces the agonizing footage reporter Geraldo Rivera captured in 1972 at Willowbrook State School with contemporary interviews with survivors and self-advocates. It culminates with sequences of the achievements of modern-day people with developmental disabilities.  </p>
<p>Prior to the film there will be a musical performance by local singer/songwriter Connie Deming, who is often inspired by her own son, who is diagnosed with autism. </p>
<p><strong>Director Adrian Esposito will be in attendance.</strong></p>
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		<title>The Great Film 35 Countdown (28 of 35): Waste Land</title>
		<link>http://film360365.com/about/archives/263</link>
		<comments>http://film360365.com/about/archives/263#comments</comments>
		<pubDate>Sun, 02 May 2010 00:32:53 +0000</pubDate>
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		<description><![CDATA[Sure, art has the power to transform the human spirit, but in this vivid and inspiring documentary, it also creates dignity. Top-selling contemporary artist, Vik Muniz, who in fact has two works within George Eastman House’s permanent collection, fashions a new project in Jardim Gramacho, the world’s largest landfill, just outside Rio de Janeiro. ]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_264" class="wp-caption alignnone" style="width: 244px"><a href="http://film360365.com/about/wp-content/uploads/2010/05/WasteLand.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/05/WasteLand-234x300.jpg" alt="Waste Land Still" title="Waste Land Still" width="234" height="300" class="size-medium wp-image-264" /></a><p class="wp-caption-text">Waste Land Still</p></div><strong>Saturday, May 8 • 2:45 pm • Little 5 • Sunday, May 9 • 5 pm • Dryden • Lucy Walker, United Kingdom/Brazil 2010, 98 min. </strong></p>
<p>Sure, art has the power to transform the human spirit, but in this vivid and inspiring documentary, it also creates dignity. Top-selling contemporary artist, Vik Muniz, who in fact has two works within George Eastman House’s permanent collection, fashions a new project in Jardim Gramacho, the world’s largest landfill, just outside Rio de Janeiro. By photographing the radiant catadores, the pickers of the recyclable materials, and then collaborating with them on the finished work, Muniz shows us that perhaps the most important thing to recycle is oneself. Director Lucy Walker (Devil’s Playground, Blindsight) focuses her keen eyes on the essence of humanity and sculpts a heart-opening film that you won’t soon forget.</p>
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		<title>The Great Film 35 Countdown (27 of 35): WAKE IN FRIGHT</title>
		<link>http://film360365.com/about/archives/260</link>
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		<pubDate>Sat, 01 May 2010 13:36:43 +0000</pubDate>
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		<description><![CDATA[One of the most unforgettably intense movies ever made, Canadian director Ted Kotcheff’s journey into the Australian outback’s heart of darkness has returned to the screen after nearly forty years in a new 35mm restoration.]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_261" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/05/WakeInFright.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/05/WakeInFright-300x216.jpg" alt="Wake In Fright" title="Wake In Fright" width="300" height="216" class="size-medium wp-image-261" /></a><p class="wp-caption-text">Wake In Fright</p></div><strong>Saturday, May 8 • 11 am • Dryden • Ted Kotcheff, Australia 1971, 109, min.</strong></p>
<p>One of the most unforgettably intense movies ever made, Canadian director Ted Kotcheff’s journey into the Australian outback’s heart of darkness has returned to the screen after nearly forty years in a new 35mm restoration. John Grant (Gary Bond), a young school teacher in a remote outpost, travels to Sydney for his summer holidays, but enroute, he gets waylaid in a rough mining town. “Befriended” by the locals, including a debauched doctor (the mesmerizing Donald Pleasence), John embarks on an extended lost weekend of gambling, kangaroo hunting, and lots of drinking. A sometimes savage tale of self-destruction, Wake in Fright, which was titled Outback for its U.S. release, was recently re-released to great success and critical acclaim in Australia, and has been making its way around the North American film festival circuit, finding renewed enthusiasm from audiences and critics like Roger Ebert, who proclaimed that “It&#8217;s not dated. It is powerful, genuinely shocking, and rather amazing.” </p>
<p>Director Kotcheff, whose later films included “The Apprenticeship of Duddy Kravitz”, “North Dallas Forty”,<br />
and “First Blood” will be with us in person to talk about the movie that certified him as a significant filmmaker.</p>
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		<title>The Great Film 35 Countdown (26 of 35): Secret of the Kells</title>
		<link>http://film360365.com/about/archives/257</link>
		<comments>http://film360365.com/about/archives/257#comments</comments>
		<pubDate>Sat, 01 May 2010 00:30:30 +0000</pubDate>
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		<description><![CDATA[As animation redefines itself with computer graphics and 3-D, The Secret of Kells creates appeal the old-fashioned way, through the originality of its storytelling and the impact of its stunning design.]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_258" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/kells_hires_2.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/kells_hires_2-300x168.jpg" alt="Secret of the Kells" title="Secret of the Kells" width="300" height="168" class="size-medium wp-image-258" /></a><p class="wp-caption-text">Secret of the Kells</p></div><strong>Friday, May 7 • 7:15 pm • Dryden | Tomm Moore, Ireland 2009, 75 min. • 2010 Oscar®-nominated film</strong></p>
<p>As animation redefines itself with computer graphics and 3-D, The Secret of Kells creates appeal the old-fashioned way, through the originality of its storytelling and the impact of its stunning design.</p>
<p>How original? Kells is about a resourceful 12-year-old Irish boy in the Dark Ages, whose courage enables monks to complete the legendary Book of Kells, as marauding Vikings threaten the abbey. The real-life Kells is considered the most beautiful of all medieval illuminated texts. Clearly inspired by their subject, Irish filmmakers Tomm Moore, and Nora Twomey, and art director Ross Stewart employ highly stylized graphics to bring the Book to life.<br />
<strong><br />
Preceded by PACHELBEL KANON (Walter Santucci, US 2010, 4 min.)</strong></p>
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		<title>The Great Film 35 Countdown (25 of 35): St. Nick</title>
		<link>http://film360365.com/about/archives/254</link>
		<comments>http://film360365.com/about/archives/254#comments</comments>
		<pubDate>Fri, 30 Apr 2010 16:46:35 +0000</pubDate>
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		<description><![CDATA[The mysterious world of childhood is given hauntingly poetic treatment in this low-budget feature from writer and director David Lowery. ]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_255" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/St.Nick_.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/St.Nick_-300x199.jpg" alt="St. Nick still" title="St. Nick still" width="300" height="199" class="size-medium wp-image-255" /></a><p class="wp-caption-text">St. Nick still</p></div><strong>Friday, May 7 • 5:15 pm • Little 5 • David Lowery, US 2009, 86 min. </strong></p>
<p>The mysterious world of childhood is given hauntingly poetic treatment in this low-budget feature from writer and director David Lowery. For no apparent reason, a young boy (Tucker Sears) and his younger sister (Savanna Sears) have run away from their parents to take up shelter in an abandoned country house. Seemingly oblivious to the potential dangers in their new surroundings as winter sets in, the kids rely on each other for survival and manage to find happiness for a brief while. Eschewing exposition and explanations, Lowery’s St. Nick places viewers into the middle of this situation and allows us to experience the wonder of discovery along with its two protagonists. Lowery, who also served as cinematographer of Lovers of Hate, favors a spare visual style that finds an enigmatic beauty in everyday objects and surroundings. Director David Lowery will be in attendance.</p>
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		<title>The Great Film 35 Countdown (24 of 35): ‘THE S FROM HELL’ &amp; Other Comic Visions from Rodney Ascher</title>
		<link>http://film360365.com/about/archives/251</link>
		<comments>http://film360365.com/about/archives/251#comments</comments>
		<pubDate>Fri, 30 Apr 2010 01:57:54 +0000</pubDate>
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		<description><![CDATA[
Genre-bending, hysterically funny, and traveling down dusty avenues of pop culture, the short films of Rodney Ascher are some of the strangest works of pure genius you’ll ever see. 

A much-discussed hit at this year’s Sundance Film Festival, The S From Hell is a documentary/horror film with re-enactments, animation, and found footage. ]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_252" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/TV_StillRodney.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/TV_StillRodney-300x168.jpg" alt="The S from Hell" title="Rodney Ascher Shorts" width="300" height="168" class="size-medium wp-image-252" /></a><p class="wp-caption-text">The S from Hell</p></div><strong>Saturday, May 8 • 10 pm • Dryden • 90 min.</strong></p>
<p>Genre-bending, hysterically funny, and traveling down dusty avenues of pop culture, the short films of Rodney Ascher are some of the strangest works of pure genius you’ll ever see. </p>
<p>A much-discussed hit at this year’s Sundance Film Festival, The S From Hell is a documentary/horror film with re-enactments, animation, and found footage. It examines the real phenomenon of the dread-and-terror inspiring logo for Screen Gems, which appeared at the end of Flintstones reruns and other shows. Ascher’s other brilliant short works tackle a number of unlikely topics and obsessions, such as religious pamphlets, memorabilia collectors, VHS cassettes, Gene Simmons of KISS, pets, and the artistic inner life of the “creeps” from Death Wish 3. </p>
<p>Rodney Ascher will appear in person as your guide through this fun-filled and action-packed program.</p>
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		<title>The Great Film 35 Countdown (23 of 35): The Red Shoes</title>
		<link>http://film360365.com/about/archives/248</link>
		<comments>http://film360365.com/about/archives/248#comments</comments>
		<pubDate>Thu, 29 Apr 2010 02:14:32 +0000</pubDate>
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		<description><![CDATA[“The Red Shoes” will be presented by Thelma Schoonmaker, Oscar-winning editor and widow of the film’s co-creator, Michael Powell. She will also receive the festival’s Susan B. Anthony “Failure is Impossible” award and deliver a short presentation on “The Red Shoes’” restoration.]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_249" class="wp-caption alignnone" style="width: 208px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/Red-Shoes-C001-High-Res.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/Red-Shoes-C001-High-Res-198x300.jpg" alt="The Red Shoes" title="THE RED SHOES" width="198" height="300" class="size-medium wp-image-249" /></a><p class="wp-caption-text">A breathtaking still from The Red Shoes</p></div>oonmaker<strong>Saturday, May 8 • 3:45 pm • Dryden | Michael Powell and Emeric Pressburger, UK 1948, 133 min.  </strong></p>
<p>Hans Christian Andersen&#8217;s tale is just the starting point for this imaginative and moving classic—a landmark in the histories of both dance and cinema. </p>
<p>An ambitious and obsessive dancer (the luminous Moira Shearer) falls under the spell of a tyrannical impresario (Anton Walbrook) and soon must choose between ballet and life. </p>
<p>Jack Cardiff’s rich color cinematography, has been meticulously and lovingly restored in a brand-new 35mm print by UCLA Film &#038; Television Archive, in Association with the BFI, The Film Foundation, ITV Studios, Global Entertainment Ltd., and Janus Films. </p>
<p><strong>“The Red Shoes” will be presented by Thelma Schoonmaker, Oscar-winning editor and widow of the film’s co-creator, Michael Powell. She will also receive the festival’s Susan B. Anthony “Failure is Impossible” award and deliver a short presentation on “The Red Shoes’” restoration.</p>
<p>The screening of “The Red Shoes” is presented in collaboration with Rochester City Ballet&#8217;s Legends of Dance (May 14-16) and Nazareth College Arts Center Dance Festival (July 10-17).</strong></p>
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		<title>The Great Film 35 Countdown (22 of 35): The Oath</title>
		<link>http://film360365.com/about/archives/244</link>
		<comments>http://film360365.com/about/archives/244#comments</comments>
		<pubDate>Wed, 28 Apr 2010 21:58:56 +0000</pubDate>
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		<description><![CDATA[Oscar®-nominated documentary director Laura Poitras (My Country, My Country and Flag Wars) skillfully weaves the complex and gripping stories of Abu Jandal, Osama bin Laden’s former bodyguard, and Salim Hamdam, Osama bin Laden’s former driver.]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_245" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/The-Oath.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/The-Oath-300x200.jpg" alt="The Oath Still" title="Still from The Oath" width="300" height="200" class="size-medium wp-image-245" /></a><p class="wp-caption-text">Still from the Oath</p></div><strong>Saturday, May 8 • 12:15 pm • Little 1 / Sunday, May 9 • 5:30 pm • Little 5 | Laura Poitras, US 2010, 95 min. </strong></p>
<p>Oscar®-nominated documentary director Laura Poitras (My Country, My Country and Flag Wars) skillfully weaves the complex and gripping stories of Abu Jandal, Osama bin Laden’s former bodyguard, and Salim Hamdam, Osama bin Laden’s former driver. Filmed in Yemen over a two-year period, Jandal spends his days driving a taxi, while his brother-in-law Hamdam awaits military tribunal in Guantanamo Bay. With unprecedented access to subjects and intelligence documents, the film unfolds dramatically, with twists and turns in plot and character, all the while giving the audience new insight on the inner-world of Al Qaeda.  </p>
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		<title>Parties during the festival</title>
		<link>http://film360365.com/about/archives/239</link>
		<comments>http://film360365.com/about/archives/239#comments</comments>
		<pubDate>Wed, 28 Apr 2010 21:12:59 +0000</pubDate>
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		<description><![CDATA[<p>You can purchase tickets ahead of time online, at Spot Coffee from 11-9 every day from now until the end of the festival, or at the door. (Cash only sales at the door.)</p>
<p>Buy tickets online by clicking here.</p>
<p>OPENING NIGHT PARTY
Wednesday, May 05, 2010 8:00-11:00 PM
Potter Peristyle at George Eastman House
Tickets $20
Desserts, drinks, Oscar-winning director James [...]]]></description>
			<content:encoded><![CDATA[<p>You can purchase tickets ahead of time online, at Spot Coffee from 11-9 every day from now until the end of the festival, or at the door. (Cash only sales at the door.)</p>
<p><a href="http://film360365.com/festival/tickets-and-passes" target="_top">Buy tickets online by clicking here.</a></p>
<p><strong>OPENING NIGHT PARTY</strong><br />
Wednesday, May 05, 2010 8:00-11:00 PM<br />
Potter Peristyle at George Eastman House<br />
Tickets $20<br />
Desserts, drinks, Oscar-winning director James Ivory will be in attendance.</p>
<p><strong>MIX IT UP PARTY</strong><br />
Thursday, May 06, 2010 8:00 PM-1:00 AM<br />
2VINE RESTAURANT<br />
Tickets $10<br />
A mix of light food to nosh on as we socialize and chat about film.</p>
<p><strong>HAPPY HOUR</strong><br />
Friday, May 07, 2010 5:00-7:00 PM<br />
Rochester Contemporary Art Center, 137 East Ave.<br />
Tickets $15<br />
Join us at one of Rochester&#8217;s most respected arts spaces. We&#8217;ll enjoy some of the area&#8217;s best wines&#8211;and lots of cheese to cleanse the palate.</p>
<p><strong>Kids Party</strong><br />
In the Little Cafe directly following the childrens&#8217; shorts program which begins at 10:30 (75 min.)<br />
Tickets: FREE<br />
Enjoy cupcakes from the Sugar Mountain Bake Shoppe!</p>
<p><strong>Western NY Loves Film Party</strong><br />
Saturday, May 08, 2010 8:30 PM-Midnight<br />
Fifth Year Productions, 130 East Main (The Granite Building)<br />
Tickets: $25<br />
Join us for a celebration of all things film, with a focus on all that Western New York has to offer filmmmakers. This party is hosted by Fifth Year Productions in the Granite Building in downtown Rochester.  With celebrity guests, surprise appearances, food, drinks and a silent auction featuring some exciting one-of-a-kind items, it&#8217;s sure to be a night to remember! Don&#8217;t miss the last big bash of the festival!</p>
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		<title>The Great Film 35 Countdown (21 of 35): No Orchids for Miss Blanish</title>
		<link>http://film360365.com/about/archives/236</link>
		<comments>http://film360365.com/about/archives/236#comments</comments>
		<pubDate>Tue, 27 Apr 2010 20:31:52 +0000</pubDate>
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		<description><![CDATA[One of the oddest and most lurid movies ever to emerge from the British Isles, this noirish gangster thriller, based on American John Hadley Chase’s novel, is set in New York City but filmed entirely on UK sets, with a mostly English cast (with unconvincing accents) and crew! ]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_237" class="wp-caption alignnone" style="width: 265px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/Orchids.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/Orchids-255x300.jpg" alt="No Orchids for Miss Blanish" title="No Orchids for Miss Blanish" width="255" height="300" class="size-medium wp-image-237" /></a><p class="wp-caption-text">No Orchids for Miss Blanish</p></div><strong>Sunday, May 9 • Noon • Dryden • St. John Legh Clowes, UK 1948, 104 min.  </strong></p>
<p>One of the oddest and most lurid movies ever to emerge from the British Isles, this noirish gangster thriller, based on American John Hadley Chase’s novel, is set in New York City but filmed entirely on UK sets, with a mostly English cast (with unconvincing accents) and crew! The Grissom gang, led by Slim (B actor Jack LaRue, one of the few Americans in the picture), and their nasty mother, wipe out a pair of bumbling kidnappers and take over their prize: filthy rich heiress Miss Blandish (Linden Travers) and her priceless rocks. The kinky twist is that she likes being a hostage. The film’s original release earned notices from the British press that called it “A wicked disgrace to the British film industry” (Daily Express) and “All the morals of an alley cat and all the sweetness of a sewer.” (Observer). However,“Seeing the film today, one is struck by how much more brazen about sex and violence it is than any of the films that were earning British Cinema a new respect at home and abroad. Unashamedly melodramatic, it also foregrounds the issue of female sexuality with a boldness not to be found in films of the earlier 1940s.” (Brian McFarlane, British Crime Cinema). Truncated by 12 minutes for its U.S. release, this 35mm print from the British Film Institute restores  No Orchids’ most shocking moments.</p>
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		<title>The Great Film 35 Countdown (20 of 35): Monogamy</title>
		<link>http://film360365.com/about/archives/233</link>
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		<pubDate>Tue, 27 Apr 2010 12:19:15 +0000</pubDate>
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		<description><![CDATA[The first fiction film from acclaimed documentary maker Dana Adam Shapiro (Murderball) is a fascinating study of one man’s contemporary commitment phobia, as well as a surprising mystery thriller.]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_234" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/Monogamy.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/Monogamy-300x158.jpg" alt="Monogamy Still" title="Monogamy" width="300" height="158" class="size-medium wp-image-234" /></a><p class="wp-caption-text">Monogamy Still</p></div><strong>Saturday, May 8 • 2:30 pm • Little 1 • Dana Adam Shapiro, US 2010, 94 min. </strong><br />
The first fiction film from acclaimed documentary maker Dana Adam Shapiro (Murderball) is a fascinating study of one man’s contemporary commitment phobia, as well as a surprising mystery thriller. Theo (Julie and Julia’s Chris Messina) and Nat (Rashida Jones from Parks and Recreation) are engaged and living what seems to be a happy life together. But professional photographer Theo is bored with shooting weddings, so he accepts a job to photograph an enigmatic exhibitionist from a distance. What starts out to be a simple assignment develops into a voyeuristic obsession for Theo, an obsession that places his relationship with Nat in serious jeopardy and forces the couple to confront some uncomfortable truths abut their relationship. This compelling genre hybrid gains its momentum from a collection of authentic details and performances and superb editing from Brighton native Mollie Goldstein. <strong>Director Dana Adam Shapiro and editor Mollie Goldstein will be in attendance.</strong></p>
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		<title>The Great Film 35 Countdown (19 of 35): Marion Woodman–Dancing in the Flames</title>
		<link>http://film360365.com/about/archives/230</link>
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		<pubDate>Tue, 27 Apr 2010 12:15:41 +0000</pubDate>
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		<description><![CDATA[“Our planet is shedding its outworn skin,” says Marion Woodman, a renowned Jungian psychologist and author who believes without death, there is no birth. Perhaps best-known for her groundbreaking work on feminine psychology and addiction via her books Addiction to Perfection, The Owl was a Baker's Daughter, Bone: Dying into Life, and The Pregnant Virgin, she is one of the western world’s most important wisdom keepers. ]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_231" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/Marion-laughing-21.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/Marion-laughing-21-300x199.jpg" alt="Marion Woodman—Dancing in the Flames" title="Marion Woodman—Dancing in the Flames" width="300" height="199" class="size-medium wp-image-231" /></a><p class="wp-caption-text">Marion Woodman—Dancing in the Flames</p></div><strong>Sunday, May 9 • 3:15 pm  • Little 5 • Adam Greydon Reid, Canada, 2009, 83 min. </strong></p>
<p>“Our planet is shedding its outworn skin,” says Marion Woodman, a renowned Jungian psychologist and author who believes without death, there is no birth. Perhaps best-known for her groundbreaking work on feminine psychology and addiction via her books Addiction to Perfection, The Owl was a Baker&#8217;s Daughter, Bone: Dying into Life, and The Pregnant Virgin, she is one of the western world’s most important wisdom keepers. Through the use of stunning animation from Academy Award®-winning animator Faith Hubley, filmmaker, Adam Greydon Reid merges Marion’s inner and outer lives together and transmits a core truth of what it is to be human. <strong>Director Adam Greydon Reid will be in attendance.</p>
<p>Preceded by BEYOND THE SHADOW PLACE • Faith Hubley, US 1997, 9.5 min.</strong><br />
Spirits appear in the everyday life of the Inuit/ Eskimo people. A frantic dance of death takes us through Mexico and Peru to mysterious Easter Island. The deceased of ancient Egypt experience renewal in the light of the afterlife. Death is revealed as a transition, rather than the end.</p>
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		<title>The Great Film 35 Countdown (18 of 35): Gone with the Pope</title>
		<link>http://film360365.com/about/archives/225</link>
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		<pubDate>Mon, 26 Apr 2010 12:23:34 +0000</pubDate>
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		<description><![CDATA[Paul is a sleazy small-time gangster who comes up with a particularly unholy scheme: kidnap the Pope and demand a “dollar from every Catholic in the world” as ransom.]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_226" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/Pope.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/04/Pope-300x183.jpg" alt="Still from Gone with the Pope" title="Still from Gone with the Pope" width="300" height="183" class="size-medium wp-image-226" /></a><p class="wp-caption-text">Still from Gone with the Pope</p></div>Thursday, May 6 • 7:30 pm • Dryden • Duke Mitchell, US 2010, 84 min.  </p>
<p>Paul (writer and director Duke Mitchell) is a sleazy small-time gangster who comes up with a particularly unholy scheme: kidnap the Pope and demand a “dollar from every Catholic in the world” as ransom. A former nightclub entertainer who was, along with Sammy Petrillo, one half of the most popular Martin and Lewis knockoff act, Mitchell turned to independent, low-budget filmmaking in the 1970s with the ultra violent Massacre Mafia Style (1974). At the time of Mitchell’s death in 1981, his second feature, then titled Kiss the Ring, existed only in an unassembled form. Oscar®-winning editor Bob Murawski (The Hurt Locker, Spider Man films) has taken on an enormous labor of love by creating a finished film from Mitchell’s inspiring, exciting, and often hilarious footage. The result is a genuine revelation: one of the most imaginative and fast-paced exploitation efforts of our times. </p>
<p>Bob Murawski, whose work on the film extended more than 15 years, will appear to talk about what went into bringing this small-scale masterpiece back from the brink of cinematic oblivion. This is one festival event you won’t want to miss!</p>
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		<title>Film Festival Schedule now online</title>
		<link>http://film360365.com/about/archives/218</link>
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		<pubDate>Mon, 19 Apr 2010 21:01:21 +0000</pubDate>
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		<description><![CDATA[<p>The schedule for the 360 &#124; 365 George Eastman House Film Festival is now online and available for download.  See what movies will be showing, and plan ahead by buying tickets for your favorites!</p>

Download the Festival Schedule here.


Buy tickets here.

]]></description>
			<content:encoded><![CDATA[<p>The schedule for the 360 | 365 George Eastman House Film Festival is now online and available for download.  See what movies will be showing, and plan ahead by buying tickets for your favorites!</p>
<ul>
<li><a href="http://film360365.com/docs/2010-360365-schedule.pdf" target="_blank">Download the Festival Schedule here.</a></li>
</ul>
<ul>
<li><a href="http://film360365.com/festival/tickets-and-passes" target="_top">Buy tickets here.</a></li>
</ul>
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		<title>The Great Film 35 Countdown (17 of 35): The Extra Man</title>
		<link>http://film360365.com/about/archives/213</link>
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		<pubDate>Fri, 16 Apr 2010 11:48:07 +0000</pubDate>
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		<description><![CDATA[In one of his funniest and most commanding performances since A Fish Called Wanda, Kevin Kline plays the eccentric Henry Harrison, a once brilliant playwright who spends most of his time as an “extra man” accompanying wealthy New York City widows to dinner and cultural events.]]></description>
			<content:encoded><![CDATA[<p><strong></p>
<div id="attachment_215" class="wp-caption alignnone" style="width: 310px"><strong><a href="http://film360365.com/about/wp-content/uploads/2010/04/Extraman11.jpg"><img class="size-medium wp-image-215" title="The Extra Man, starring Kevin Kline" src="http://film360365.com/about/wp-content/uploads/2010/04/Extraman11-300x253.jpg" alt="The Extra Man, starring Kevin Kline" width="300" height="253" /></a></strong><p class="wp-caption-text">The Extra Man, starring Kevin Kline</p></div>
<p>About The Extra Man:</strong></p>
<p>Saturday, May 8 • 7 pm • Dryden | Shari Springer Berman and Robert Pulcini, US 2010, 108 min.</p>
<p>In one of his funniest and most commanding performances since A Fish Called Wanda, Kevin Kline plays the eccentric Henry Harrison, a once brilliant playwright who spends most of his time as an “extra man” accompanying wealthy New York City widows to dinner and cultural events. Enter the equally peculiar Louis Ives (Paul Dano) a young writer and dandy who becomes a boarder in Henry’s flat and yearns to learn the ways of high society from his new roommate. Louis and Henry are figures from another era and the fact that the story is set in contemporary Manhattan makes this comedy about status from the directors of American Splendor all the more fascinating and funny. Kline and Dano are surrounded by an excellent supporting cast, particularly John C. Reilly as Henry and Louis’ even weirder neighbor, Gershon.</p>
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		<title>Film Festival Honored Guest: James Ivory will be in attendance</title>
		<link>http://film360365.com/about/archives/208</link>
		<comments>http://film360365.com/about/archives/208#comments</comments>
		<pubDate>Wed, 14 Apr 2010 13:44:40 +0000</pubDate>
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		<description><![CDATA[Join us for our fabulous opening night celebration w/ James Ivory!

Opening Night Celebration and FilmThe City of Your Final Destination. Wednesday, May 5, 6:30 pm at the Dryden Theater  $15.

Opening Night Party:  Wednesday, May 5, 9 pm. at the Potter Peristyle, George Eastman House, Rochester $20

Opening Night Film &#038; Party package $30]]></description>
			<content:encoded><![CDATA[<p><strong> </strong></p>
<div id="attachment_209" class="wp-caption alignnone" style="width: 296px"><strong><strong><a href="http://film360365.com/about/wp-content/uploads/2010/04/James-IvoryHeadshot.jpg"><img class="size-medium wp-image-209" title="James Ivory" src="http://film360365.com/about/wp-content/uploads/2010/04/James-IvoryHeadshot-286x300.jpg" alt="James Ivory, photo by Tomoko Kikuchi" width="286" height="300" /></a></strong></strong><p class="wp-caption-text">James Ivory, photo by Tomoko Kikuchi</p></div>
<p><strong>Join us for our fabulous opening night celebration!</strong></p>
<p>Wednesday, May 5 • 6:30 pm<br />
Opening night presentation and screening of The City of Your Final Destination<br />
Dryden Theatre at George Eastman House • 900 East Ave.<br />
<strong><em>Special appearance by James Ivory</em></strong></p>
<p>Film only:  $15.</p>
<p>Opening Night Party:  Wednesday, May 5, 9 pm. at the Potter Peristyle, George Eastman House, Rochester $20</p>
<p>Opening Night Film &amp; Party package $30</p>
<p>The latest feature from Merchant Ivory Productions, based on a novel by Peter Cameron, is a witty, literate, and lushly photographed romance with an exceptional cast. Omar (Omar Metwally) is a graduate student with plans to write a biography of a recently deceased novelist. Denied authorization by the author’s family, Omar travels uninvited to a remote part of South America to change the minds of the dead man’s widow (Laura Linney), brother (Anthony Hopkins), and mistress (Charlotte Gainsbourg), to whom Omar feels an immediate attraction. Complicating things is the arrival of Omar’s officious girlfriend (Alexandra Maria Lara). The screenplay was written by frequent Merchant Ivory collaborator Ruth Prawer Jhabvala, who won Oscars® for her work on A Room with a View and Howards End, and a third nomination for The Remains of the Day. The City of Your Final Destination joins the ranks of those well-loved Merchant Ivory movies with its thoughtful ruminations on class, money, and true love.<br />
Director James Ivory, whose career has spanned six decades, will be presented with the title of George Eastman Honorary Scholar prior to the screening.</p>
<p><strong>About James Ivory and Merchant Ivory Productions</strong><br />
Merchant Ivory Productions has produced more than 40 motion pictures, including  Oscar®-winning films A Room With a View (1986) and Howards End (1992) and Oscar® nominees such as The Remains of the Day (1993), Mr. and Mrs. Bridge (1990), and The Bostonians (1984).</p>
<p>Film director James Ivory will be honored May 5 with the title of George Eastman Honorary Scholar—awarded for artistic achievement in motion pictures—on opening night of the 360 | 365 George Eastman House Film Festival, when he will present his new film, The City of Your Final Destination, which stars Anthony Hopkins and Laura Linney. Past recipients of this honor include Jeff Bridges and Ken Burns.</p>
<p>Merchant Ivory’s extensive filmography spans more than 40 years and also features The Guru (1969), Jane Austen in Manhattan (1980), Slaves of New York (1989), Jefferson in Paris (1995), Maurice (1987), Heat and Dust (1983), Surviving Picasso (1996), Heights (2004), and The White Countess (2005), plus In Custody (1993) and The Mystic Masseur (2001), both directed by Ismail Merchant. Merchant passed away in 2005 while editing The White Countess.</p>
<p>Merchant Ivory’s features, documentaries, and shorts have been praised for their visual beauty, their mature and intelligent themes, and the shrewd casting and fine acting from which they derive their unique power.</p>
<p>Merchant Ivory is a collaboration of three masters from three vastly different cultures—Ismail Merchant, Ruth Prawer Jhabvala, and James Ivory. Producer Merchant was born in India; Jhabvala, the screenwriter, was born in Germany and educated in England; and Ivory, the director, was born in the United States. Their partnership is listed in the Guinness Book of World Records as the longest partnership in independent cinema history. Merchant Ivory Productions archives its collection at George Eastman House.</p>
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		<title>The Great Film 35 Countdown (16 of 35): Cell 211</title>
		<link>http://film360365.com/about/archives/204</link>
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		<pubDate>Wed, 14 Apr 2010 12:19:41 +0000</pubDate>
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		<description><![CDATA[In this gritty and pulse-pounding thriller, Juan (Alberto Ammann), a newly recruited prison guard, finds himself locked in with a particularly violent group of rioting inmates on his first day of work. ]]></description>
			<content:encoded><![CDATA[<p>Wednesday, May 5 • 7 pm • Little 5 / Friday, May 7 • 9 pm Little 1 | CELDA 211, Daniel Monzón, Spain 2009, 110 min., Spanish with subtitles</p>
<div id="attachment_205" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/Cell.jpg"><img class="size-medium wp-image-205" title="Cell 211" src="http://film360365.com/about/wp-content/uploads/2010/04/Cell-300x199.jpg" alt="Cell 211" width="300" height="199" /></a><p class="wp-caption-text">Still from Cell 211</p></div>
<p>In this gritty and pulse-pounding thriller, Juan (Alberto Ammann), a newly recruited prison guard, finds himself locked in with a particularly violent group of rioting inmates on his first day of work. Unrecognized as an outsider by any of the prisoners, Juan earns the favor of the dangerous leader of the uprising, Badass (played by the thrillingly volatile Luis Tosar), and attempts to aid negotiations while trying to secure his own safe reunion with his pregnant wife. Meanwhile, irresponsible television news reporting and corrupt prison officials represent a continuous threat to Juan’s safety. Riveting, politically engaged, and hard-hitting, Cell 211 recently swept Spain’s equivalent to the Oscars®, the Goya Awards.</p>
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		<title>The Great Film 35 Countdown (15 of 35): Jean-Michel Basquiat: The Radiant Child</title>
		<link>http://film360365.com/about/archives/201</link>
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		<pubDate>Mon, 05 Apr 2010 12:54:30 +0000</pubDate>
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		<description><![CDATA[Jean-Michel Basquiat was an artistic phenomenon. He became known for his graffiti art in the late 1970s, sold his first painting to Deborah Harry for $200, and became best friends with Andy Warhol. He was appreciated by both the art cognoscenti and the public, and quickly moved into international stardom. However, soon his cult status began to override the art that had made him famous in the first place—he died of an overdose in 1988 at the age of 27.]]></description>
			<content:encoded><![CDATA[<p>Jean-Michel Basquiat was an artistic phenomenon. He became known for his graffiti art in the late 1970s, sold his first painting to Deborah Harry for $200, and became best friends with Andy Warhol. He was appreciated by both the art cognoscenti and the public, and quickly moved into international stardom. However, soon his cult status began to override the art that had made him famous in the first place—he died of an overdose in 1988 at the age of 27.</p>
<p>Director Tamra Davis pays homage to her friend in this definitive documentary but also delves into Basquiat as an iconoclast. His dense, bebop-influenced neoexpressionist work emerged while minimalist, conceptual art was the fad. Also, as a successful black artist, he was consistently confronted by racism and misconceptions. The film is created using both insider interviews and archival footage. Yet, Basquiat’s own words and his work powerfully convey the mystique and allure of the artist himself.</p>
<div id="attachment_202" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/Basquiat3_E_20100118121407.jpg"><img class="size-medium wp-image-202" title="Jean-Michel Basquiat: The Radiant Child " src="http://film360365.com/about/wp-content/uploads/2010/04/Basquiat3_E_20100118121407-300x199.jpg" alt="Jean-Michel Basquiat: The Radiant Child " width="300" height="199" /></a><p class="wp-caption-text">Jean-Michel Basquiat: The Radiant Child </p></div>
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		<title>The Great Film 35 Countdown (14 of 35): Still Bill</title>
		<link>http://film360365.com/about/archives/199</link>
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		<pubDate>Sun, 04 Apr 2010 21:43:52 +0000</pubDate>
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		<description><![CDATA[Even though his last album came out in 1985, Bill Withers (the man behind “Lean on Me” and “Just the Two of Us”) has a modern recording studio in his LA home. With soulful delivery and warm, heartfelt sincerity, Withers had written the songs that resonate deeply within the fabric of our times. Yet, he is an unusual performer because he was able to walk away from conflicts with Columbia Records and allow himself to, happily, drop out of the public eye.]]></description>
			<content:encoded><![CDATA[<div id="attachment_198" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/StillBill1.jpg"><img class="size-medium wp-image-198" title="Still Bill" src="http://film360365.com/about/wp-content/uploads/2010/04/StillBill1-300x165.jpg" alt="Still Bill photo" width="300" height="165" /></a><p class="wp-caption-text">Still Bill photo</p></div>
<p>Even though his last album came out in 1985, Bill Withers (the man behind “Lean on Me” and “Just the Two of Us”) has a modern recording studio in his LA home. With soulful delivery and warm, heartfelt sincerity, Withers had written the songs that resonate deeply within the fabric of our times. Yet, he is an unusual performer because he was able to walk away from conflicts with Columbia Records and allow himself to, happily, drop out of the public eye.</p>
<p>This documentary reveals how he started as a musician later in life, after stints in the Navy and blue-collar jobs. It also touches upon his Grammy wins before he stepped away from record company executives’ pressure to promote himself. Now, at 70 years, old he is ready to begin making music again. There are so many stories of musicians who fell due to drugs or living it up that Bill Withers, with his 30-year marriage, nice kids, and comfortable life, seems unusual.</p>
<p>The film offers a unique—and rare—look inside the world of this fascinating man. Through concert footage, journeys to his birthplace, interviews with music legends, his family and closest friends, Still Bill presents the story of an artist who has written beloved songs and who truly understands the heart and soul of people.</p>
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		<title>The Great Film 35 Countdown (13 of 35): Henri-Georges Clouzot&#8217;s Inferno</title>
		<link>http://film360365.com/about/archives/194</link>
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		<pubDate>Thu, 01 Apr 2010 11:54:37 +0000</pubDate>
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		<description><![CDATA[The odd fate of what might have become a major French film of the '60s is compellingly related in "Henri-Georges Clouzot's Inferno." Clouzot, who is considered the French Hitchcock, embarked on "L'enfer" starring Romy Schneider in 1964; the story is a study of jealousy tipping into madness. The documentary is created with fascinating, never-seen footage of tests and scenes shot before the picture shuttered amid high-drama only three weeks into production.]]></description>
			<content:encoded><![CDATA[<div id="attachment_195" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/04/Henri-Georges-Clouzots-Inferno-im4b09ba428ddd2.jpg"><img class="size-medium wp-image-195" title="Henri-Georges Clouzot's Inferno" src="http://film360365.com/about/wp-content/uploads/2010/04/Henri-Georges-Clouzots-Inferno-im4b09ba428ddd2-300x202.jpg" alt="Henri-Georges Clouzot's Inferno" width="300" height="202" /></a><p class="wp-caption-text">Henri-Georges Clouzot&#39;s Inferno still</p></div>
<p>The odd fate of what might have become a major French film of the &#8217;60s is compellingly related in &#8220;Henri-Georges Clouzot&#8217;s Inferno.&#8221; Clouzot, who is considered the French Hitchcock, embarked on &#8220;L&#8217;enfer&#8221; starring Romy Schneider in 1964; the story is a study of jealousy tipping into madness. The documentary is created with fascinating, never-seen footage of tests and scenes shot before the picture shuttered amid high-drama only three weeks into production.</p>
<p>The color and black-and-white studio tests are amazing—hallucinatory and trippy in a disciplined, pre-psychedelic way. Through interviews with nine cast and crew members, an astonishing account of directorial anxiety, neurosis and, eventually, paralysis emerges. The cinematographic event of the decade was never completed nor any of the incredible footage seen by the public.</p>
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		<title>The Great Film 35 Countdown (12 of 35): Eamon</title>
		<link>http://film360365.com/about/archives/191</link>
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		<pubDate>Wed, 31 Mar 2010 01:19:48 +0000</pubDate>
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		<description><![CDATA[A bright, satirical drama with dark overtones, Eamon follows this idiosyncratic trio on a family holiday of sorts, intended to give them a break from their dire financial straits. Unfortunately, salvation does not sprout on the Irish coast, and sooner or later they come face to face with their problems. Too bad one of the three has no interest in seeing them resolved.]]></description>
			<content:encoded><![CDATA[<div id="attachment_192" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/eamon_01.jpg"><img class="size-medium wp-image-192" title="Eamon" src="http://film360365.com/about/wp-content/uploads/2010/03/eamon_01-300x160.jpg" alt="Eamon still" width="300" height="160" /></a><p class="wp-caption-text">From the Irish film, Eamon.</p></div>
<p>A fabulously fresh and highly entertaining first feature, Eamon is a young boy who has managed to insinuate himself between his parents. He holds a privileged space in his mother’s heart while his father—his mother’s current boyfriend—finds himself banished to what feels like a distant planet.</p>
<p>A bright, satirical drama with dark overtones, Eamon follows this idiosyncratic trio on a family holiday of sorts, intended to give them a break from their dire financial straits. Unfortunately, salvation does not sprout on the Irish coast, and sooner or later they come face to face with their problems. Too bad one of the three has no interest in seeing them resolved.</p>
<p>With a darkly humorous touch and some judiciously selected twists along the way, this Irish comedy features adult heroes who have misfortune for a shadow. However, Eamon’s innocence combined with his character’s instinctive ability to hold the middle ground between his parents creates both sympathy for his attempts to cope with two parents who mostly treat him like a wearisome nuisance and guilefulness that belies his tender years.</p>
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		<title>The Great Film 35 Countdown (11 of 35): Backstory/Cinema Museum</title>
		<link>http://film360365.com/about/archives/187</link>
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		<pubDate>Sat, 27 Mar 2010 18:30:53 +0000</pubDate>
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		<description><![CDATA[Artist Mark Lewis has been interested in the old, celluloid-based special-effects technology known as rear projection. He has written about its aesthetic implications, and his rear-projection film, Nathan Phillips Square, A Winter’s Night, Skating, was shown at the Venice Biennale in 2009. He has created two short documentaries which explore his curiosity about historical filmmaking techniques with a carefully aestheticized approach to cinema as both a fan-based and industrialized cultural phenomenon.]]></description>
			<content:encoded><![CDATA[<p><strong></p>
<div id="attachment_188" class="wp-caption alignnone" style="width: 310px"><strong><a href="http://film360365.com/about/wp-content/uploads/2010/03/00_c_film_museum.jpg"><img class="size-medium wp-image-188" title="Backstory/Cinema Museum" src="http://film360365.com/about/wp-content/uploads/2010/03/00_c_film_museum-300x225.jpg" alt="Backstory/Cinema Museum" width="300" height="225" /></a></strong><p class="wp-caption-text">Backstory/Cinema Museum</p></div>
<p>About Backstory/Cinema Museum</strong></p>
<p>Artist Mark Lewis has been interested in the old, celluloid-based special-effects technology known as rear projection. He has written about its aesthetic implications, and his rear-projection film, Nathan Phillips Square, A Winter’s Night, Skating, was shown at the Venice Biennale in 2009. He has created two short documentaries which explore his curiosity about historical filmmaking techniques with a carefully aestheticized approach to cinema as both a fan-based and industrialized cultural phenomenon.</p>
<p>The first film, Backstory, introduces audiences to the remaining stars of rear projection techniques that were prevalent in cinema until the development of the green screen. It was most famously by Alfred Hitchcock in films like North by Northwest and Saboteur.</p>
<p>Rear-projection technology was a response to a threefold problem posed by the arrival of synchronized sound in the late ’20s and early ’30s: how to combine star presence and narrative action with audible dialogue. A would-be seamless combination of all three involved first separating them into two component parts. A narrative setting would be filmed on location for later projection in a studio onto a translucent screen. Arranged against the background footage, stars could then be easily shot, and their dialogue carefully recorded. This technique allowed stars to remain in privileged close-up, their words clearly audible and their emotions clearly visible, while the dramatic setting, landscape scenery or urban streets, rolled behind them. The result has the odd quality of being both narratively effective and obviously artificial, ideal fodder for an artist intrigued by modernism&#8217;s contradictions.</p>
<p>Lewis interviews the rugged, techie makers of these “plates” with some of the finest work from their archives as backdrops. The effect is uniquely beautiful; the faded, soundless images from a Hollywood past create a Zen-like elegy for the aging figures as they recall the key moments of their profession and unsung art form.</p>
<p>In <a href="http://www.cinemamuseum.org.uk/">Cinema Museum</a>, Lewis follows, in a Kubrick-like tracking shot, the eccentric owner of a private museum of cinema ephemera in south London giving a tour. As the deliberate camera finds labels and objects of interest (“Gulag Guns,” for example), it pauses, reflects, seemingly digests information for future use and moves on. Dwarfed by towers of film canisters, rooms of filing cabinets and walls of old signage, the curator seems to embody both our cultural obsession with movies and our widespread disregard for the aging technology that has nurtured it.</p>
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		<title>The Great Film 35 Countdown (10 of 35): Alamar (to the Sea)</title>
		<link>http://film360365.com/about/archives/182</link>
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		<pubDate>Wed, 24 Mar 2010 12:50:02 +0000</pubDate>
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		<description><![CDATA[The relationship between man and nature is subtly revealed as we bear witness to the day-to-day existence of the fishermen in Chinchorro, who still spear for lobster and live with few modern conveniences. Riding a thin line between fiction and documentary, filmmaker Pedro González-Rubio weaves a delicate, moving narrative in this fine feature.]]></description>
			<content:encoded><![CDATA[<p><strong></p>
<div id="attachment_183" class="wp-caption alignnone" style="width: 310px"><strong><a href="http://film360365.com/about/wp-content/uploads/2010/03/alamar.jpg"><img class="size-medium wp-image-183" title="Alamar to the Sea" src="http://film360365.com/about/wp-content/uploads/2010/03/alamar-300x168.jpg" alt="Alamar to the Sea Still" width="300" height="168" /></a></strong><p class="wp-caption-text">Alamar to the Sea Still</p></div>
<p>This film has been called the “find of the Toronto Film Festival”.</strong></p>
<p><strong>About the film:</strong><br />
Jorge (Jorge Machado) and Roberta (Roberta Palombini) have been separated for several years. They come from opposite worlds: he likes an uncomplicated life in the jungle while she prefers a more urban existence. He is Mexican and she is Italian; and she has decided to return home with their five-year-old son, Natan (Natan Machado Palombini). But before they leave, Jorge wishes to take young Natan on a trip, hoping to teach him about his origins in Mexico. At first the boy is physically and emotionally uncomfortable with the whole affair, and gets seasick on the boat taking them to their destination. But as father and son spend more time together, Natan begins a learning experience that will remain with him forever.</p>
<p>Jorge takes Natan to Chinchorro, home to the second-largest coral reef on the planet and one of the few places in the Mexican Caribbean with an intact ecosystem. Living simply, they spend their days fishing with the experienced Matraca (Nestor Marin), and Natan learns the value of catching his own food. The area is also home to all kinds of exotic animals, and Natan is amazed by the iguanas, crocodiles and seabirds that surround them – a natural world previously unknown to him. Father and son share an important experience when Jorge teaches Natan to snorkel, showing him the beauty of the underwater realm. At first the child is hesitant, but with time and the help of his father, he learns to do it alone.</p>
<p>The relationship between man and nature is subtly revealed as we bear witness to the day-to-day existence of the fishermen in Chinchorro, who still spear for lobster and live with few modern conveniences. Riding a thin line between fiction and documentary, filmmaker Pedro González-Rubio weaves a delicate, moving narrative in this fine feature.</p>
<p><strong>Is this film fiction? Is it a documentary?</strong><br />
Robert Koehler&#8217;s essay in Cinema Scope <a href="http://cinema-scope.com/wordpress/?page_id=978">&#8220;Agrarian Utopias/Dystopias&#8221;</a> aptly captures the spirit of Alamar in its exploration of &#8220;the new nonfiction&#8221; or &#8220;the cinema of in-between-ness.&#8221; It’s worth a read.</p>
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		<title>The Great Film 35 Countdown (9 of 35): It Came from Kuchar</title>
		<link>http://film360365.com/about/archives/179</link>
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		<pubDate>Sat, 20 Mar 2010 14:24:45 +0000</pubDate>
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		<description><![CDATA[Long before YouTube there were the outrageous, no-budget, underground movies of filmmaking twins George and Mike Kuchar. Their campy, zero-budget parodies—an homage to Douglas Sirk melodramas laced with a healthy dose of Ed Wood’s aesthetic—influenced multitudes of directors from Guy Maddin and David Lynch to John Waters. ]]></description>
			<content:encoded><![CDATA[<p><strong>About IT CAME FROM KUCHAR</strong></p>
<p>Long before <a href="www.youtube.com">YouTube</a> there were the outrageous, no-budget, underground movies of filmmaking twins <a href="http://en.wikipedia.org/wiki/George_Kuchar">George</a> and <a href="http://en.wikipedia.org/wiki/Mike_Kuchar">Mike Kuchar</a>.</p>
<p>This documentary is a well-deserved tribute to legendary experimental filmmakers George and Mike Kuchar, the Bronx-born twins who spent five decades pioneering underground filmmaking. At the age of twelve, they became obsessed with Hollywood melodramas and began making their own homespun melodramas with their aunt’s 8mm camera. They used their friends and family as actors and their Bronx neighborhood as their set. Early Kuchar titles featured in this film include “I Was A Teenage Rumpot” and “Born of the Wind”. </p>
<p>Their campy, zero-budget parodies—an homage to <a href="http://henrysheehan.com/essays/stuv/sirk-1.html">Douglas Sirk melodramas</a><div id="attachment_180" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/kuchar.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/03/kuchar-300x144.jpg" alt="It Came from Kuchar Film Poster" title="It Came from Kuchar" width="300" height="144" class="size-medium wp-image-180" /></a><p class="wp-caption-text">It Came from Kuchar Film Poster</p></div> laced with a healthy dose of Ed Wood’s aesthetic—influenced multitudes of directors from Guy Maddin and David Lynch to John Waters. </p>
<p>In the early 1960’s, alongside Andy Warhol, the Kuchar brothers shaped the New York underground film scene. Known as the “8mm Mozarts”, their films were noticeably different than other underground films of the time. They were wildly funny, but also human and vulnerable.</p>
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		<title>The Great Film 35 Countdown (8 of 35): American Grindhouse</title>
		<link>http://film360365.com/about/archives/172</link>
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		<pubDate>Thu, 18 Mar 2010 11:16:59 +0000</pubDate>
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		<description><![CDATA[This documentary, narrated by Robert Forster, boasts an incredible list of interviewees many of whom are speaking on-camera for the first time. American Grindhouse is the first feature-length documentary from Director Elijah Drenner; it probes the hidden history of over 100 years of American exploitation film. ]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_174" class="wp-caption alignnone" style="width: 220px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/american_grindhouse_end_poster1.jpg"><img src="http://film360365.com/about/wp-content/uploads/2010/03/american_grindhouse_end_poster1-210x300.jpg" alt="American Grindhouse Poster" title="American Grindhouse Poster" width="210" height="300" class="size-medium wp-image-174" /></a><p class="wp-caption-text">American Grindhouse Poster</p></div>American Grindhouse</p>
<p>This documentary, narrated by Robert Forster, boasts an incredible list of interviewees many of whom are speaking on-camera for the first time. (Including: Allison Anders, Judy Brown, Larry Cohen, Joe Dante, Don Edmonds, David Hess, Jack Hill, Jonathan Kaplan, Jeremy Kasten, John Landis, Herschell Gordon Lewis, William Lustig, Ted V. Mikels, Bob Minor, Kim Morgan, Eddie Muller, Fred Olen Ray, Eric Schaefer, Lewis Teague, James Gordon White and Fred Williamson.) American Grindhouse is the first feature-length documentary from Director Elijah Drenner; it probes the hidden history of over 100 years of American exploitation film. </p>
<p>From the beginning of the 20th century, Exploitation Cinema emerged from carnie sideshows with features like <em>Freaks</em> and <em>Traffic in Souls</em>. It continued through 1940’s film noir, blasting through the Hollywood Production Code with “Nudie Cuties” and “Roughies”, culminating in the biker films of the 60’s and the “Blaxploitation” flicks of the 70’s. The documentary delves deeply into this often overlooked category of cinema with clips from over 200 films. With an informative and amusing tone, it uncovers the mark Exploitation Cinema has made on American culture, while exploring how its popularity and principles still endure today.</p>
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		<title>The Great Film 35 Countdown (7 of 35): I Am Love</title>
		<link>http://film360365.com/about/archives/168</link>
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		<pubDate>Tue, 16 Mar 2010 15:46:28 +0000</pubDate>
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		<description><![CDATA[Seven years in the making, director Luca Guadagnino's "I Am Love" depicts a family’s world on the cusp of change. Presented in a dreamy, languorous fashion the film follows the cultivated world of a wealthy and distinguished family as various members embody passion and constraint, the old order and the rowdy new one, and elegance and turbulence.]]></description>
			<content:encoded><![CDATA[<p><strong> </strong></p>
<div id="attachment_169" class="wp-caption alignnone" style="width: 212px"><strong><strong><a href="http://film360365.com/about/wp-content/uploads/2010/03/I-Am-Love-poster.jpg"><img class="size-medium wp-image-169" title="I Am Love film poster" src="http://film360365.com/about/wp-content/uploads/2010/03/I-Am-Love-poster-202x300.jpg" alt="I Am Love film poster" width="202" height="300" /></a></strong></strong><p class="wp-caption-text">I Am Love film poster</p></div>
<p><strong>I Am Love, starring Oscar-winner Tilda Swinton</strong></p>
<p>Seven years in the making, director Luca Guadagnino&#8217;s &#8220;I Am Love&#8221; depicts a family’s world on the cusp of change. Presented in a dreamy, languorous fashion the film follows the cultivated world of a wealthy and distinguished family as various members embody passion and constraint, the old order and the rowdy new one, and elegance and turbulence.<br />
Featuring a cast headed by Tilda Swinton, this exploration of one family is a feast for the senses&#8211;a stunning work.<br />
<strong>The plot:</strong><br />
The Recchis are a wealthy Milan family whose lives revolve around elaborate parties and the family textile business, passed down from the patriarch to his son, Tancredi, and grandson, Edoardo. Tancredi&#8217;s Russian wife, Emma, loves her children and runs her villa smoothly, but has no passion of her own.</p>
<p>Emma&#8217;s well-kept world is shaken when her daughter Elisabetta comes out as a lesbian&#8211;a secret hidden from the conservative family. Then Emma meets Antonio, a gifted but humble chef who wants to open a restaurant with Edoardo. Her desire is ultimately unleashed as their love brings Emma to life &#8212; and leads to the film&#8217;s dramatic climax.</p>
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		<title>The Great Film 35 Countdown (6 of 35): Huckleberry Finn-Restoration Print</title>
		<link>http://film360365.com/about/archives/161</link>
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		<pubDate>Mon, 15 Mar 2010 13:42:58 +0000</pubDate>
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		<description><![CDATA[The restoration was made from the last known print of HUCKLEBERRY FINN, which was donated to George Eastman House in 1962. The preservation was supported by the National Film Preservation Foundation.]]></description>
			<content:encoded><![CDATA[<p><strong>Huckleberry Finn (1920) Restoration print</strong></p>
<p>Huck Finn Still</p>
<p><a href="http://film360365.com/about/wp-content/uploads/2010/03/hfmov20b041.jpg"><img class="size-medium wp-image-165" title="Huck Finn Still" src="http://film360365.com/about/wp-content/uploads/2010/03/hfmov20b041-300x221.jpg" alt="Huck Finn Still" width="300" height="221" /></a>We all know the story of Huckleberry Finn— a rambunctious boy adventurer chafing under the bonds of civilization, who escapes his humdrum world and his selfish, plotting father by sailing a raft down the Mississippi River with Jim, a slave running away from being sold.</p>
<p>However, this 1920 silent version starring Lewis Sargent as Huck and George Reed as Jim has been restored by Rochester’s very own George Eastman House in conjunction with the <a href="http://www.filmpreservation.org">National Film Preservation Foundation</a> . Director William Desmond Taylor’s adaptation of Mark Twain’s classic novel was a companion piece to Tom Sawyer, which Paramount had released earlier, a tradition that was repeated in 1930, when both stories were released in sound version starring Jackie Coogan.</p>
<div id="attachment_162" class="wp-caption alignnone" style="width: 203px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/hfmov20b02.jpg"><img class="size-medium wp-image-162" title="1920 Huck Finn Still" src="http://film360365.com/about/wp-content/uploads/2010/03/hfmov20b02-193x300.jpg" alt="1920 Huck Finn Still" width="193" height="300" /></a><p class="wp-caption-text">1920 Huck Finn Still</p></div>
<p>During the 360 | 365 showing, Phil Carli will accompany the film on piano.</p>
<p><strong>On a side note:</strong><br />
Director William Desmond Taylor was shot to death on February 1, 1922 in his Los Angeles bungalow. No person was ever convicted of the crime. In 1967 film director King Vidor conducted a personal investigation of the crime. Vidor concluded that a woman named Charlotte Shelby was probably the guilty party. Shelby was opposed to the relationship Taylor had with her daughter, actress Mary Miles Minter. Charlotte Shelby died in 1957 and the crime is still officially unsolved. An extensive account of the Taylor mystery and Vidor&#8217;s investigation is given in Sidney D. Fitzpatrick&#8217;s A Cast of Killers, E.P. Dutton, NY 1986.</p>
<p><strong>About the Huck Finn Restoration:</strong><br />
The restoration was made from the last known print of HUCKLEBERRY FINN, which was donated to George Eastman House in 1962. This print contained Danish intertitles. The preservation was supported by the National Film Preservation Foundation. Our lab partner was Colorlab Corp. of Rockville, MD.</p>
<p>This new restoration retains the original color tinting schemes of the original print. No known script or continuity survived, so all new English language titles were created for this restoration, utilizing a direct translation of the Danish, and, in many cases, direct quotes from Mark Twain&#8217;s original novel.</p>
<p>The festival screening will be the first public screening of this new restoration.</p>
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		<title>The Great Film 35 Countdown (5 of 35): Avant Gaming</title>
		<link>http://film360365.com/about/archives/159</link>
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		<pubDate>Sat, 13 Mar 2010 20:20:12 +0000</pubDate>
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		<description><![CDATA[
If you remember Nintendo’s 1980’s game cartridges or prefer the heart-pumping games of today, let these unique applications of familiar images take you on a ride all their own.]]></description>
			<content:encoded><![CDATA[<div id="attachment_158" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/1928_AhweshPuppet_383.jpg"><img class="size-medium wp-image-158" title="1928_AhweshPuppet_383" src="http://film360365.com/about/wp-content/uploads/2010/03/1928_AhweshPuppet_383-300x196.jpg" alt="Avant Gaming Still" width="300" height="196" /></a><p class="wp-caption-text">Still from the Avant Gaming shorts program</p></div>
<p>Okay gamers, pop culture aficionados, and fans of avant-garde filmmaking—this program is for you!</p>
<p>Are you ready for a journey into the world of film combined with videogames? The Avant Gaming shorts program was originally curated by the Wexner Center for the Arts at Ohio State University. This collection of short films by contemporary avant-garde filmmakers mixes images from online games such as Tomb Raider and Grand Theft Auto to create poignant imagery. The varied themes of each film range from spiritual exploration to questions of identity and morality.</p>
<p>If you remember Nintendo’s 1980’s game cartridges or prefer the heart-pumping games of today, let these unique applications of familiar images take you on a ride all their own.</p>
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		<title>The Great Film 35 Countdown (4 of 35): Lovers of Hate</title>
		<link>http://film360365.com/about/archives/153</link>
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		<pubDate>Thu, 11 Mar 2010 22:53:46 +0000</pubDate>
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		<description><![CDATA[Rudy (Chris Doubek) has never been the go-getter sort, but even by his diminished standards his life’s falling apart. Wife Diana (Heather Kafka) has kicked him out and he’s been reduced to living in his car. Things get worse when his highly successful children’s author brother Paul (Alex Karpovsky) enters the picture and acts on his own longstanding feelings for Diana. ]]></description>
			<content:encoded><![CDATA[<p><strong>About the film:</strong></p>
<div id="attachment_156" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/loversofhate22.png"><img class="size-medium wp-image-156" title="Lovers of Hate, playing at the 360 | 365 George Eastman House Film Festival" src="http://film360365.com/about/wp-content/uploads/2010/03/loversofhate22-300x168.png" alt="Lovers of Hate still" width="300" height="168" /></a><p class="wp-caption-text">Lovers of Hate, playing at the 360 | 365 George Eastman House Film Festival</p></div>
<p>Rudy (Chris Doubek) has never been the go-getter sort, but even by his diminished standards his life’s falling apart. Wife Diana (Heather Kafka) has kicked him out and he’s been reduced to living in his car. Things get worse when his highly successful children’s author brother Paul (Alex Karpovsky) enters the picture and acts on his own longstanding feelings for Diana. The picture culminates with an extended, virtuoso set piece at the lavish Park City home to which Paul brings Diana for a romantic weekend, little knowing that Rudy’s already there.</p>
<p>Director Bryan Poyser brilliantly executes an intricate game of cat and mouse in a ski lodge. It is a testament to the actors and a tightly constructed script, that Lovers of Hate juggles both humor and pathos equally well.</p>
<p>The cinematography is by David Lowery, the equally talented writer-director of St. Nick which will be screening at the festival as well as Karpovsky&#8217;s TRUST US: THIS IS ALL MADE UP.</p>
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		<title>21 Below, Exclusive Interview with Director Samantha Buck</title>
		<link>http://film360365.com/about/archives/149</link>
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		<pubDate>Wed, 10 Mar 2010 14:08:20 +0000</pubDate>
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		<description><![CDATA[As the artistry of filmmaking continues to evolve, it is important to watch the exceptional visionaries, the pioneers who push the envelope of the expression. Sometimes that artist is quickly recognized, sometimes only after many accomplishments. The 360 &#124; 365 George Eastman House New Director Series discovers these pioneers and brings them to you. Samantha Buck and her film 21 Below are the series' debut.]]></description>
			<content:encoded><![CDATA[<div id="attachment_150" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/Samantha_Buck.jpg"><img class="size-medium wp-image-150" title="Samantha_Buck" src="http://film360365.com/about/wp-content/uploads/2010/03/Samantha_Buck-300x300.jpg" alt="Samantha Buck, Director 21 Below" width="300" height="300" /></a><p class="wp-caption-text">360 | 365 George Eastman House Film Festival New Director Series</p></div>
<p>21 Below’ is Samantha’s directorial debut. Her television credits include Comedy Central’s ‘Stella’ opposite Michael Ian Black, Michael Showalter and David Wain. On ‘Law and Order: Criminal Intent’, Samantha portrayed Detective G. Lynn Bishop opposite Vincent D’Onoforio. She has had recurring roles on ‘Third Watch’, ‘Six Degrees’, ‘Z Rock’ and has appeared on ‘Sex and The City’.</p>
<p><strong>1. Samantha, since you have plenty of experience in front of the camera (both TV and film) what was the biggest thing to wrap your head around in order to direct?</strong></p>
<p>To be completely honest, I never dreamed of making a documentary film and was naive enough to not think about what I should or shouldn&#8217;t be doing. This film happened in a very organic way; and was collaborative in the truest sense of the word. Because of the efforts of Jenny Maguire ,Sophia Raab Downs and myself, we were able to capture the story of Sophia and her family.</p>
<p>I felt a tremendous amount of pressure and responsibility to make sure this family was portrayed as truthfully and as fairly as possible. It is a completely different and greater pressure than I have ever experienced as an actor. I was very fortunate to be working with two amazing women and a tremendous group of people who put their heart and souls into the film.</p>
<p><strong>2. How did you and Zeke Farrow meet up and come to work together on a film?</strong></p>
<p>Zeke and I have been friends and teamed up on various projects for years. He is more like family than just a friend at this point.</p>
<p>Working together on this project was a very “New York” story, though. I was in-between sublets, living on his couch, and watching &#8220;21 BELOW&#8221; raw footage every night. Soon he was joining me and we would stay up for hours talking about the story and the potential film that could be made.</p>
<p>I wanted the film to play like a fiction narrative. The hope was it would allow the audience to more readily put themselves in the family&#8217;s shoes. I found that I could learn more watching how family members interacted with each other than in a 2-hour interview.</p>
<p>Zeke is a tremendous writer who comes from a fiction background. I was very lucky that he came onboard. He helped shape the story and was my constant sounding board during the editing process.</p>
<p>We are currently working on another documentary together as well as a pilot script we wrote together. He has also written a screenplay I would love to direct someday.</p>
<p><strong>3. Why this story for your directorial debut? What about it made you say, &#8220;I have to tell this story to the world!&#8221;?</strong></p>
<p>I did not go hunting for a story. The story found us. here’s what happened:</p>
<p>In the spring of 2004, my mother invited a few friends and I to come to D.C., for The March for Women’s Lives. One of the women I invited was future partner and producer Jenny Maguire.</p>
<p>I had a feeling in my gut that I should bring a camera with me. The women we heard speak that day are what started us on a journey that would eventually lead to Buffalo, NY. We heard Molly Ivins, Ann Richards, and Sarah Weddington. They asked us to enjoy the March—but reminded us is not just about one day but what you do afterward. I read an article about the 30 biggest activists under 30 and decided that we should document their level of activism during the 2004 Presidential campaign.</p>
<p>One of my friends recommended I bring a young woman who lived Upstate on board. She was in production and involved with Women’s Reproductive rights. That is how we met Sophia.</p>
<p>As Jenny, Sophia, and I spent the summer following young women in an effort to put a personal face on the political issues we were investigating, Sophia talked about her problems with her sister. She was in my apartment when she learned her niece Maya had Tay-Sachs disease. By the end of the summer it became clear that the real story lay in Sophia’s family walls.</p>
<p>The story became much more complex than any of us could have realized. We thought we were going to make a film about young women and their reproductive rights; instead it turned out to be a portrait of an American middle-class family in crisis. Our film is still about choice but like most things in life we found it was not so cut and dry.</p>
<p>The relationships we have inside our family walls affect who we are when we walk out the door. Hopefully this film will make people think and reflect on how they communicate, love, and accept one another.</p>
<p><strong>4. What were the most painful and the most rewarding parts of making 21 Below?</strong></p>
<p>We were extremely naive about what it meant for our producer and friend to become our subject. As a filmmaker, I felt obligated to tell the story fairly and honestly. I love Sophia and her family. Exposing every side of them—the beautiful and ugly—proved very difficult.</p>
<p>Sophia&#8217;s family did not ask for cameras in their homes, they did it because she asked—and it proved to be an extremely painful process. Trying to wear the hat of filmmaker and friend was not easy to negotiate.</p>
<p>Luckily, Sophia was so brave and trusting: I was given the freedom to tell the story and was never asked to cut anything from the film that could be perceived as “unfavorable”. She has said that the film is painful to watch; but it is fair. That is the best compliment anyone could say about the film, in my opinion.</p>
<p>Anything I would have to say about witnessing Maya&#8217;s (Sharon’s sister’s 14 month-old daughter who was given a terminal diagnosis of Tay-Sachs) would be trite. She was a beautiful soul and we were lucky to be part of her life.</p>
<p>The audience&#8217;s reaction has been the biggest reward. We have had many heated Q &amp; A discussions. Many people have shared their opinions and personal family stories. We were in Helsinki a month ago and a Finnish woman came up to me in tears after the credits. She had been unable to express herself or cry after a very tragic event in her life. The film allowed her to open up a part of herself that she had cut off. It was a memorable and profound moment.</p>
<p>Another tremendous gift has been our partnership with the National Tay Sachs and Allied Diseases to raise Tay Sachs awareness. Through NTSAD we have been introduced to families who have dealt with this disease firsthand. One man who suffers from Late-Onset Tay Sachs has become a huge supporter of the film and an inspiration to all of us.</p>
<p>The education we have received while making this film has been prodigious.</p>
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		<title>The Great Film 35 Countdown (3 of 35): Videocracy</title>
		<link>http://film360365.com/about/archives/147</link>
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		<pubDate>Tue, 09 Mar 2010 12:42:34 +0000</pubDate>
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		<description><![CDATA[Videocracy is a film that has been gathering momentum. It premiered at the Venice Film Festival in September and has been collecting accolades everywhere it goes from topping Indiewire’s Critic’s Choice Poll for best Documentary at TIFF to winning the Special Jury Award at Sheffield Doc/Fest. ]]></description>
			<content:encoded><![CDATA[<div id="attachment_146" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/VideocracyDB1.jpg"><img class="size-medium wp-image-146" title="VideocracyDB" src="http://film360365.com/about/wp-content/uploads/2010/03/VideocracyDB1-300x180.jpg" alt="Videocracy publicity still" width="300" height="180" /></a><p class="wp-caption-text">The film Videocracy will be showing at the 360 | 365 film festival in May, 2010</p></div>
<p>What are you going to be doing in May? Coming out to see some great, thought-provoking films at the 360 | 365 George Eastman House Film Festival (we hope)! Here’s a look at another one of the films we have coming to town—Videocracy.</p>
<p><strong>Videocracy defined:</strong> The power of the image over society.</p>
<p><strong>Examples:</strong><br />
&#8220;Voter-generated-content&#8221;, such as videos on Youtube.</p>
<p>In Italy, the election of Silvio Berlusconi as Prime Minister in 1994 was seen by many as a &#8220;media coup d&#8217;état [and] a drift towards &#8216;videocracy&#8217;&#8221;.</p>
<p><strong>Synopsis:</strong><br />
Videocracy is a film that has been gathering momentum. It premiered at the Venice Film Festival in September and has been collecting accolades everywhere it goes from topping Indiewire’s Critic’s Choice Poll for best Documentary at TIFF to winning the Special Jury Award at Sheffield Doc/Fest.</p>
<p>It is a skillful compilation of archive footage describing contemporary Italy as a mirror of prime minister Silvio Berlusconi&#8217;s commercial television empire. In the videocracy that is Italy, image is the key to power and Berlusconi is shown as a master of his own image. Prize-winning Italian-born documaker Erik Gandini (&#8220;Surplus,&#8221; &#8220;GITMO&#8221;), who now lives in Sweden, presents a persuasive case.<br />
<strong><a href="http://www.hollywoodreporter.com/hr/film-reviews/videocracy-film-review-1004009695.story">Read more here.</a></strong></p>
<p>Banned (?) in Italy<br />
Among the journalists to have felt the sting of Italian press censorship is Swedish-Italian filmmaker Erik Gandini, whose revealing documentary on Italian television culture, Videocracy, was banned from coverage in the Italian press.</p>
<p>Government-television conglomerate RAI refused even to broadcast a 30-second trailer for the film, which traces the rise of Berlusconi&#8217;s banal, tits-and-ass-style television, implicating it as a form of mind-control machinery that keeps him in power.</p>
<p><strong><a href="http://www.huffingtonpost.com/nina-burleigh/videocracy-an-interview-w_b_311191.html">Read all about it here. </a></strong></p>
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		<title>The Great Film 35 Countdown (2 of 35): Harry Brown</title>
		<link>http://film360365.com/about/archives/140</link>
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		<pubDate>Fri, 05 Mar 2010 19:49:07 +0000</pubDate>
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		<description><![CDATA[Set in modern-day Britain, Harry Brown follows one man’s (played by Sir Michael Caine) journey through a chaotic world where drugs are the currency of the day and guns run the streets. See it at the 360 &#124; 365 George Eastman House Film Festival this May.]]></description>
			<content:encoded><![CDATA[<div id="attachment_141" class="wp-caption alignnone" style="width: 310px"><a href="http://film360365.com/about/wp-content/uploads/2010/03/harry_brown08.jpg"><img class="size-medium wp-image-141" title="harry_brown08" src="http://film360365.com/about/wp-content/uploads/2010/03/harry_brown08-300x199.jpg" alt="Still from the film &quot;Harry Brown&quot; starring Michael Caine" width="300" height="199" /></a><p class="wp-caption-text">&quot;Harry Brown&quot; starring Michael Caine</p></div>
<p>We are going to be posting information about the films coming to the 360 | 365 George Eastman House Film Festival this May. It’s so exciting to us to see the festival beginning to take shape that we want to share the films&#8211;and their stories&#8211;along the way.</p>
<p>Without further ado, here is the second:<br />
<strong>Harry Brown</strong>, starring the incomparable Sir Michael Caine</p>
<p><strong>Synopsis:</strong><br />
Set in modern-day Britain, Harry Brown follows one man’s (played by Sir Michael Caine) journey through a chaotic world where drugs are the currency of the day and guns run the streets.</p>
<p>Brown is retired marine and widower who lives alone in a dilapidated housing estate.</p>
<p>When his only friend is murdered by a gang thugs Harry is compelled to act and administers his own brand of justice.</p>
<p>In a bid to, as he sees it, &#8216;clean up&#8217; the estate he comes into conflict with the police, led by investigating officer DCI Frampton (played by Emily Mortimer) and Charlie Creed-Miles.<br />
<strong><br />
Sir Michael Caine on the project</strong><br />
<em>“I waited two years looking for a script that I really wanted to do. I got so used to being at home. I was beginning to take it up as a profession. And then I read the script, and they said, ‘He’s never directed a movie before.’ And I said, ‘That’s great. What’s it about?’ ‘It’s about a vigilante.’ ‘Well, that sounds promising.’ So I read the script, and I loved it.</em><br />
<strong><br />
Interview with Director Daniel Barber</strong><br />
<strong><em>Q. How easy was it to persuade Michael Caine to come out of “retirement”? Because he keeps insisting he’s retired…</em></strong><br />
<strong>Daniel Barber: </strong>Really easy… but he loved the part. I think he’s at that age where he doesn’t need to work anymore and he picks and chooses very carefully what he does. But I think he wants to put something back. He is a Briton, and he’s one of our great Britons, and everybody loves him because he’s a real man of the people. He came from a very poor background and has never said how clever he was. He’s just worked, worked, worked… but now he’s upset. He comes from Elephant &amp; Castle, which is where we filmed Harry Brown, and he sees the way his area is now and the way the gangs roam around and is worried. It’s not going to affect him because he lives in a very beautiful place, but it doesn’t mean he’s lost touch and I think he’d like there to be a conversation about what’s going on something can happen. He certainly didn’t make this for the money.</p>
<p><strong><a href="http://www.indielondon.co.uk/Film-Review/harry-brown-daniel-barber-interview">Read the entire interview here. </a></strong></p>
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		<title>The Great Film 35 Countdown (1 of 35): The Secret of Kells</title>
		<link>http://film360365.com/about/archives/132</link>
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		<pubDate>Thu, 04 Mar 2010 22:22:27 +0000</pubDate>
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		<description><![CDATA[The Great Film 35 Countdown (1 of 35): The Secret of Kells. 
Learn more about this film which will be playing at the 360 &#124; 365 george Eastman House film Festival in May.]]></description>
			<content:encoded><![CDATA[<p><strong></p>
<div id="attachment_135" class="wp-caption alignleft" style="width: 310px"><strong><a href="http://film360365.com/about/wp-content/uploads/2010/03/1110464_Secret_Of_kells.jpg"><img class="size-medium wp-image-135" title="The Secret of Kells" src="http://film360365.com/about/wp-content/uploads/2010/03/1110464_Secret_Of_kells-300x168.jpg" alt="" width="300" height="168" /></a></strong><p class="wp-caption-text">Hand-painted animation</p></div>
<p>Nominee: Academy Award for Best Animated Feature</strong></p>
<p>&#8216;Kells&#8217; refers to <a href="http://www.liu.edu/CWIS/CWP/library/sc/kells/kells.htm">&#8216;The Book of Kells</a>,&#8217; the ancient Celtic religious text that dates back to 800 AD. The animated images evoke the artwork in the actual &#8216;Book of Kells,&#8217; which is on display for tourists and scholars alike at Trinity College, Dublin.</p>
<p><strong>Synopsis:</strong></p>
<blockquote><p>In the movie “The Secret Of Kells,” young Brendan lives in a remote medieval outpost under siege from barbarian raids. But a new life of adventure beckons when a celebrated master illuminator arrives from foreign lands carrying an ancient but unfinished book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide. It is here that he meets the fairy Aisling, a mysterious young wolf-girl, who helps him along the way. As the barbarians close in, will Brendan’s determination and artistic vision illuminate the darkness and show that enlightenment is the best fortification against evil?</p>
<p>The hand-drawn animation echoes the look of ‘The Book of Kells’ itself and proves that animation can be equally informed by both modern graphic design ideas and classic iconography.</p>
<p><strong>Here’s an excerpt from a great interview with the director, Tomm Moore:</strong><br />
<strong><em>Q: The film looks really beautiful, what was the idea behind it?</em></strong><br />
T: It was based around Irish medieval art, the illuminated manuscripts like The Book of Kells. We looked at things in that world. We wanted to make something really distinct. Because it’s an independent film you might as well do something really different. It’s all like medieval art, really decorative, lots of details. And just the movement to lead the eye and the colour rather than usual theatrical staging. When there’s danger we pull out the colour and throw in some perspective and angles. When the Viking attack it’s more like fascist art, all red and black.<br />
All of the main characters are hand drawn and scanned in. The Vikings and the pagan snake god, Crom Cruich, are CG. Most of the backgrounds are hand painted in Photoshop.<br />
In the Forest we were able to free up. So we did all the triptychs. It is mainly hand painted in our studio in Kilkenny. It had to have a special sound as well. We had French sound designers so we had to make sure that the animal and birds sounded Irish.</p>
<p><strong><a href="http://www.4mations.tv/2009/06/interview-with-tomm-moore-director-of-the-secret-of-kells/">Read the full interview here. </a></strong></p></blockquote>
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		<title>The Great Film 35 Countdown</title>
		<link>http://film360365.com/about/archives/130</link>
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		<pubDate>Wed, 03 Mar 2010 18:44:02 +0000</pubDate>
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		<description><![CDATA[We'll be writing up sneak peeks of our films as they are booked!]]></description>
			<content:encoded><![CDATA[<p>We’re counting down to our festival this year by writing up each festival film as it is confirmed. We’ll be booking 35 films and sharing information about them exclusively with you, our online audiences. </p>
<p>We’ll be revealing the first film very soon. Here is a hint-it’s an Oscar-nominee!</p>
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		<title>First New Director Series Film Announced</title>
		<link>http://film360365.com/about/archives/125</link>
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		<pubDate>Mon, 01 Mar 2010 16:57:03 +0000</pubDate>
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		<description><![CDATA[New Director Series debuts with 21 Below by Samantha Buck.]]></description>
			<content:encoded><![CDATA[<p><strong>360 | 365 and George Eastman House presents first New Director Series featuring Samantha Buck and her Film “21 Below”</strong></p>
<p>On Saturday, March 20 at 8 p.m., 360 | 365 and George Eastman House will present the first screening in our New Director series, featuring director <a href="http://www.imdb.com/name/nm0118419/">Samantha Buck </a>and her film <a href="http://www.21belowfilm.com/index.php"><em>21 Below</em></a>.</p>
<p>The Dryden Theatre is home to our New Director series, a quarterly program which presents the first local screenings of recent works from directors making their first or second feature-length effort.</p>
<blockquote><p><em>&#8220;We are thrilled to be launching the 360 | 365 George Eastman House New Director series,&#8221;</em> said Linda Moroney, managing director of the 360 | 365.<em> &#8220;Rochester is, after all, the birthplace of motion picture film&#8211;and here is an opportunity for our community to see, firsthand, films by tomorrow’s great visionaries.&#8221;</em></p></blockquote>
<p>Filmed on location in Buffalo, N.Y., <em>21 Below </em>tells the compelling and multi-faceted story of one American family in crisis. Pregnant with her first child, Sharon returns to Buffalo in an attempt to repair the relationship between her mother and her younger sister, Karen, who is pregnant with her third child and caring for one daughter dying from a rare, genetic disease. Richly complex and inspiring, <em>21 Below </em>unfolds as a compassionate portrait of a family coming apart and the compromises required for reconciliation.</p>
<blockquote><p><em>&#8220;Samantha Buck is a veteran film and television actress who makes a startlingly good directorial debut with this inspiring portrait of a Buffalo family in crisis, revealing their previously hidden emotional dimensions,” </em>said Jim Healy, Director of Programming, 360 | 365 George Eastman House Film Festival.</p></blockquote>
<p>Buck has acted in <em>Z Rock, Six Degrees, Stella, and Law &amp; Order: Criminal Intent. </em>She will introduce the film and talk with the audience following the screening with a question-and-answer session.</p>
<p>General admission is $7 and $5 for students. Please note, no Take-10 tickets or passes will be accepted at this special event. For more information, please visit <a href="http://www.film360365.com/">www.film360365.com</a> or 585-279-8312.</p>
<p>Tickets are available online at <a href="http://film360365.com/festival/tickets-and-passes">film360365.com/festival/tickets-and-passes</a></p>
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		<title>Other parties and events at Sundance</title>
		<link>http://film360365.com/about/archives/122</link>
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		<pubDate>Thu, 18 Feb 2010 11:00:19 +0000</pubDate>
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		<description><![CDATA[Linda chats in-depth about parties and events that she attended at Sundance.]]></description>
			<content:encoded><![CDATA[<p>New York  State was working very hard to woo filmmakers. From a converted storefront on Main Street, the NY Filmmakers Lounge proved to be a hopping place. The Rochester/Finger Lakes Film &amp; Video Office sent Nora Brown to manage it—and she was very busy! Every morning they offered up bagels (flown from NYC) and coffee (provided by our very own <a href="www.javascafe.com">Java’s</a>) to anyone who stopped by.</p>
<p>Afternoons included panels and music. According to Nora, there was a great deal of real interest in NY this year. “Not too many people kicking tires. Most of them were asking specific questions,” she said.</p>
<p>New York held its own party one night in the Park City Museum/Bing Bar. Lots and lots of filmmakers with great energy! The place was packed. I had the chance to meet former football star Jim Kelly who was representing Fifth Year Productions (Based right here in Rochester; they are our festival’s presenting sponsor). Downstairs in the building was a jail museum-and before that, it was originally a mine.</p>
<p>Other events with local ties included the big “Kodak Party” at the Riverhorse (held there for over ten years) with a live band <a href="http://www.myspace.com/voodoobox">(Voodoo Box)</a> and food. There were lines out the door and into the street. There were lots of Kodak folks I was able to catch up with a little bit.</p>
<p>Most of my time at Sundance was spent seeing films, so I can’t comment on too many parties, but this should give you a flavor of what it was like.</p>
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		<title>Post-Sundance Wrap, part 1</title>
		<link>http://film360365.com/about/archives/117</link>
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		<pubDate>Wed, 17 Feb 2010 16:37:32 +0000</pubDate>
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		<description><![CDATA[<p>After viewing nineteen films in five days, even I was tired of theatre seats and found myself longing for something other than popcorn to eat; however, my love for film is undiminished. In fact, experiencing Sundance for the first time without attending as a filmmaker was very interesting. My emphasis was less on schmoozing and [...]]]></description>
			<content:encoded><![CDATA[<p>After viewing nineteen films in five days, even I was tired of theatre seats and found myself longing for something other than popcorn to eat; however, my love for film is undiminished. In fact, experiencing Sundance for the first time without attending as a filmmaker was very interesting. My emphasis was less on schmoozing and more on viewing. I didn’t feel as driven to attend every party I could, but instead I was compelled to take in as many films as humanly possible. (I didn’t manage to best Jim Healy, however; he saw twenty-five films in five days. The man is like an Olympic athlete of the film world!)</p>
<p>Our dedication to you, our loyal film audiences, kept our eyes open when we really wanted to close them and take a nap. So, without further ado, here is some of what I saw and heard during Sundance 2010.</p>
<p><strong><a href="http://www.hollywoodreporter.com/hr/film-reviews/jack-goes-boating-film-review-1004061447.story">Jack Goes Boating</a></strong><br />
Fairport native, Philip Seymour Hoffman made his directorial debut with the film Jack Goes Boating. Here is the Sundance write up of the film:<br />
<em>Jack Goes Boating is a tale of love, betrayal, and friendship set against the backdrop of working-class New York City life. Jack and Connie are two single people who on their own might continue to recede into the anonymous background of the city, but in each other begin to find the courage and desire to pursue their budding relationship. In contrast, the couple who brought them together, Clyde and Lucy, are confronting the unresolved issues in their rocky marriage.</em></p>
<p><em>The multifaceted Philip Seymour Hoffman makes his directorial debut demonstrating an assured style and grace, both behind the camera and in front of it. He leads a skilled cast, who waltz through their group scenes in perfect counterpoint, each getting what he or she needs from the other. The writing is fiercely authentic as are the performances. Lyrical and lovely, Jack Goes Boating is an offbeat love story that almost forgets to happen.</em></p>
<p>On another note, the film was originally a play. Here is a little bit about it from Wikipedia:<br />
<em>Jack Goes Boating is a 2007 play by Bob Glaudini. An unconventional romantic comedy set in the midst of working-class New York City life, Jack Goes Boating&#8217;s original production was directed by Peter Dubois and starred Phillip Seymour Hoffman as Jack, John Ortiz as Clyde, Daphne Rubin-Vega as Lucy, and Beth Cole as Connie. The show played in Martinson Hall at the Joseph Papp Public Theater [1] for six weeks, and received positive reviews, particularly from the New York Times.</em></p>
<p>I was lucky enough to be in attendance at the Vanity Fair “10 Directors to Watch” party where Philip received the <a href="http://www.variety.com/article/VR1118014428.html?categoryid=1236&amp;cs=1">Acura Indie Impact Award</a>. He received a standing ovation from the audience. He truly is, as they say, a local boy “done good.” The party itself was a very Sundance affair, held in the St. Regis resort in Deer Valley was accessible via a funicular which moved guests up the mountainside in cozy groups of ten at a time. Once inside the resort, we were offered hot chocolate-spiked or virgin. (Funny, I never really considered hot chocolate to be anything but a non-alcoholic beverage). Most of the 300+ attendees were filmmakers celebrating their up-and-coming peers while rubbing elbows. The mood was very energetic as people were excited to meet the celebrated directors. Although the resort is a pretty posh place, most attendees were dressed very casually in parkas and fury boots. I left after the awards ceremony to (you guessed it!) attend a film, but there was a large tent with food and music set up outside to make the event into a real party.</p>
<p>&#8211;Linda</p>
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		<title>360 &#124; 365 Shorts Contest &amp; The Little Theatre Host “Pie in the Face” Screenings and Award Ceremony</title>
		<link>http://film360365.com/about/archives/111</link>
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		<pubDate>Wed, 27 Jan 2010 17:13:39 +0000</pubDate>
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		<category><![CDATA[Pie in the Face]]></category>
		<category><![CDATA[Shorts Contest]]></category>

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		<description><![CDATA[<p>Every three months, 360 &#124; 365 Shorts Contest releases a theme to filmmakers who have roughly 12 weeks to produce a film that is three minutes or less. Contestants are tasked with capturing their interpretation of the theme presented and submitting their film. At the end of the Shorts Contest cycle, all of the films [...]]]></description>
			<content:encoded><![CDATA[<p>Every three months, 360 | 365 Shorts Contest releases a theme to filmmakers who have roughly 12 weeks to produce a film that is three minutes or less. Contestants are tasked with capturing their interpretation of the theme presented and submitting their film. At the end of the Shorts Contest cycle, all of the films are reviewed by a panel of judges and three winners are selected. The first theme of this year’s Shorts Contest cycle was to have somebody in the film get a “Pie in the Face.”</p>
<p>“We wanted filmmakers to have fun with this theme and to use throwing a pie in someone’s face as an artistic excuse,” said John Richardson, executive director of 360 | 365. “We had twenty films submitted with a high level of creativity and originality&#8211;we couldn’t be more pleased.&#8221;</p>
<p>Beginning at 5:00 p.m., Monday, February 1st, in The Little Theatre café, guests can treat themselves to dinner, mingle with the filmmakers, and meet some of the 360 | 365 staff. Then, at 6:30 p.m., guests will head into the theatre for a screening of all the entries. Individual tickets are $5 and only available at the door. The first place winner will receive a $1,000 cash grand prize and two All Access 360 | 365 Film Festival passes. The second and third place winners will receive tickets to the festival. All three top films will be shown at the Festival in a special screening.</p>
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		<title>Linda and Jim, Day Two</title>
		<link>http://film360365.com/about/archives/106</link>
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		<pubDate>Fri, 22 Jan 2010 11:38:07 +0000</pubDate>
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		<category><![CDATA[Sundance]]></category>

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		<description><![CDATA[Jim and Linda plan their first day of films at Sundance.]]></description>
			<content:encoded><![CDATA[<p>After a long time in airport and in the air, Linda and Jim have successfully landed in Park City, Utah for Sundance!</p>
<p>The weather report is sunny with lots of slush to dredge through in Park City.  So far, they&#8217;ve been riding around on the shuttles with other Festival attendees, ski bunnies, and locals. It&#8217;s packed (and although some people get kind of loud on their cellphones), everyone is well behaved&#8230;</p>
<p><strong>Linda&#8217;s list of films for Friday:</strong><br />
&#8211;Nowhere Boy<br />
&#8211;The Red Chapel<br />
&#8211;Last Train Home<br />
&#8211;His &amp; Hers</p>
<p><strong>Jim&#8217;s list for Friday:</strong><br />
&#8211;Double Take<br />
&#8211;Restrepo<br />
&#8211;Enemies of the People<br />
&#8211;7 Days</p>
<p>Anything could happen&#8211;they might be able to fit in even more films or schedules could change but this is the plan for the moment. They also hope to get to Main Street and visit the NY Lounge. To find out how the day REALLY unfolds for them, follow our <a href="http://twitter.com/360365">Twitter</a> account and check in on <a href="http://www.facebook.com/film360365">Facebook</a> too.</p>
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		<title>Sundance, part two (the parties)</title>
		<link>http://film360365.com/about/archives/98</link>
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		<pubDate>Thu, 21 Jan 2010 11:01:39 +0000</pubDate>
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		<description><![CDATA[Linda Moroney and Jim Healy take on some of Sundance's parties and networking events.]]></description>
			<content:encoded><![CDATA[<p>While Linda and Jim are at Sundance they will have the opportunity to visit several parties and social events.</p>
<p>First of all, did you know that New York State sponsors a lounge during the festival? It features bagels (of course!) and coffee each morning, panels and musical performances later in the afternoon. The New York Lounge is a great place to network and<a href="http://www.filmrochester.org"> The Rochester Finger Lakes Film and Video Office&#8217;s</a> own Nora Brown will be helping to keep things running smoothly.</p>
<p>They will also be attending Variety&#8217;s 10 Directors to Watch reception on Sunday. You can follow <a href="http://www.variety.com/article/VR1118012062.html?categoryid=1061&amp;cs=1">Variety</a> online for complete Sundance coverage. Also, here&#8217;s an<a href="http://www.vanityfair.com/online/style/2010/01/sundance-2010-a-parties-and-swag-preview.html"> article from Vanity Fair</a> previewing the parties and swag&#8230;</p>
<p>In addition, Linda and Jim will be sneaking off to Slamdance to see the film,<a href="http://www.slashfilm.com/2009/12/09/soderberghs-spalding-gray-documentary-and-everything-is-going-fine-to-premiere-at-slamdance-2010/"> &#8220;And Everything Is Going Fine&#8221; </a>directed by Steven Soderbergh. The doc concerns the life and work of Spalding Gray, who made a career as a writer, actor, and monologist. Gray and Soderbergh worked together previously on the 1996 film, <em><strong>Gray’s Anatomy</strong></em>, as well as 1993’s <em><strong>King of the Hill</strong></em> .</p>
<p>Also, Linda has commented that seeing Edie Falco would really drop her jaw. We hope she has the opportunity!</p>
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		<title>Sundance&#8211;here we come (part one, the films)</title>
		<link>http://film360365.com/about/archives/94</link>
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		<pubDate>Wed, 20 Jan 2010 15:52:02 +0000</pubDate>
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		<description><![CDATA[Linda Moroney and Jim Healy travel to Sundance seeking outstanding films to screen at the 360 &#124; 365 festival in Rochester, NY.]]></description>
			<content:encoded><![CDATA[<p>360 | 365&#8242;s very own Managing Director, Linda Moroney, and Director of Programming, Jim Healy, will be heading to Park City for the <a href="festival.sundance.org">2010 Sundance Film Festival</a>. Simply put, their goal is to view as many films as humanly possibly in the search for outstanding work to show during the 360 } 365 film festival in May.</p>
<p>In between all of the film watching, coffee-drinking (to help them stay awake) and popcorn eating, they&#8217;ll be connecting with filmmakers and the people behind the films. They&#8217;ll also be schmoozing to bring the new name and focus of 360 | 365 onto the radar of people in the business. They want the festival to become a must for filmmakers and distributors to consider. (Linda is also hoping to reconnect with folks from her NYC production days.)</p>
<p><strong>Some of the films that top our personal lists of  Sundance must-sees include:</strong></p>
<p>Linda:</p>
<p><strong><a href="http://www.taqwacore.com/">The Taqwacores</a>-</strong>A film about Muslim punkrockers in Buffalo</p>
<p><strong><a href="http://en.britspotting.de/2009/07/09/galway-film-fleadh-ken-wardrops-his-hers/">His &amp; Hers</a>-</strong>A documentary that explores a 90-year old love story through the voices of 70 different women of all ages</p>
<p><a href="http://www.imdb.com/title/tt1017451/"><strong>The Runaways</strong></a>-The first film by acclaimed music video artist Floria Sigismondi. It focuses on the duo comprised of Joan Jett and Cherie Curry as they broke out of the 1970&#8242;s LA music scene</p>
<p>Jim:</p>
<p><a href="http://www.imdb.com/title/tt0954947/"><strong>The Killer Inside Me</strong></a>-Written by Rochester Native John Curran. The film is based on the legendary pulp novel by Jim Thompson</p>
<p><a href="http://www.variety.com/article/VR1117998643.html?categoryid=13&amp;cs=1"><strong>Jack Goes Boating</strong></a>-Philip Seymour Hoffman&#8217;s directorial debut is a lyrical love story that is as offbeat as it is lovely</p>
<p>Jim and Linda will be sending updates via Twitter and Facebook during their time at Sundance. Follow them here:</p>
<p><a href="http://twitter.com/360365">Twitter</a></p>
<p><a href="http://www.facebook.com/film360365">Facebook</a></p>
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		<title>Nazareth &amp; 360 &#124; 365 Co-sponsor Rochester Teen Film Festival</title>
		<link>http://film360365.com/about/archives/79</link>
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		<pubDate>Tue, 19 Jan 2010 05:01:41 +0000</pubDate>
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<p>Nazareth College and 360 &#124; 365 are proud to sponsor the 2010 Rochester Teen Film Festival, a collaborative, juried media competition for youth in the Rochester region. The festival is set for Wednesday, August 4, 2010, when the winning films will be shown on the main screen at the Little Theatre in downtown Rochester, and [...]]]></description>
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<img src="http://film360365.com/school/images/rtfflogohoriz.jpg" alt="" width="380" height="228" /></p>
<p>Nazareth College and 360 | 365 are proud to sponsor the <strong>2010 Rochester Teen Film Festival</strong>, a collaborative, juried media competition for youth in the Rochester region. The festival is set <strong>for Wednesday, August 4, 2010</strong>, when the winning films will be shown on the main screen at the Little Theatre in downtown Rochester, and a later showing at the 360 | 365 Film Festival in 2011.</p>
<p>Now is the time for interested teens to submit their creative film work.  <strong>There is an open call for film and videos in all genres from regional high school students, and the deadline for submissions is June 11, 2010.</strong> For more details regarding the competition and work submission, visit <a href="http://www.film360365.com/school">www.film360365.com/school</a> or contact Dr. Brian Bailey, assistant professor of education, at (585) 389-2764 or <a href="mailto:bbailey2@naz.edu">bbailey2@naz.edu</a> or Linda Moroney, managing director of 360 | 365, at (585) 279-8312 or email <a href="mailto:lmoroney@film360365.com">lmoroney@film360365.com</a>.</p>
<p>Last year, the Teen Film Festival featured 13 titles from 10 different urban, suburban and rural schools around the Rochester area.  “Nazareth College is excited to participate with 360 | 365 in this important community event that showcases the stories and talents of Rochester area youth through the moving image,” says Brian Bailey, assistant professor of education at Nazareth College and co-founder of the Rochester Urban Youth Film Festival.</p>
<p>“An integral part of 360 | 365’s mission is education of Upstate New York youth and emerging filmmakers.  The Rochester Teen Film Festival and our collaboration with Nazareth College is an excellent step in this direction”, says Linda Moroney, managing director of 360 | 365.  In addition to the screening at the Little Theatre and the 360 | 365 George Eastman House Film Festival, finalists will be given free passes to selected films, events and parties.</p>
<p>360 | 365 grew out of the very successful Rochester High Falls International Film Festival. The 360 | 365 George Eastman House Film Festival (May 5 – 10, 2010) captures both the birthplace of the art form and it’s cutting edge evolution.  In recognition of it’s history, the 360 | 365 Film Festival focuses a portion of its programming on the achievements of women in filmmaking. However, the new Festival expands its programming with a wide range of films appealing to all audiences, age ranges, and personal tastes. In addition, 360 | 365 is a year-round conversation that includes short- and feature-length emerging filmmakers in its Shorts Contest and New Director Series.  360 | 365 interactively engages filmmakers and our audiences in education, discovery, and celebration through the medium of film in all aspects and directions, 365 days a year.  For more information about 360 | 365, visit <a href="http://www.film360365.com">www.film360365.com</a>.</p>
<p>Founded in 1924, Nazareth College is a coeducational college with undergraduate and graduate studies in the liberal arts and sciences and professional programs in health and human services, education, and management. The College is located on 150 scenic acres near Rochester, New York, and currently enrolls approximately 2,000 undergraduate and 1,000 graduate students. Nazareth has a strong commitment to experience-based learning and civic engagement. In the past decade, Nazareth has produced 18 Fulbright recipients and two Pickering Foreign Affairs Fellowships. For more information on the College, visit <a href="http://www.naz.edu">www.naz.edu</a>.</p>
<p># # #</p>
<p>Contact: Julie Long (585) 389-2456<br />
Or John Richardson (585) 279-8307</p>
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		<title>360 &#124; 365 and George Eastman House Announce Film Festival Collaboration</title>
		<link>http://film360365.com/about/archives/64</link>
		<comments>http://film360365.com/about/archives/64#comments</comments>
		<pubDate>Tue, 22 Dec 2009 18:48:01 +0000</pubDate>
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<p>360 &#124; 365 George Eastman House Film Festival to boast strong international focus and new artistic vision;</p>
<p>Eastman House only major film archive to partner with contemporary film festival</p>
<p>ROCHESTER, N.Y. – Two international leaders in film – the 360 &#124; 365 Film Festival (formerly the Rochester / High Falls International Film Festival) and the 60-year-old George [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-73" title="360gehfestivalfifthyear380" src="http://film360365.com/about/wp-content/uploads/2009/12/360gehfestivalfifthyear380.jpg" alt="360gehfestivalfifthyear380" width="380" height="101" /></p>
<p><em>360 | 365 George Eastman House Film Festival to boast strong international focus and new artistic vision;</em></p>
<p><em>Eastman House only major film archive to partner with contemporary film festival</em></p>
<p>ROCHESTER, N.Y. – Two international leaders in film – the 360 | 365 Film Festival (formerly the Rochester / High Falls International Film Festival) and the 60-year-old George Eastman House International Museum of Photography and Film – today announced an alliance and the creation of the <strong>360 | 365 George Eastman House Film Festival</strong>. The 2010 dates for the Festival are May 5 through 10.</p>
<p>The collaboration has grown from a longstanding relationship the Festival has had with George Eastman House, and marks the first time a major film archive has aligned with a contemporary film festival.</p>
<p>“George Eastman House has been involved with this film festival from the beginning and must be involved,” said Dr. Anthony Bannon, director of Eastman House. “And now is the right time to officially join forces to take the festival to even greater levels, two major non-profit organizations, working closely together in both a cultural and business model for Rochester and the nation.”</p>
<p>George Eastman House and Rochester celebrate the legacy of George Eastman, the father of popular photography and motion picture film. The Film Festival was founded in 2001 based on these strong ties to film, and the region’s historic connection, as the home of Susan B. Anthony, to women’s rights.</p>
<p>“This collaboration is a natural progression of a strong, decade-long partnership between 360 | 365 and Eastman House,” said John Richardson, executive director of 360 | 365. “With this alliance, we leverage our strengths and build something much greater, something at once uniquely Rochester yet also rivaling the best festivals in the country.”</p>
<p>The artistic vision for the new Festival will be led by Programming Director Jim Healy, who will also continue in his role as George Eastman House’s curator of motion pictures, a position he has held since 2001. Healy will lead a team of internationally recognized industry leaders for the Film Festival, including Gannett News Service retired national chief film critic Jack Garner and award-winning independent filmmaker Linda Moroney.</p>
<p>The new artistic team will focus on three key pillars of programming for the Festival. In addition to featuring the best of contemporary American independent and international cinema, a portion of Festival programming will remain on the achievements of women in filmmaking. And with Eastman House being one of the world’s oldest and largest motion-picture archives, as well as a world-leader in film preservation, the Festival will feature a selection of preservation screenings.</p>
<p>Healy has programmed more than 300 films annually for the Eastman House’s film program. He previously worked as a film programmer with the Chicago International Film Festival and served on the board of the Rochester/High Falls International Film Festival. Additional festival work includes serving as curator of special programs with the Torino Film Festival in Italy since 2005 and the Moscow Film Festival in Russia in 2008.</p>
<p>&#8220;My goal for the 360 | 365 George Eastman House Film Festival is to build a celebration of film and film history, covering as many of its diverse facets as possible,&#8221; Healy said. &#8220;I&#8217;m excited at the opportunity to program a festival event that will celebrate film history, and, by extension, the ongoing work of the Motion Picture Department at George Eastman House.&#8221;</p>
<p>Over the course of the annual six-day Festival, programs will include screenings of features, documentaries, shorts, and children’s and young adult programs, as well as master classes and panel discussions in the Eastman House’s Curtis Theatre. Many of the festival’s screenings will take place in the Eastman House’s 535-seat Dryden Theatre (built in 1951), with additional screenings across the Greater Rochester Region, including at the five-screen, art-deco Little Theatre (built in 1929).</p>
<p><strong>About the 360 | 365 George Eastman House Film Festival</strong></p>
<p>The annual 360 | 365 George Eastman House Film Festival, scheduled next for May 5-10, 2010, grew out of the very successful Rochester High Falls International Film Festival, which was established in 2001 and quickly became one of the leading cultural events in Upstate New York. In recognition of its history, the Film Festival will continue to focus a portion of its programming on the achievements of women in filmmaking.</p>
<p>The Festival will continue to grant two longstanding awards to recognize women stars and filmmakers. The “Failure is Impossible!” Award, given in honor of Rochester-area women’s rights leader Susan B. Anthony, is awarded annually to successful women behind and in front of the lens. Past recipients include Rita Moreno, Lynn Redgrave, Christine Lahti, Joan Allen, Sally Kellerman and Angela Bassett. The Faith Hubley “Web of Life” Award, named after its first recipient, Academy Award-winning animator Faith Hubley, recognizes the recipients’ understanding of the power art has to entertain and connect with an audience, and the responsibility that artists have to help make the world a better place. Past recipients include Nancy “Bart Simpson” Cartwright, director Mira Nair and actress Jane Alexander.</p>
<p>The new Festival will expand its programming with a wide range of films appealing to all audiences, age ranges and personal tastes. With Eastman House being one of the world’s oldest and largest motion-picture archives, as well as a world-leader in film preservation, the festival also will feature a selection of preservation screenings. In the spirit of broadening the reaches of the Festival, organizers plan to announce additional awards in coming months.</p>
<p>In addition to collaborating with the Film Festival, 360 | 365 and George Eastman House are also joining forces around a New Directors Series, a year-round educational program that showcases up-and-coming directors of feature-length films. The bi-monthly series includes film screenings and audience Q&amp;A sessions, providing other filmmakers and fans of cinema access to those behind the lens.</p>
<p>For more information about the 360 | 365 George Eastman House Film Festival and New Directors Series, visit <a href="http://www.film360365.com">www.film360365.com</a>.</p>
<p>Both 360 | 365 and George Eastman House continue to have independent projects and programming outside of the collaboration agreement.</p>
<p><strong>About George Eastman House </strong></p>
<p>Located on the estate of Kodak founder George Eastman, the father of popular photography and motion picture film, George Eastman House is one of the most important motion picture archives in the world and the third largest in the United States. Founded in 1947, the archive houses 30,000 film titles and 4 million pieces of film-related publicity stills, posters, scores, scripts, and pre-cinema artifacts. Eastman House also holds the world’s largest collection of camera technology with 20,000 artifacts. The Eastman House’s L. Jeffrey Selznick School of Film Preservation is regarded as the premier venue of professional training in film preservation, restoration, and archiving. Annually George Eastman House restores more than 500 reels of film. The Eastman House is also the archive in which many filmmakers have chosen to preserve their films, including Cecil B. DeMille, Spike Lee, Ken Burns, and Kathryn Bigelow, as well as Martin Scorsese, who archives his 8,000-title personal collection at Eastman House.</p>
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		<title>Early Bird Passes Now On Sale!</title>
		<link>http://film360365.com/about/archives/46</link>
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		<pubDate>Wed, 02 Dec 2009 00:27:48 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>All Access, Films Only, and Student Passes are now available for purchase at a reduced rate until January 30, 2010. </p>
<p> </p>
<p>The 360 &#124; 365 Film Festival will take place Mary 5 – 10, 2010 at various venues around Rochester.  The Film Festival is an annual spring celebration, bringing the finest in independent motion pictures, [...]]]></description>
			<content:encoded><![CDATA[<p><strong>All Access, Films Only, and Student Passes are now available for purchase at a reduced rate until January 30, 2010. </strong></p>
<p><strong> </strong></p>
<p>The 360 | 365 Film Festival will take place Mary 5 – 10, 2010 at various venues around Rochester.  The Film Festival is an annual spring celebration, bringing the finest in independent motion pictures, and film and new media artists to Rochester and Western New York audiences.  It’s a film festival built for everyone, the avid movie fan, aspiring and established filmmakers, and those that just want to explore.</p>
<p>Over the course of the Festival, features, documentaries, shorts, children’s and young adult programs are presented, along with the winners of our year-round Shorts Contest.    Honoring our past, the Festival focuses a portion of its programming on the achievements of women in all aspects of filmmaking.  But the 360 | 365 Film Festival expands that programming with a wide range of films appealing to both sexes, all age ranges, and personal tastes.</p>
<p><span style="text-decoration: underline;">This year we are offering three different levels of passes:</span></p>
<p><span style="text-decoration: underline;"> </span></p>
<p><strong>ALL ACCESS</strong> – is the best way to fully enjoy the 360 | 365 Film Festival, with admittance to every film, party, and panel.  The discounted rate is <strong>$125</strong> through January 30, 2010.  Regular rate = $150.</p>
<p><strong>FILMS ONLY</strong> – perfect for those that want to attend as many films as possible but not interested in the late night parties or industry panels.  The discounted rate is a mere <strong>$99</strong> through January 30, 2010.  Regular rate = $125.</p>
<p><strong>STUDENT PASS</strong> – is the ultimate gift for the aspiring filmmaker, with admittance to all of the films, parties, and industry panels.  (Student will have to present a valid school ID).  The discounted rate is <strong>$75</strong> through January 30, 2010.  Regular rate = $90.</p>
<p>Click on: <a href="http://film360365.com/festival/tickets-and-passes" target="_blank">http://film360365.com/festival/tickets-and-passes</a> to place your order for home delivery of your 2010 pass, and enjoy Rochester’s most exciting annual event.</p>
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		<title>Open Call For Entries</title>
		<link>http://film360365.com/about/archives/40</link>
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		<pubDate>Thu, 29 Oct 2009 00:24:32 +0000</pubDate>
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		<description><![CDATA[<p> </p>
<p>ABOUT THE 360&#124; 365 FESTIVAL</p>
<p>Over the course of the Festival, May 5 – 10, 2010, features, documentaries, shorts, children’s and young adult programs will be presented, along with the winners of our year-round Shorts Contest.  Honoring our past, the Festival will focus a portion of our programming on the achievements of women in all [...]]]></description>
			<content:encoded><![CDATA[<p><strong> </strong></p>
<p><strong>ABOUT THE 360| 365 FESTIVAL</strong></p>
<p>Over the course of the Festival, May 5 – 10, 2010, features, documentaries, shorts, children’s and young adult programs will be presented, along with the winners of our year-round Shorts Contest.  Honoring our past, the Festival will focus a portion of our programming on the achievements of women in all aspects of filmmaking. But the 360 | 365 Film Festival expands the programming with a wide range of films appealing to both sexes, all age ranges, and personal tastes.</p>
<p>Panel discussions and master classes presented by prominent industry professionals give our filmmaking audience unique access to advance their own talents in all aspects of filmmaking. Public parties, private receptions, and informal “Coffee With” events provide casual networking opportunities with visiting filmmakers.</p>
<p>The 360 | 365 Film Festival announces an <strong>OPEN CALL FOR WORK</strong> for all programs:<br />
<strong>* MAIN PROGRAM<br />
* SHORTS PROGRAM<br />
* CHILDREN&#8217;s and YOUNG ADULTS PROGRAM</strong></p>
<p><strong>DEADLINES:</strong><br />
* Early-bird: NOVEMBER, 20, 2009<br />
* Regular: DECEMBER 28, 2009<br />
* Late: JANUARY 29, 2010<br />
* Extended: FEBRUARY 22, 2010<br />
<strong>BACKGROUND OF FESTIVAL:</strong></p>
<p>The Festival takes place in Rochester, New York, home of George Eastman, Susan B. Anthony, and Kodak. Special recognitions such as the Susan B. Anthony &#8220;Failure is Impossible&#8221; Award, and the Faith Hubley &#8220;Web of Life&#8221; Award are presented. Past recipients have included such actors as Lynn Redgrave, Joan Allen, Angela Bassett, Candice Bergen, Christine Lahti, Rita Moreno as well as director Mira Nair, producer Lauren Shuler Donner and others.  Previous guests of the Festival included Phillip Seymour Hoffman, Agnieszka Holland, Bill Pullman, Leslie Stahl, Robert Forster, Gordy Hoffman, Jane Alexander, Famke Janssen, Sally Kellerman, Richard Donner, voice-over actress Nancy “Bart Simpson” Cartwright, CCH Pounder, John Curran, Celeste Holm, and Shrek director Vicky Jenson.</p>
<p>Our venues include the world-renowned, state-of-the-art Dryden Theatre at George Eastman House International Museum of Photography and Film, and the historic Little Theatre.</p>
<p>Fees vary depending on submission type and date.  See site for details.  <a href="http://www.film360365.com/festival/submit-a-film" target="_blank"><strong>www.film360365.com/festival/submit-a-film</strong></a></p>
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		<title>Shorts Contest News</title>
		<link>http://film360365.com/about/archives/42</link>
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		<pubDate>Thu, 29 Oct 2009 00:20:41 +0000</pubDate>
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		<description><![CDATA[<p>FILM IS IN OUR BLOOD AND THIS IS WHERE WE PROVE IT.</p>
<p>
Our first Shorts Contest was a smashing success.  Congratulations to the winners:</p>
<p>First Place: THE LAKE by Ben Doran</p>
<p>Second Place: COMING HOME by Dave Siriano and Joshua C. Pies</p>
<p>Third Place: ALWAYS EVERYTIME by Velvet D’Amour</p>
<p>You can view all three films here: http://film360365.com/shorts/award-winning-films</p>
<p> </p>
<p> </p>
<p align="center"> [...]]]></description>
			<content:encoded><![CDATA[<p><strong>FILM IS IN OUR BLOOD AND THIS IS WHERE WE PROVE IT.</strong></p>
<p><strong><br />
</strong>Our first <strong>Shorts Contest</strong> was a smashing success.  Congratulations to the winners:</p>
<p><strong>First Place:</strong> THE LAKE by Ben Doran</p>
<p><strong>Second Place</strong>: COMING HOME by Dave Siriano and Joshua C. Pies</p>
<p><strong>Third Place:</strong> ALWAYS EVERYTIME by Velvet D’Amour</p>
<p>You can view all three films here: <a href="http://film360365.com/shorts/award-winning-films" target="_blank">http://film360365.com/shorts/award-winning-films</a></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p align="center"><strong> </strong></p>
<p align="center">
<p align="center"><strong> </strong></p>
<p align="center"><strong>NEW THEME ANNOUNCED</strong></p>
<p align="center"><strong> </strong></p>
<p>The theme for our second Shorts Contest is <strong>PIE IN THE FACE</strong>.  That’s right – if you’ve always wanted to let a pie fly, now you have an “artistic” excuse!!  At some point during your short film (3 minutes or less) someone needs to get a pie in the face.  Tell us the story, develop the characters, and let fly!</p>
<p align="center"><strong> </strong></p>
<p align="center"><strong>$1,000 Grand Prize</strong></p>
<p>plus a publicized screening at the 2010 360 | 365 Film Festival</p>
<p align="center"><strong>Deadline:  11:59 p.m. (US ET) on January 15th, 2010</strong>.</p>
<p align="center">
<p>Visit <a href="http://film360365.com/shorts/submit-films" target="_blank">http://film360365.com/shorts/submit-films</a> for details on submitting a short film to the contest.</p>
<p>Visit us on</p>
<p><strong>Facebook: </strong><a href="http://www.facebook.com/film360365" target="_blank"><strong>http://www.facebook.com/film360365</strong></a></p>
<p>And</p>
<p><strong>Twitter: </strong><a href="http://twitter.com/360365" target="_blank"><strong>http://twitter.com/360365</strong></a></p>
<p>For more information about 360 | 365, visit <a href="http://www.film360365.com/" target="_blank"><strong>www.film360365.com</strong></a></p>
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		<title>Film Festival Introduces New Brand Identity</title>
		<link>http://film360365.com/about/archives/57</link>
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		<pubDate>Wed, 21 Oct 2009 00:48:50 +0000</pubDate>
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		<description><![CDATA[<p></p>
- 360 &#124; 365 Embodies Festival&#8217;s Year-Round Celebration of Films for All Audiences -

<p>ROCHESTER, N.Y. - Staff, board members and volunteers today announced the new name and logo for a popular Rochester-based international film festival. &#8220;360 &#124; 365&#8243; grew out of the successful Rochester High Falls International Film Festival, and represents the organization&#8217;s growing year-round [...]]]></description>
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<h3><strong><em>- 360 | 365 Embodies Festival&#8217;s Year-Round Celebration of Films for All Audiences -</em></strong></h3>
<div>
<p><strong>ROCHESTER, N.Y. -<span> </span></strong>Staff, board members and volunteers today announced the new name and logo for a popular Rochester-based international film festival. &#8220;360 | 365&#8243; grew out of the successful Rochester High Falls International Film Festival, and represents the organization&#8217;s growing year-round presence and appeal to all audiences.</p>
<p>In recognition of its eight-year history, 360 | 365 will continue to focus a portion of its Film Festival programming on the achievements and support of women in all roles of filmmaking. But in addition, the organization will continue with its recently introduced and renamed 360 | 365 Shorts Contest, as well as the 360 | 365 New Directors&#8217; Series.</p>
<p>&#8220;It&#8217;s important for our name and brand to represent the full breadth of our events,&#8221; said John Richardson, 360 | 365 Executive Director. &#8220;We are accessible and relevant to all audiences, of all ages and interests &#8211; truly 360 degrees of film, 365 days a year. 360 | 365 has evolved to be as much for our film-loving audience as it is for our renowned filmmakers.&#8221;</p>
<p>Since its inception in 2001, the Film Festival itself has become one of the leading cultural events in the Rochester region, boosting tourism with attendees who spend an estimated $1 million in and around its festival sites. The 360 | 365 Film Festival will continue to be held annually in May, and will continue to attract a lively mix of emerging and well established talent. Past guests have included famous women and men alike, including Lynn Redgrave, Rita Moreno, Bill Pullman, Robert Forster, Christine Lahti, Angela Bassett, Jane Alexander, Candice Bergen, Joan Allen, Famke Janssen, Sally Kellerman, voice-over actress Nancy (Bart Simpson) Cartwright, producer Lauren Shuler Donner, and<span> </span><em>Shrek</em><span> </span>director Vicky Jenson.</p>
<p>The 360 | 365 Shorts Contest, introduced in July 2009, encourages established and amateur filmmakers to submit entries of three-minutes-or-less short films that correspond to different themes. Winners receive cash prizes, VIP tickets to the Film Festival and public screenings of their short films.</p>
<p>The 360 | 365 New Directors Series is a new, year-round educational event that will feature up-and-coming directors. The Series will include film screenings, interviews and audience Q&amp;A sessions, to provide other filmmakers and fans of cinema access to the experts behind the lens.</p>
<p>360 | 365 also enjoys continued support from local partners. Respected branding and advertising agency Partners + Napier helped create the new brand and logo mark; Animatus Studios developed the new website at<a href="http://www.film360365.com/" target="_top">www.film360365.com</a>; and Crystal Pix created the intro video for the Shorts Contest.</p>
<p><strong>About 360 | 365</strong></p>
<p>360 | 365 grew out of the very successful Rochester High Falls International Film Festival. In recognition of its history, the 360 | 365 Film Festival focuses a portion of its programming on the achievements of women in filmmaking. However, the new Festival expands its programming with a wide range of films appealing to all audiences, age ranges, and personal tastes. In addition to its established Film Festival, 360 | 365 is a year-round conversation that includes short- and feature-length emerging filmmakers in its Shorts Contest and New Directors Series.</p>
<p>360 | 365 interactively engages filmmakers and our audiences in education, discovery, and celebration through the medium of film in all aspects and directions, 365 days a year. For more information about 360 | 365, visit<span> </span><a href="http://www.film360365.com/" target="_top">www.film360365.com</a>.</div>
<p></span></p>
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		<title>Film Festival announces finalists of first online short film competition</title>
		<link>http://film360365.com/about/archives/21</link>
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		<pubDate>Wed, 07 Oct 2009 18:16:15 +0000</pubDate>
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		<description><![CDATA[<p>First &#8220;HF3 Shorts&#8221; Contest Winner to be Announced at Filmmaker Celebration Party, Open to the Public –</p>
<p>Monday, Oct. 12, at 5:30 p.m. at One Restaurant &#38; Lounge, 1 Ryan Alley in Rochester’s East End.</p>
<p>Rochester, N.Y. (Oct. 6, 2009) – The Rochester High Falls International Film Festival has announced the names of the top three finalists [...]]]></description>
			<content:encoded><![CDATA[<p>First &#8220;HF3 Shorts&#8221; Contest Winner to be Announced at Filmmaker Celebration Party, Open to the Public –</p>
<p>Monday, Oct. 12, at 5:30 p.m. at One Restaurant &amp; Lounge, 1 Ryan Alley in Rochester’s East End.</p>
<p>Rochester, N.Y. (Oct. 6, 2009) – The Rochester High Falls International Film Festival has announced the names of the top three finalists in its first-ever online short film contest. The contest, introduced in August, offers cash and movie screenings as prizes for unique digital movies three minutes or shorter in length.</p>
<p>An expert panel of contest judges, led by renowned local film critic Jack Garner, reviewed all 19 short-film submissions and chose the top three (listed here in alphabetical order by title):</p>
<p>· &#8220;Always Everytime&#8221; by Velvet D&#8221;Amour</p>
<p>· &#8220;Coming Home&#8221; by Joshua Pies and Dave Siriano</p>
<p>· &#8220;The Lake&#8221; by Ben Doran</p>
<p>&#8220;We were amazed by the talent and creativity of submissions to the first contest. There were so many perspectives on &#8221;Coming Home,&#8221; it was a pleasure to watch them all,&#8221; Garner said. &#8220;There was significant conversation among the judges to determine the top winners. I&#8221;m really looking forward to future contests, to see what else participating filmmakers can create.&#8221;</p>
<p>All 19 submitted films – which were based on the contest theme &#8220;Coming Home&#8221; – will be screened and the top winner announced at a special filmmaker celebration party on Monday, Oct. 12, at 5:30 p.m. at One Restaurant &amp; Lounge, 1 Ryan Alley in Rochester&#8221;s East End.</p>
<p>&#8220;The goal of our online short-film contest is to support and encourage new and existing filmmakers year-round,&#8221; said John Richardson, the Festival&#8221;s executive director. &#8220;It&#8221;s not only about encouraging filmmaking, but offering screenings and social events at which filmmakers can present and discuss their films and the creative process with fans and others in the business.&#8221;</p>
<p>The first-place winner of the short-film contest will win $1,000, be screened at the 2010 Rochester High Falls International Film Festival, and receive two all-access passes to the Festival. The second- and third-place films will also be screened at the 2010 Festival, and the filmmakers will receive two all-access passes to the Festival.</p>
<p>More information about the contest, including rules and links to all 19 &#8220;Coming Home&#8221; submissions, is available at <a href="http://www.RochesterMovieFest.com/shorts">www.RochesterMovieFest.com/shorts</a></p>
<p>[Note: Original plans had the winning film premiering at Rochester''s 175th Anniversary Gala, which was cancelled by the City.]</p>
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		<title>The Countdown Begins…</title>
		<link>http://film360365.com/about/archives/49</link>
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		<pubDate>Fri, 11 Sep 2009 00:34:28 +0000</pubDate>
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				<category><![CDATA[News]]></category>

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		<description><![CDATA[<p>Tick Tock Tick Tock</p>
<p>Our dates for the 2010 Festival are now locked. Please join us May 5 – 10, 2010 for what will be a brand new festival!  The clock is ticking down the time left until we can unveil all of ways in which we will be a more inclusive, modern, and year-round organization.  [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Tick Tock Tick Tock</strong></p>
<p>Our dates for the 2010 Festival are now locked. Please join us <strong>May 5 – 10, 2010</strong> for what will be a brand new festival!  The clock is ticking down the time left until we can unveil all of ways in which we will be a more inclusive, modern, and year-round organization.  It’s incredibly difficult to not share with you all of the details at this time that are causing this excitement and giddiness, but stay tuned!  A new name for the Festival, perhaps?  Get ready to be part of what will be a fresh and lively journey!</p>
<p><strong>Live.</strong></p>
<p><strong>Breathe.</strong></p>
<p><strong>Film.</strong></p>
<p><strong>Hf3 Shorts Update</strong></p>
<p>There has been a considerable hum throughout the Greater Rochester Community in regards to our Shorts Contest.  We hear it has been the topic of discussion on college campuses, in high school hallways, at filmmakers meetings, on TV and radio, in restaurants, at dinner parties, and even on a few street corners.  There is still time to participate in the first contest, COMING HOME: Rochester’s 175<sup>th</sup> Anniversary.  The deadline to upload entries is September 25<sup>th</sup>.  Visit <a href="http://www.rochestermoviefest.com/hf3shorts" target="_blank">www.rochestermoviefest.com/hf3shorts</a> for details and join in on the adventure!</p>
<p><strong>Remember, the winner gets $1,000, a premiere screening at the City’s 175<sup>th</sup> Anniversary Gala October3, 2009 and a publicized screening at the 2010 Film Festival.</strong></p>
<p align="center"><strong>Fond Farewells</strong><strong></strong></p>
<p>While we are looking ahead with great anticipation to the future of our organization, it is time to bid adieu to some significant colleagues…We thank them for their contributions to past success and wish them the very best in their next chapters!</p>
<p>“I especially want to thank Ruth and Catherine for their contributions to the Festival.  They have been with the organization since its inception and have been an integral part of our programming and events.  Their good wishes propel us into the next exciting chapters of change.  Thanks to you both!”  John Richardson, Executive Director.</p>
<p><strong>High Falls colleagues, Executive and Honorary Board members, International Advisory Council, Festival family and friends:</strong></p>
<p>It has been a challenging, exciting and fulfilling nine years since I became the founding Artistic Director of the High Falls International Film Festival.  After much thought and reflection, I have decided to resign as Artistic Director and invest my time and energy in my production company. The festival is now taking a new turn.  It is also time for me to take one.</p>
<p>It has been a great pleasure to work and learn from all of you. I have always been impressed with the ability and the tenacity of my colleagues in Rochester.   I want to especially mention Ruth Cowing, whose taste, judgment and work ethic have been key elements in the success of the festival.</p>
<p>We have accomplished much in our time together. We have produced eight festivals showcasing the work of women in all creative roles behind the camera, a unique mission in the festival world.  Each festival provided our public with a broad sampling of the best in current cinema from around the world, and each festival has received almost unbounded critical acclaim.</p>
<p>Four of our first five Audience Award winners, went on to receive the Oscar for Best Foreign Film, attesting not only to our programming savvy, but also to the perspicacity of our audiences.</p>
<p>In the city that Susan B. Anthony called home, we raised the profiles of many talented women who found themselves at a disadvantage in certain areas of the commercial film world. This resonated with women in the industry, and we enjoyed ever-increasing support through their presence and their insights.</p>
<p>It is my pleasure to remain affiliated with the festival as Artistic Consultant.  I look forward to the future of this fine institution, and I am proud to have been able to make a contribution to its founding and early years.</p>
<p><strong>Catherine Wyler</strong></p>
<p><em>Dear friends,</p>
<p>Catherine&#8217;s sentiments so eloquently sum up my own &#8212; what a privilege it has been to work on this amazing project for the last decade, to watch it grow from a much-discussed idea to an unforgettable first year (2001) to the multi-faceted program it is today. So many talented individuals have graced our stage, have inspired us with their work to be more than we imagined. &gt;From the acclaimed star to the first-time youth filmmaker, welcoming family and friends to the premiere of her short, I have felt honored to be in the presence of it all.</p>
<p>Being Co-Programmer with Ms. Wyler (and Festival Director for several years) has been one of the true highlights of my career, but it never escaped my attention that to be paid to watch films brought with it great responsibility. Our goal was always to find that delicate, &#8220;magic&#8221; balance in the adult programming, mixing a good dose of entertainment with more serious, thought-provoking work. The idea of film as an effective tool for social change had resonance, bore out by many an audience at a passionate Q&amp;A.</p>
<p>The approach to the Children&#8217;s and Young Adult program was much the same &#8212; a blending of artistic excellence with stories that provided building blocks for literacy, that incorporated gentle social messages about the differences and commonalities all children experience. It was with great care that this program grew from two films in 2001 to over 100 screenings year-round, with traveling tours in Rochester, New York State, the eastern seaboard, Australia. The addition in later years of the Children&#8217;s Animation Workshop with Animatus Studios and the Young Filmmakers Competition with Young Audiences and the Rochester Urban Youth Film Festival gave many at-risk students a chance to tell their own stories for the first time, and to premiere them at an international film festival. Community collaborations with educational, cultural and mental health agencies in town resulted in, respectively, the annual Children&#8217;s Film Festival in April and the annual ReelMind Film Series in May/June, the latter of which debuted to packed houses last year.</p>
<p>Exciting changes are ahead for High Falls, and I will always be proud and grateful to have been able to help launch the Festival&#8217;s first decade. New challenges beckon however, and it is with great fondness that I say farewell to a 24/7 fest lifestyle that has been lived, loved and shared with so many dedicated people behind the scenes. As I&#8217;ve told the folks taking over the reins this year, the good news is the possibilities for future collaborations are endless. For now, I look forward to cheering John Richardson and team on from the audience with the rest of you, popcorn in hand!</p>
<p>With warm regards,</p>
<p><strong>Ruth Cowing</strong></em></p>
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		<title>Introducing the Online Short Film Competition</title>
		<link>http://film360365.com/about/archives/51</link>
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		<pubDate>Wed, 12 Aug 2009 00:35:33 +0000</pubDate>
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				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://livebreathefilm.com/about/?p=51</guid>
		<description><![CDATA[<p align="center">ROCHESTER HIGH FALLS INTERNATIONAL FILM FESTIVAL
INTRODUCES ONLINE SHORT FILM COMPETITION</p>
<p align="center">First “HF3 Shorts” Theme will Celebrate Rochester’s 175th Anniversary</p>
<p>The Rochester High Falls International Film Festival team is working hard on broadening the organization’s mission and scope.  Our first step is establishing a year-round presence with a short film contest, that focuses on a new [...]]]></description>
			<content:encoded><![CDATA[<p align="center"><strong>ROCHESTER HIGH FALLS INTERNATIONAL FILM FESTIVAL<br />
INTRODUCES ONLINE SHORT FILM COMPETITION</strong></p>
<p align="center"><strong><em>First “HF3 Shorts” Theme will Celebrate Rochester’s 175<sup>th</sup> Anniversary</em></strong></p>
<p>The Rochester High Falls International Film Festival team is working hard on broadening the organization’s mission and scope.  Our first step is establishing a year-round presence with a short film contest, that focuses on a new theme every other month.   “HF3 Shorts” will offer cash and movie screenings as prizes for unique digital movies three minutes or shorter in length.  “The filmmaking talent in the Rochester region is remarkable,” said John Richardson, the Festival’s executive director. “This new online short-film contest is just one more way we can support and encourage new and existing filmmakers – year-round.”</p>
<p>For the contest’s premiere, the Festival has partnered with the City of Rochester and announced its first theme, “Coming Home: Rochester’s 175<sup>th</sup> Anniversary.”  Rochester Mayor Robert Duffy is helping to encourage participation via a video running on our website (<a href="http://www.rochestermoviefest.com/" target="_blank">www.rochestermoviefest.com</a>), and is planning his own short film entry.  “The Film Festival’s new contest provides us with the perfect opportunity to ask Rochesterians to share their stories about our home town,” Mayor Duffy said.</p>
<p>Deadline for entries of the first contest is Sept. 25, 2009. The winning film will premiere at the 175<sup>th</sup> Anniversary Gala on October 3<sup>rd</sup>, and be screened at the 2010 Rochester High Falls International Film Festival.  All short films submitted to the contest will be viewable on our website and on YouTube.  The winner of each contest will also win $1,000.</p>
<p>For each contest, all entries will be judged by an expert panel led by renowned local film critic, Jack Garner.  “The late Orson Wells said, near the end of his life, that the day is coming, thanks to the ease of today’s hands-on technology, when anybody can make a movie. The challenge is to make them <em>good</em>,” Garner said. “That’s your challenge if you’d like to be part of the High Falls Film Festival’s shorts program. I hope entries will cause me to bring my Number-10 rating out of retirement!”</p>
<p>For more information about the contest, including submission rules and contest themes, visit our website <a href="http://www.rochestermoviefest.com/" target="_blank">www.RochesterMovieFest.com</a>. The contest introductory videos were created by a talented team from Crystal Pix. The website, created by Animatus Studio, will feature video links to all entries of each contest.</p>
<p align="center"><strong>Meet Our New Festival Team</strong></p>
<p>As most of you may know by now, we have a new team here at The Festival.  We are all impatiently awaiting the exciting new paths this energetic duo will lead us on.  In the meantime, here’s their back story…</p>
<p><strong>John Richardson (Executive Director)</strong> is a Co-Founder of the Rochester/ High Falls International Film Festival. He served as Board Chair for most of the Festival&#8217;s history prior to becoming Executive Director. In a previous life, he was the Director of New York Public Affairs for Eastman Kodak Company.  His responsibilities included lobbying and public relations initiatives with the state and local governments, and community-interest groups in the greater Rochester area. John was the company liaison for economic development initiatives, environmental issues, charitable contributions, workforce training, real estate, tax negotiations, and the arts.  In prior positions, John was Controller of Kodak&#8217;s Lincoln Plant, Manager of Operations for the Federal Systems Division, and Director of the Federal Government Marketing organization where he managed a $250M business selling commercial products to the Federal government.  John was also the Marketing Manager for the first digital camera and digital printer.  John is active in the Rochester community and currently serves on the Boards of WXXI Public Broadcasting Council, Pathstone Advisory Panel, and volunteers for Junior Achievement.</p>
<p><strong>Linda Moroney (Managing Director)</strong> has been active in the independent film community for over 10 years. Films she&#8217;s produced have shown theatrically, been broadcast nationally, and screened at numerous film festivals worldwide.  Prior to becoming our Managing Director, Linda served at the Technical Director and Shorts Co-Programmer for the festival.   In 2007, she was the Curator for Animated Jazz Shorts from The Hubley Studio, which was a Co-presentation by the Rochester International Jazz Festival, Rochester/High Falls International Film Festival, and George Eastman House. Linda cut her filmmaking teeth working with Academy Award winner, Faith Hubley, on six of her animated films.  In addition, Linda was the Associate Producer on the independent feature-length documentary, <em>RAM DASS</em> FIERCE GRACE named by Newsweek magazine as one of the five best non-fiction films of 2002, and broadcast nationally on PBS in 2004. Recently, she directed the documentary short, STREET EATS, which debuted at The Kansas City Film Festival.  She has also produced several other short films including Emily Hubley&#8217;s award-winning SET SET SPIKE (2001), which was an official selection in the 2002 Sundance Festival. Linda is a founding member of Women in Film &amp; Television Rochester. She is currently in pre-production on THE STORYBOOK PROJECT, her first documentary feature film as director.</p>
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